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Robert Overby
Works 1969 – 1987


Alessandro Rabottini, Andrea Bellini, Martin Clark, eds.
Texts by Andrea Bellini, Martin Clark, Robin Clark, Alison M. Gingeras, Terry R. Myers, Alessandro Rabottini
Despite a prolific and diverse practice, Robert Overby (1935–93) remains one of the best-kept secrets in post-war American art. While rarely exhibiting during his lifetime, he nonetheless built up an extraordinary, multifaceted body of work encompassing sculpture, installation, painting, photography, print and collage.
This monograph is published on the occasion of “Robert Overby: Works 1969-1987”, the first survey exhibition of the artist’s work to be organized in Europe. Edited by Alessandro Rabottini —in collaboration with Andrea Bellini and Martin Clark—it has been conceived, from the outset, as a joint project of four partner institutions: Centre d’Art Contemporain, Genève; GAMeC – Galleria d’Arte Moderna e Contemporanea, Bergamo; Bergen Kunsthall, and Le Consortium, Dijon.

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Robert Overby: Works 1969 – 1987
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Isa Genzken

Now out of print, As New first edition of this great Isa Genzken publication.
This volume takes a radical depart from the standardised format of the retrospective catalogue. While being still lavishly illustrated and offering an in-depth look at the quest for the modern which has informed the radical and diverse Genzken’s oeuvre for four decades, it also gives a sense of the tremendous influence and inspiration of her body of work for three generations of artists.

Features artist contributions from: Lawrence Weiner,Simon Denny, Nick Mauss, Monica Bonvicini, Jutta Koether, Mark Leckey, Elizabeth Peyton, and Cerith Wyn Evans.

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Isa Genzken - Museion, Bozen/Bolzano
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Elad Lassry


Alessandro Rabottini, ed.
Texts by Jörg Heiser, Elad Lassry, Aram Moshayedi, and Alessandro Rabottini

Elad Lassry’s multi-media practice explores the current status of images as the point where multiple modes of production and reception merge. In just a few years Lassry (b. 1977, Tel Aviv; lives and works in Los Angeles) has established himself as one of the most original artists of his generation, through photographs, films, sculptures, performances and installations that are both visually seductive and conceptually challenging. This book – edited by exhibition curator Alessandro Rabottini – documents Elad Lassry’s solo exhibition at the PAC – Padiglione d’Arte Contemporanea in Milan, Italy; the first and most comprehensive monographic show held at an Italian institution. With an essay by Aram Moshayedi (Curator at the Hammer Museum in Los Angeles) and a conversation between the artist and Jörg Heiser (co-editor of frieze magazine), the book provides an in-depth critical examination of Lassry’s work since the beginning of his career.

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Elad Lassry
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Marie Lund
Drums

Artist’s book designed by Åbäke, based on Danish artist Marie Lund’s first institutional solo exhibition.
Drums, which follows Marie Lund’s exhibition at Museo Marino Marini in Florence, is acutely attentive to things that aren’t present. A spectrum of materials is employed to evoke, represent, and reflect these missing objects—concrete, plasters, and acrylic glass are cast after, wrapped around, shaped along them. The act of modeling and copying is a craft, and the human imprint in such activities is intentionally betrayed: signs left by the working hands are visible. The works bears the signs of their own process through little, telling imperfections on their skin. Not unlike fossils, these works look like memory drivers.
Published on the occasion of the eponymous exhibition at Museo Marino Marini, Florence, in 2014.
Born 1976 in Hundested, Denmark, Marie Lund lives and works in London. Her work has been shown extensively, in solo shows among other at Proyectos Monclova, Mexico City, Croy Nielsen, Berlin, Laura Bartlett Gallery, London, and IMO Projects, Copenhagen, and in group shows at Museum of Contemporary Art Detroit, Sorø Kunstmuseum, Denmark, CCA Wattis, San Francisco, Cologne Kunstverein, Kunsthalle Mulhouse, etc.
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Marie Lund - Drums
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