Neuer Aachener Kunstverein, Aachen

Lena Henke coverLena Henke spread

Lena Henke
First Faces

Flipping and turning the pages of the actual reading material, the shiny surfaces of the heavily coated paper, shimmering with revealing, staged pictures of works, for the duration of a zapping sucking glance, while one’s gaze shifted to coveting the goods, one found other stuff one was looking for, but one already know in detail what one would be wearing for the catalog launch event.” (From the essay by Christian Egger).

PS. No particular dress code is actually required to flip through this publication, realized to accompany the first institutional solo shows of Lena Henke at NAK —

Neuer Aachener Kunstverein and Kunstverein Oldenburg.

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Michaela Eichwald
Total Awareness Of All Dimensions (Dimensions Variable)

Catalogue to accompany Michaela Eichwald’s solo exhibiton “Total Awareness Of All Dimensions (Dimensions Variable)” at NAK (Neuer Aachener Kunstverein, Aachen) in 2009.

 

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Nairy Baghramian
Affairen

Stunning artist publication for Nairy Baghramian’s 2008 exhibition at Neuer Aachener Kunstverein, Aachen, “Affairen. Ein semiotisches Haus, das nie gebaut wurde Zu Gast: Janette Laverrière und Henrik Olesen”.  Featuring the work of Nairy Baghramian, Janette Laverrière and Henrik Olesen, this publication is compiled as a collected group of loose-leaf printed pages, essays, an invitation, 8 photographic postcards, a vellum plan print for Janette Laverrière’s “Miroir L’Amant”, paperclip, etc. all contained within a sealed and stamped envelope.

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Nina Canell
Evaporation Essays

Sculptures that radiate ephemeral powers and fragile vitality.

The fragile installations of Nina Canell (born 1979 in Sweden, lives and works in Berlin) are essays on changeability. Electrical equipment and neon tubes establish sculptural, temporary, almost performative connections to water, wood, and stones in which the individual materials influence one another and are constantly in motion. Based on her work with scientific and pseudo-scientific experiments and with natural phenomenon, the fragile vitality of Canell s sculptures sometimes calls our perception of reality into question. She is interested in the unnoticed and unfathomable qualities that so often seem to be lost in everyday life.

Evaporation Essays is the first extensive monograph on the artist and includes
sculptures from the past three years.

With texts by Lilian Haberer and Regina Barunke, Xander Karskens, Caomhín Mac Giolla Léith, Pádraic E. Moore, and Chris Sharp and a glossary by Melanie Bono and Annette Hans.

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