Semiotext(e), Los Angeles

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Walking Through Clear Water in a Pool Painted Black
by Cookie Mueller



Cookie trips through her forty-year odyssey on this planet — from LSD to shopping at the A&P, from birthing Max to shooting Pink Flamingos. The echoes of her passionate commitments will ring in your ears. It is a tragedy to have lost her. Fortunately, along with the memories, she left us this marvellous testament to her intrepid zest for living.

“Cookie Mueller wrote like a lunatic Uncle Remus – spinning little stories from Hell that will make any reader laugh out loud” – John Waters

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Kathy Acker
Hannibal Lecter, My Father

You can say I write stories with sex and violence and therefore my writing isn’t worth considering because it uses content much less lots of content. Well, I tell you this: ‘Prickly race, who know nothing except how to eat out your hearts with envy, you don’t eat cunt’…

Edited by Sylvere Lotringer and published in 1991, this handy, pocket-sized collection of some early and not-so-early work by the mistress of gut-level fiction-making, Hannibal Lecter, My Father gathers together Acker’s raw, brilliant, emotional and cerebral texts from 1970s, including the self-published ‘zines written under the nom-de-plume, The Black Tarantula. This volume features, among others, the full text of Acker’s opera, The Birth of the Poet, produced at Brooklyn Academy of Music in 1985, Algeria, 1979 and fragments of Politics, written at the age of 21. Also included is the longest and definitive interview Acker ever gave over two years: a chatty, intriguing and delightfully self-deprecating conversation with Semiotext(e) editor Sylvere Lotringer—which is trippy enough in itself as Lotringer, besides being a real person, has appeared as a character in Acker’s fiction. And last, but not least, is the full transcript of the decision reached by West Germany’s Federal Inspection Office for Publications Harmful to Minors in which Acker’s work was judged to be “not only youth-threatening but also dangerous to adults,” and subsequently banned.

Acker is the sort of the writer that should be read first at 16, so that you can spend the rest of your life trying to figure her out; she confuses, infuriates, perplexes and then all of a sudden the writing seems to be in your bloodstream, like some kind of benign virus. She’s definitely not for the easily offended—but then, there are worse things in life than being offended. Such as the things that Acker writes about…

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Eileen Myles
Not Me


Listen, I have been educated.
I have learned about Western
Civilization. Do you know
What the message of Western
Civilization is? I am alone.

This breakthrough volume, published in 1991 by the author of Cool For You and Chelsea Girls captures the high points of Myles’ work in New York City during the 1980s. Poet, novelist, lesbian culture hero and one-time presidential candidate, Myles has influenced a whole generation of young queer girl writers and activists. She is one of the most brilliant, incisive, immediate writers living today.

Eileen Myles, named by BUST magazine “the rock star of modern poetry,” is the author of more than twenty books of poetry and prose, including Chelsea Girls, Cool for You, Sorry, Tree, and Not Me (Semiotext(e), 1991), and is the coeditor of The New Fuck You (Semiotext(e), 1995). Myles was head of the writing program at University of California, San Diego, from 2002 to 2007, and she has written extensively on art and writing and the cultural scene. Most recently, she received a fellowship from the Andy Warhol/Creative Capital Foundation.

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The New Fuck You
Eileen Myles, Liz Kotz (Ed.)


Edited by Eileen Myles and Liz Kotz

Borrowing its name from the notorious ’60s Ed Sanders magazine, Fuck You: A Magazine of the Arts, the editors have figured a way to rehone its countercultural and frictional stance with style and aplomb. A unique and provocative anthology of lesbian writing, guaranteed to soothe the soulful and savage the soulless.

Contributors:

Tanya Barfield, Dodie Bellamy, Adele Bertei, Lisa Beskin, Rebecca Brown, Kelly Cogswell, Dominique Dibbell, Shannon Ebner, Laura Flanders, Eliza Galaher, Marilyn Hacker, Holly Hughes, Lisa Kron, Joan Larkin, Myra Mniewski, Honor Moore, Cynthia Nelson, Madeline Olnek, Nancy Redwine, Julie Regan, Annie Reid, Danine Ricereto, Camille Roy, Sapphire Joan Schenkar, Kathy Lou Schultz, Lucy Sexton, Linda Smukler, Pamela Sneed, Christina Sunley, Carmelita Tropicana, Laurie Weeks, Debra Weinstein, Joe Westmoreland, Millie Wilson, Linda Yablonsky.

Eileen Myles, named by BUST magazine “the rock star of modern poetry,” is the author of more than twenty books of poetry and prose, including Chelsea Girls, Cool for You, Sorry, Tree, and Not Me (Semiotext(e), 1991), and is the coeditor of The New Fuck You (Semiotext(e), 1995). Myles was head of the writing program at University of California, San Diego, from 2002 to 2007, and she has written extensively on art and writing and the cultural scene. Most recently, she received a fellowship from the Andy Warhol/Creative Capital Foundation.

Liz Kotz teaches in the Art History Department at the University of California, Riverside.

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The New Fuck You
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