May Revue, Paris

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MAY #16


May no.16 focuses on recent feminist debates actualizing the history of Italian feminist collectives of the 1970s and 1980s. The issue is a continuation of the issue 4 of May, which reprinted and translated a selection of texts from the time. The issue’s touchstone is the work of writer and co-founder of Rivolta Femminile, Carla Lonzi. Throughout her life, Lonzi refused the power of a masculine creativity that exploits the reproductive, supportive activity of women. The texts assembled in May no.16 bring that refusal to contemporary light.

Weed and the Practice of Liberty
Claire Fontaine

The Paradox of Self-Abolition: a Mapping Exercice
Marina Vishmidt

Presence and Absence
Melissa Gordon

Narrative Without End
Anna De Filippi

An Exercise in the Practice of affidamento
Alex Martinis Roe

On Marinella Pirelli’s Films
Lucia Aspesi

Human Strike Between Foreignness and Responsibility
Claire Fontaine

Introduction to Double Bind
Rhea Anastas

Visual Insert
LGG$B

Citadelle. On Marie Angeletti at Édouard Montassut, Paris
Jacob Stewart-Halevy

On Mathieu K. Abonnenc, Lotte Arndt, Catalina lozano (eds), Colonial Collect and Affect, Crawling Doubles
Emmanuelle Chérel

A World Exactly Like This One. On Credits by Hannah Black
Jack Gross

Get Some Rest Pam, or Jason Bourne comes of age. On Paul Greengrass’ film, Jason Bourne
Maija Timonen

Aggregation or Mere Dislocation. On the 9th Berlin Biennale and “Painting 2.0: Expression in the information Age,” mumok, Vienna
Kari Rittenbach

Short Story
Jeanne Graff

Limited Edition
Hans-Christian Lotz

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

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MAY #15


MAY #15
“FASHION”

contents include:

Preface — MAY

Crisis Fashion — DANIEL HORN

DIS and That — MIKAEL BRKIC & DIS

Vetements – Fall / Winter 2016. Panel Discussion — LOU STOPPARD & SAHIL BABBAR, AUDE FELLAY, AYA NOEL, PRIYESH PATEL, VILDE SORUM

The Modern Naked King — TAQUE HIRAKAWA

Interview with Women’s History Museum — ADA O’HIGGINS

Maison Artists Space. Interview with Stefan Kalmár — MAY

Roundtable — BLESS & ANJA ARONOWSKY CRONBERG, HEINZ PETER KNES

THE STREET — TOBIAS KASPAR & TOBI MAIER

Jesus as Readymade. Interview with Kaspar Müller — PETER FISCHLI

REVIEWS

La mode retrouvée. On the Wardrobe of the Countess Greffulhe at Palais Galliera, Paris — HANNAH ADKINS

Post-Hummannerism. On “Inhuman” at Fridericianum Museum, Kassel — JAKOB SCHILLINGER

Magma — ERIC BELL

Finely Crafted Stool. On Mathieu Malouf at Jenny’s, Los Angeles — GEORGE EGERTON-WABURTON

Wolfpack. On the film “The Wolfpack” by Crystal Moselle — JULIA MORITZ

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

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May #14


Some Partial Views:
Sigmar Polke’s Reception in the United States and Germany in the 1980s
— MAGNUS SCHAEFER
Interview with Magnus Schaefer
— CATHERINE CHEVALIER
Interview with Guy Tosatto

On Some Models of Artist/Gallery Relations
— TABLE RONDE AVEC MARIE ANGELETTI, CAMILLE BLATRIX, HÉLÈNE FAUQUET, RENAUD JEREZ, MÉLANIE MATRANGA, MODÉRÉE PAR CATHERINE CHEVALIER & EDOUARD MONTASSUT
Visual Insert
— ELLIE DE VERDIER

REVIEWS
The Desaturation of Graffiti. On Amy Lien and Enzo Camacho at Mathew, Georgie Nettell at Lars Friedrich, Berlin and Dave Miko, Ned Vena and Antek Walczak at Algus Greenspon, New York
— TANJA WIDMANN
Paris de Noche. On “Paris Noche” at Night Gallery, Los Angeles
— JAY CHUNG
Dengled Up in Blue. On Verena Dengler at Meyer Kainer in Vienna
— LILI REYNAUD DEWAR
Eternal Return. On “Call and Response” at Gavin Brown and “Forever Now” at the MoMA, New York
— KARI RITTENBACH
Between the Archer and the Target. On Daniel Pommereulle at the musée des Beaux-Arts, Valenciennes
— HÉLÈNE FAUQUET
Rain Over Water. On Hans Christian Lotz at David Lewis, New York
— SAM PULITZER

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MAY #13

MAY #13 features:

Preface
– MAY

καταστροφή: the end and the beginning
– DEBORAH DANOWSKI

Man of the Anthropocene (as portrayed in the movie “Gravity”)
– STEPHANIE WAKEFIELD

What is “political” in the Anthropocene? A conversation between STEPHANIE WAKEFIELD and ANTEK WALCZAK
– MAY

DIY or DIE: a pastoral Selfie
– JENNA BLISS, ELISE DURYEE-BROWNER, DAMON SFETSIOS

Two stories
– ALEJANDRA RIERA

Insert: Dustin
– VALENTIN BOURÉ & MELANIE MATRANGA

REPORTS
Mirror, mirror on the wall … STEWART UOO at Buchholz Gallery, Berlin
– DANIEL HORN

Garden graft. On the exhibition “Your portrait”: a retrospective on TETSUMI KUDO at the National Museum of Modern Art, Tokyo
– JOHN BEESON

Kiss me, kiss me, love my body covers
– KARL HOLMQVIST

True Romance. Camille Blatrix at Balice Hertling, Paris
– EDWARD MONTASSUT

The affect impersonal. Anne Imhof at Deborah Schamoni gallery, Munich
– KERSTIN STAKEMEIER

Dorothy Iannone This timeless sweetness at the Migros Museum für Gegenwartkunst, Zürich
– KARL HOLMQVIST

“Species of notes.” On the book Dubuffet typographer Pierre Leguillon
– MICA GHERGHESCU

Exposure Charles James: beyond fashion at the MET, New York
– JASON SIMON

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

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