The Institute of Social Hypocrisy, Paris

The Sound of Downloading Makes Me Want to Upload

The Institute of Social Hypocrisy has invited an eclectic mix of artists, teachers, photographers, thinkers, writers and curators to provide essays, images and musings exploring the cultural influence of the internet on the way we absorb and share information.

Edited by Victor Boullet, the resulting contributions reveal the disparate perspectives of the various up and downloaders. It illustrates how the internet is used and manipulated as a creative tool and as a font of information and communication at every level.

Contributors include: Gilbert & George, Theodor Barth, Merlin Carpenter, Richard Parry, Keren Cytter, Guy Debord, Matias Faldbakken, Peter J. Amdam, Karl Holmqvist, Brian Kennon, Oliver Laric, David Lewis, Joe Scanlan, Edie McKay, Hans Ulrich Obrist and many more

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The Sound of Downloading Makes Me Want to Upload
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Merlin Carpenter
Social Aesthetics (The Institute of Social Hypocrisy 03)

The Institute of Social Hypocrisy – 03

Twice a year, The Institute of Social Hypocrisy publishes a fanzine. These publications serve as a tool with a dual purpose. Primarily they are a means to put out developing art projects by a range of invited artists and contributors, throughout the duration of the ISH project.

They also play another role, and via their glossy design and print production they function as a vehicle to put the featured work and the existence of the Institute out into a new arena. To bring awareness to the project within a domain that is often restricted and to create a physical manifestation that will endure after the life of the ISH is extinguished.

These fanzines are neither publications for reference, nor books of completed projects. They are a means for artists to put their work in front of new audiences in order to invite input and discussion, thus helping the project to develop. They allow the artist to take a level of control and give a certain independence with regards to the traditional scope of the distribution of their work.

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Merlin Carpenter - Social Aesthetics
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