This now out of print Conrad catalogue was published on the occasion of two exhibitions, one at Galerie Daniel Buchholz in Cologne and the other at Greene Naftali in New York, that presented a group of works by artist, filmmaker and musician Tony Conrad entitled “Yellow Movies”.
Alongside an introductory note by Tony Conrad that served as a press release for the two gallery exhibitions, the book contains a new text by Diedrich Diederichsen and a comprehensive documentation of all the “Yellow Movies” still in existence.
Designed by Yvonne Quirmbach, this wonderful catalogue was produced in collaboration with Galerie Daniel Buchholz and Greene Naftali, in an edition of 1,200 copies.
As new copy.
Anthony Schmalz “Tony” Conrad (March 7, 1940 – April 9, 2016) was an American avant-garde video artist, experimental filmmaker, musician, composer, sound artist, teacher, and writer. Active in a variety of media since the early 1960s, he was a pioneer of both structural film and drone music. He performed and collaborated with a wide range of artists over the course of his career, most prominently the 1960s New York experimental music collective Theatre of Eternal Music, also known as The Dream Syndicate.
Yellow Movies was a project of Conrad’s in 1973. It consists of 20 “movies,” which are square frames painted in black house paint onto large pieces of photographer’s paper. Conrad’s concept came from a continued attempt at pushing the framework of film, and his interest in engaging the audience in long spaces of time. He wanted to make a film that would last 50 years, but knew that “normal materials” could not last that long, so he created a whole new conceptual stratagem for Yellow Movies. The “emulsion” is painted on, and the movies take their own course over time, changing very slowly.
- Tony Conrad - Yellow Movies
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