Projectile Publishing Society, Vancouver

Fillip 16

Fillip is a publication of art, culture, and ideas released three times a year by the Projectile Publishing Society from Vancouver, British Columbia.

In the lead up to Fillip’s October 2012 conference, Institutions by Artists, Fillip 16 (produced in several alternate colour versions) features Vincent Bonin’s groundbreaking essay “Here, bad news always arrives too late,” which presents a chronology and counter-history of institutional critique in Canada since 1967 while investigating overlooked, but interrelated histories of artistic self-determination.

Fillip 16 also continues two ongoing series—Apparatus, Capture, Trace, which examines the links between biopolitics and photography, and Intangible Economies, which attempts to broaden the notion of economy beyond its financial dimensions.

Other features include:

Philip Monk on Crises in the Work of General Idea
Patricia Reed on Ethics and the Production of Misunderstanding
Ola El-Khalidi and Diala Khasawnih on Makan Space, Jordan
Jon Davies on Queer Spirits
Christopher Cozier and Claire Tancons on Alice Yard, Trinidad.

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Fillip 16
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FILLIP 15

Fillip is a publication of art, culture, and ideas released three times a year by the Projectile Publishing Society from Vancouver, British Columbia.

Features: Bin Laden’s Death Mask / Saul Anton; Folding Money / Juan A. Gaitán; Stockhausen at Ground Zero / Christian Hänggi; Smashing Windows with Windows: Transparency, Design, and WikiLeaks / Jeff Khonsary and Metahaven; Exhaustive Images
: Surveillance, Sovereignty, and
 Subjectivity in Google Maps Street View / Gabrielle Moser; A Productive Irritant
: Parasitical Inhabitations in Contemporary Art / Chris Fitzpatrick and Post Brothers; Apparatus, Capture, Trace: Photography and Biopolitics / Kate Steinmann; Responses to On Further Reflection / Letters and Responses

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Fillip #14

Fillip #14

Fillip is a publication of art, culture, and ideas released three times a year by the Projectile Publishing Society from Vancouver, British Columbia.

In This Issue:

Series: Intangible Economies, edited by Antonia Hirsch-
Broadening the notion of economy beyond its financial dimensions, this series focuses on the multifarious forms of exchange fueled by affect and desire. Intangible Economies speculatively investigates the fundamental role these affective transactions play in modes of representation and, accordingly, in cultural production.

Monika Szewczyk – Investing in the Blank
Hadley + Maxwell – Someone That Happens
Markus Miessen et al. – Architectural Space As Agent

Vector Association and Kristina Lee Podesva – Via Satellite
Diedrich Diederichsen – Living in the Loop
Michael Turner and Reid Shier – Upon Further Reflection
Amy Zion – Ascetic Desire
Kathy Mezei – Shadows and Blind Spots
Ahmet Ogut and Berin Golonu – Between the Scaffold and the Ruin
Commission: David Horvitz – Scotch Broom
Jeff Khonsary – The Encyclopedia That Anyone Can Edit

Dahn Vo, Geoffery Farmer, Gwenessa Lam, David Shrigley….

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Fillip #13

Contents:
Measures of an Exhibition: Space, Not Art, Is the Curator’s 
Primary Material / Carson Chan
Camps (or the Precarious Logic of Late Modernity) / Anthony Downey
Intangible Economies / Antonia Hirsch
The Golden Potlatch
: Study in Mimesis and Capitalist Desire / Candice Hopkins
Browsing the AAAARG Library / Jeff Khonsary
An Evidence Horizon / Lisa Marshall
Producing Images in Times of War / Haema Sivanesan
On Carnival and 
Contractual Curating / Jesse McKee and Claire Tancons
When the time comes
 you won’t understand 
the battlefield / Kristina Lee Podesva and Ryan Trecartin
Faith Money Love / Jan Verwoert

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