Artspeak, Vancouver

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Yuji Agematsu
ZIP: 01–01–14…12–31–14

ZIP: 01–01–14…12–31–14 is an annual. It records, in photographs, a year of an ongoing work Yuji Agematsu has been habitually making since the mid 1990s. To accomplish this work, Agematsu takes daily walks and drops what he finds into the cellophane wrapper from a cigarette pack. The book is accompanied by a facsimile of the notes Agematsu keeps to map when and where these objects were encountered.

Printed and bound in an edition of 1000 at Benedict Press, Germany. It is published by Artspeak, Thea Westreich Wagner/Ethan Wagner Publications, and Yale Union. It is produced in conjunction with exhibitions at Yale Union (Portland, OR), Artspeak (Vancouver, BC), and Real Fine Arts (Brooklyn, NY).

Yuji Agematsu was born in 1956 in Kanagawa, Japan. He lives in Brooklyn, NY.

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YUJI AGEMATSU - ZIP: 01–01–14…12–31–14
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Veneer 9

Veneer 9

THE GARDENS OF PIXAR
ROBIN CARLISS

IGBO VERSES
CHINUA ACHEBE, CHRISTOPHER OKIGBO, CHRIS ABANI, NNOROM AZUONYE, MICHAEL ECHERUO, OKEY NDIBE, MICHAEL MBABUIKE, CHIKE OBI

PLAINTIFFS: RESIDENTS OF YELLOWSTONE COUNTY RIVERBED
DEFENDANTS: EXXONMOBIL OIL CORPORATION, EXXONMOBIL PIPELINE COMPANY, JON R. WETMORE, AND JASON MONTGOMERY

A. CLIFFORD EDWARDS, A. CHRISTOPHER EDWARDS, & JOHN W. EDWARDS

INTERIORS OF 2009 CHEVROLET COBALT SS. YEAR TO YEAR CHANGES OF COBALT, COBALT RECALL HISTORY, AND 2009 COBALT TRIM CHART COMPARISON
A.J. SEAHOLM

SIMULATION AND TESTING OF WAVE-ADAPTIVE MODULAR VESSELS
ANDREW PETERSON & MEHDI AHMADIAN

ULUBURUN SHIPWRECK STOWAWAY HOUSE MOUSE: MOLAR SHAPE ANALYSIS AND INDIRECT CLUES ABOUT THE VESSEL’S LAST JOURNEY
T. CUCCHI

FAIENCE AND GLASS BEADS FROM THE SHIPWRECK AT ULUBURUN
REBECCA SUZANNE INGRAM

VASES
CONSTANCE SPRY

STABILIZATION OF VACCINES AND ANTIBIOTICS IN SILK AND ELIMINATING THE COLD CHAIN
DR. DAVID L. KAPLAN ET AL.

From Wikipedia, the free encyclopedia:

“Veneer Magazine is a subscription-based art publication. The magazine is edited by Aaron Flint Jamison and published by MPH.[1] Veneer is distributed domestically by Textfield.[2] Printed annually both in print and published online,[3] Issue 1 was released in 2007 and the final issue, Issue 18, will be available in 2025. Two versions of each printed issue are created, one for subscribers and one for retail outlets. The issues are produced in an edition of 1000 with 300 of that edition being reserved for subscribers and 700 available for retail. Subscriber’s editions also contain additional materials.

Veneer has included contributions from contemporary artists, writers, inventors, technicians, and musicians such as Adrian Piper, George Kuchar, GoodiePal, Lucky Dragons, Elaine Sturtevant, Kevin Kelly and Ray Kurzweil. Veneer is known to fetishize the materials and processes involved in each issue. Past methods have included printing on a variety of paper stocks with unique letterpress and offset techniques, bull-whipping of each individual issue, sprayfoam, embedding of titanium pieces, embedding of cubic zirconia, and application of Brut Deodorant and Chantilly Lace perfume.”

Aaron Flint Jamison (b.1979, Montana) has recently realized solo exhibitions at Artists Space, New York (2013); Cubitt, London (2013); Centre d’édition contemporaine, Geneva (2012); Artspeak, Vancouver (2012); Air de Paris, Paris (2012); castillo/corrales, Paris (2011); and Open Satellite, Bellevue, Washington (2010). His work will be included in the 2014 Liverpool Biennial, curated by Anthony Huberman and Mai Abu ElDahab. Veneer is in numerous private and public collections, including the Museum of Modern Art, New York. In 2013, Hans Ulrich Obrist named Jamison one of the twenty-seven most important living artists. He co-founded the artist-run center Department of Safety (2002–10) in Anacortes, Washington. Jamison lives and works in Portland, Oregon, where he is the co-founder of the art center Yale Union (YU), and the founder and editor of Veneer.

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Veneer 9
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Judgment and Contemporary Art Criticism
(Folio Series)

Judgment and Contemporary Art Criticism is the result of a public forum and reading room (held in 2009 at Emily Carr University and at Artspeak respectively) that investigated the role of valuation art criticism. The publication features commissioned texts by forum presenters and respondents: Jeff Derksen, Diedrich Diederichsen, James Elkins, Maria Fusco, Sven Lütticken, Tom Morton, Kristina Lee Podesva, William Wood, and Tirdad Zolghadr. Examining the efficacy and function of art criticism, the publication focuses on the role of judgment in contemporary art writing and includes transcriptions from forum discussions with the Vancouver audience.

Co-edited by Jeff Khonsary and Melanie O’Brian and co-published by Artspeak and Fillip.

Judgment and Contemporary Art Criticism is the first title in Fillip’s Folio Series which presents new and previously published writing by critics, artists, and curators that engages specific and recurring questions on international contemporary art.

Co-published with Artspeak, Vancouver. Design: The Future.

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Judgment and Contemporary Art Criticism
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