Halle für Kunst, Lüneburg

FHJMc-coverFHJMc-spread

Florian Hecker, John McCracken


Edited by Sandro Droschl
Texts by Christian Egger and João Ribas

Following the 2015 exhibition “Florian Hecker/John McCracken” at Künstlerhaus, Halle für Kunst & Medien Graz, this publication probes the experimental capacity of the white-cube space of the gallery. For the exhibition, two complementary yet autonomous artists were brought into dialogue with each other: German artist and computer composer Florian Hecker, and the late American sculptor John McCracken.

The fiberglass-coated, monochrome “planks” by McCracken spanned the floor and the walls of the building, evoking a juncture between painting and sculpture, while Hecker’s computer-generated sound pieces dramatized both space and time. By combining the work of the two artists, a framework was created in which an aesthetic experience occurred between the shifting boundaries and intersections of sculpture and sound as they affected each other within a space consisting of geometric and architectural formations as well as temporal and subjective formations. At the same time, the viewer/listener became more sensitized to the conditions, qualities, and degrees of intensity between the physical and the ephemeral.

The publication includes a curatorial introduction by Christian Egger, and a comprehensive essay by the author and curator of the Serralves Museum of Contemporary Art, Porto, João Ribas. The cover has been designed by Florian Hecker using an objectness measure algorithm.

Copublished with Künstlerhaus, Halle für Kunst & Medien Graz
Design by NORM, Zurich

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Florian Hecker, John McCracken
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Tris Vonna-Michell

This book by British artist Tris Vonna-Michell marks a continuation and implementation of his artistic practice through the medium of an artist’s book. Vonna-Michell is a memory traveler who runs through the past and present. In his works, images, sound, light, and the most ordinary objects become the material of a totally individual experience where reality and fiction merge, and journey, memories, and invention coexist.

The stories and the visual material assembled in this book originated and began their evolution in 2003. Since 2008, they have been gradually modified and further expanded in a series of projects at, among others, Kunsthalle Zürich, GAMeC—Galleria d’Arte Moderna e Contemporanea di Bergamo, Halle für Kunst Lüneburg e.V., and the Fondazione Galleria Civica—Centro di Ricerca sulla Contemporaneità di Trento. Taking these projects as a starting point, Tris Vonna-Michell conceived this book as a further elaboration of his artistic practice, interweaving multiple narrative threads. Behind an identical cover, the seemingly “same” is presented in variations that were developed through performative improvisations over the first version of the text, initial the placing of the images and positioning of the inserts. The book is not a fixed entity but a narrative construction developed in space and time, conceived as an in-progress tale and evolving in variations over a period of time.

Published with Fondazione Galleria Civica—Centro di Ricerca sulla Contemporaneità di Trento, GAMeC—Galleria d’Arte Moderna e Contemporanea di Bergamo, Halle für Kunst Lüneburg e.V., and Kunsthalle Zürich.

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