ACCA, Melbourne

Claire Lambe
Mother Holding Something Horrific

 

Claire Lambe: Mother Holding Something Horrific, was published to accompany the Melbourne-based, English-born artist Claire Lambe’s exhibition at ACCA, 8 April – 25 June, 2017. Curated by ACCA’s Artistic Director, Max Delany and Curator, Annika Kristensen, Claire Lambe: Mother Holding Something Horrific charges ACCA’s gallery spaces with a series of corporeal sculptures and dramatic installations that are at once uncanny, anarchic and full of life and libido.

As the most significant publication on Claire Lambe’s practice to date, the catalogue features a forward by Max Delany, a republished poem from 2011 by fellow artist Elizabeth Newman, a newly commissioned essay by author Emma Jane Unsworth, and Claire Lambe in conversation with Max Delany and Annika Kristensen, alongside an extensive colour documentation of Lambe’s work in progress, production stills, studio views, artist notes and reference materials.

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Claire Lambe: Mother Holding Something Horrific (2017)
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Painting More Painting

Comprehensive publication to accompany the exhibition Painting. More Painting, at ACCA, 30 July–28 August 2016
and 2–25 September 2016. Featuring essays by Hannah Mathews, Quentin Sprague, Justin Paton and Jan Bryant; short, biographical texts on the seventy-nine participating artists; and documentation of all works in the exhibition printed in full colour, the catalogue offers analysis and insight into the depth and breadth of contemporary Australian painting.

Curated by Max Delany, Annika Kristensen and Hannah Mathews, Painting. More Painting was presented at the Australian Centre for Contemporary Art, Melbourne in two chapters: 30 July–28 August and 2–25 September 2016. Each chapter was structured around a series of solo presentations (including Abdul Abdullah, Vivienne Binns, Ry David Bradley, Stephen Bram, Helen Johnson, Lisa Radford, Nyapanyapa Yunupingu, Teresa Baker, Angela Brennan, Mitch Cairns, Diena Georgetti, Matthys Gerber, David Jolly, Karl Wiebke) alongside an expansive panoramic group exhibition set within a dynamic mural-scaled wall painting by Sam Songailo. The solo presentations offer a focused consideration of the practices of fourteen Australian artists – seven in each chapter – demonstrating a range of distinctive positions. Alongside, and extending out from, these solo presentations, the panoramic group exhibition in ACCA’s main gallery – arranged alphabetically – presents the work of early, mid and senior-career artists whose work is conceived within the canon of painting and the medium-specificity of painterly discourse.

Reflecting the resurgent activity and critical agency of painting over the past decade, the exhibition Painting. More Painting provides an overview of contemporary Australian painting in a context in which diverse conceptual, polemic and stylistic connections and debates can be drawn between individual approaches across generations.

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Painting More Painting
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John Nixon
Thesis

Catalogue for the exhibition John Nixon Thesis, Selected works from 1968-1993 at the Australian Centre for Contemporary Art, Melbourne, 1994

John Nixon is an Australian artist born in 1949, his Experimental Painting Workshop EPW – founded in 1990 – is not a physical workshop but an intellectual as well as a practical visual investigation into non-representational painting.

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John Nixon - Thesis
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John Nixon
EPW ACCA

Catalogue for the 2004 exhibition EPW at the Australian Centre for Contemporary Art, Melbourne.

John Nixon is an Australian artist born in 1949, his Experimental Painting Workshop EPW – founded in 1990 – is not a physical workshop but an intellectual as well as a practical visual investigation into non-representational painting.

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John Nixon - EPW ACCA
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