From the mid-1970s, Mike Kelley assembled an incredibly diverse and often controversial body of work. A multi-disciplinary impresario, he created works on paper, paintings, sculpture, video, installation, and performance art that managed to be at once shocking yet humorous, and complex yet accessible. This companion volume to the much-anticipated 2013 exhibition at the Stedelijk Museum (Amsterdam) brings a fresh understanding to the artist’s work by seeking to address the more poetic aspects of Kelley’s work through Eva Meyer-Hermann’s unique curatorial approach. Here she presents individual works in new combinations that cross the boundaries of chronology, bodies of work, and former artistic project groups. Identifying themes such as architecture, language, identity, Informe, power, modernisms, nostalgia, and religion, the book represents ideas that have informed Kelley’s work throughout his career. As a result, the overarching lines of his oeuvre become visible and accessible. This book features essays (by John C. Welchman, Eva Meyer-Hermann, Branden W. Joseph, and George Baker), a fully annotated plate section of abundant full-colour images of Kelley’s history of work, and a newly researched and revised biography and bibliography of Kelley’s work.
The publication promises to be the definitive work on the artist.
A huge publication! Extra shipping charges may apply.
- Mike Kelley
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