Cura Books, Rome

CURA22-coverCURA22spread

CURA. No. 22


cura. is a quarterly magazine, a publishing house, an exhibition space and a platform for editorial and curatorial activities, based in Rome, Italy.

CURA. NO.22

COVER BY SOL CALERO
INSIDE THE COVER
Sol Calero
text by Adam Carr

PORTRAITS IN THE EXHIBITION SPACE
Johannes Cladders’ anti-museum
by Lorenzo Benedetti

EXHIBITION LITERATURE
Expanded Literature.
Dominique Gonzalez-Foerster
by Jean-Max Colard

SPOTLIGHT
James Bridle.
 Seeing Like a Network
in conversation with Ben Vickers

Self-Portrait as a City.
Alex Israel in conversation
with Gigiotto Del Vecchio

ABOUT
Anicka Yi’s Allegorical Bouquets
by Chris Sharp

ABOUT
Kevin Beasley.
Energy Accumulates
by Rose Bouthillier

ARTIST’S PROJECT
by Amy Yao

SPOTLIGHT
Philipp Timischl
in conversation with
Pierre-Alexandre Mateos
and Charles Teyssou

A VISIT TO
Rodrigo Hernández
in conversation with
Joao Mourao & Luis Silva

SPOTLIGHT
ÅYR
in conversation with Philipp Ekardt

SPOTLIGHT
Caroline Mesquita
in conversation with
Martha Kirszenbaum

HOT!
Debora Delmar Corp.
by Judith Vrancken
Juliana Huxtable
by Whitney Mallett
Sophie Jung
by Frances Loeffler
Nancy Lupo
by Sarah Lehrer-Graiwer

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Sculptures Also Die
Lorenzo Benedetti (Ed.)

Artists: Francesco Arena (Italy), Nina Beier (Denmark), Katinka Bock (Germany), Giorgio Calò Andreotta (Italy), Dario D’Aronco (Italy), N.Dash (USA), Michael Dean (UK), Oliver Laric (Austria), Mark Manders (Netherlands), Michael E. Smith (USA), Fernando Sánchez Castillo (Spain) and Francisco Tropa (Portugal), Oscar Tuazon (USA)

Edition of 1,000 copies

Produced by Palazzo Strozzi Foundation

Sculptures Also Die offers a reflection on contemporary sculpture curated by Lorenzo Benedetti through new and existing work by twelve Italian and international artists who will be forging a reflection on the meaning, the potential and the New Experimental Approaches in sculpture today. Contemporary artists tend to use new forms and materials to address a broader timeSpan in on ongoing dialogue between the past and the future;yet at the sametime, the exhibition reflects on the way in Which today’s artists are so Rediscovering examined material as bronze, stone or ceramic, That Appeared to have been relegated to the Purely academic sphere.These materials are rediscovered and used in a conceptual manner to reflect on themes examined: such as the monument, the fragment, the way material wear over time, and the recovery of the recent modernist past.

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Sculptures Also Die
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