An illustrated essay/manifesto on the physicality of time/duration in books, using works by the author/artist as examples. The essay uses the Chinese/Japanese image of the three friends of winter to discuss different times of duration.
Since the late 1960s, Selenitsch’s practice has combined aspects of his education and work in architecture with his pursuits as a poet and artist. A unifying theme is the use and spatial manipulation of letters, words and objects to create an incisive, conceptual play between meaning and form. This is seen most directly in his three-dimensional creations, but also in concrete poems that likewise present a spatially fertile field. In these works, typographic elements and material properties are as significant in conveying ideas as words themselves.
- Alex Selenitsch - The book of 3 Times
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