ICA, Miami

John Miller
I Stand, I Fall

The publication I Stand, I Fall, a comprehensive survey of work by John Miller, coincides with the first American museum exhibition dedicated to the influential conceptual artist.

Through almost 150 images, this catalogue comprehensively traces Miller’s use of the figure throughout his career in order to incisively comment on the status of art and life in American culture.

The book features a range of media, including painting, sculpture, drawing, photography, installation and video; never-before-seen works from the 1980s; new large-scale sculptures; and the artistʼs most ambitious architectural installation to date – a vast and immersive mirrored labyrinth that went on view at the ICA Miami’s Atrium Gallery.

I Stand, I Fall, surveys Miller’s use of the figure in order to examine themes of citizenship and politics, and the conventions of realism in contemporary art.

Organized chronologically, the exhibition begins with his drawings and paintings from 1982-1983, the majority of which have never been presented publicly.

Influenced by the pastoral genre of painting and American social realism of the 1920s and 30s, these deadpan, even grotesque, works explore issues of urban and suburban Americana, public space, and the human

Published retrospectively after the exhibition John Miller: I Stand, I Fall at Institute of Contemporary Art, Miami, 18 February – 12 June 2016.

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The Drawings Of Susan Te Kahurangi King


The only book in print on the self-taught New Zealand artist who stopped speaking at age 4; drew prolifically for decades; stopped drawing for several more; and then started again in 2008. Recently discovered, these are masterpieces of 20th-century drawing.

Like many so-called outsider artists, Susan Te Kahurangi King (born 1951) has an origin story–from an early age, she communicated solely through her art. The Drawings of Susan Te Kahurangi King reveals the various periods of the New Zealand artist’s work from that foundational moment: from her childhood drawings, to her notebooks, to her mature work of the 1970s and ’80s up until the point, sometime in the 1980s, when King stopped drawing. Also included is work made since 2008, when King returned to art, showing the artist’s recent moves beyond representation.
King’s surreal, cartoonish work triumphs in dialogue with contemporary painting and drawing, echoing the comic-inspired work of such painters as Nicole Eisenman, Laura Owens and Joyce Pensato–work that similarly draws from the poles of an unfettered vision, on the one hand, and common pop culture iconography on the other. Yet in King’s work we see the unfiltered manifestation of a self-taught artist, whose work is always art and communication simultaneously. In addition to offering a biographical overview of King’s life, this catalogue tracks the evolution of her oeuvre and provides contextualization of her art.

Edited with text by Tina Kukielski. Foreword by Alex Gartenfeld. Text by Gary Panter, Amy Sillman, Chris Byrne, Petita Cole, Rachel King.

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The Drawings Of Susan Te Kahurangi King
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