Whitney Museum of American Art, New York

Jim Dine

Jim Dine exhibition catalogue for a show that ran February 27 through April 19, 1970 at the Whitney, New York. Heavily illustrated, mostly black and white and some colour, with Dine’s works, alongside introductory essay by John Gordon, an artist statement, bio, bibliography, and exhibition history, wrapped in die-cut heart cover.

Jim Dine (born June 16, 1935) is an American pop artist. He is sometimes considered to be a part of the Neo-Dada movement, first earning attention in the art world with his Happenings, alongside peers such as Claes Oldenburg, Allan Kaprow, John Cage, etc. in the late 1950s/early 1960s. In 1962 Dine’s work was included, along with Roy Lichtenstein, Andy Warhol, Robert Dowd, Phillip Hefferton, Joe Goode, Edward Ruscha, and Wayne Thiebaud, in the historically important and ground-breaking New Painting of Common Objects, curated by Walter Hopps at the Norton Simon Museum. This exhibition is historically considered one of the first “Pop Art” exhibitions in America. These painters started a movement, in a time of social unrest, which shocked America and the art world. The Pop Art movement fundamentally altered the nature of modern art.

* Condition: Average – Good (common wear and tear to die-cut cover, otherwise good copy throughout) – All care is taken to provide accurate condition details of used books, photos available on request.

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Jim Dine
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Jo Baer

Rare Jo Baer catalogue from 1975, published to accompany a major mid-career retrospective of Jo Baer’s work at the Whitney Museum of American Art, New York, May 1-July 13, 1975. Features colour and black and white reproductions of many of Baer’s work, along with text by Barbara Haskell.

Jo Baer was born in Seattle, Washington in 1929. After completing graduate work in psychology at the New School for Social Research in New York, she began her career as an artist in Los Angeles in 1953. Seven years later, she returned to New York where she became a key participant in the Minimalist art movement. Her paintings were included with works by Donald Judd, Dan Flavin, Robert Morris, and Sol Lewitt in many of the first Minimalist art exhibitions in New York in the early 1960s.

Her unswerving commitment to painting as a radical art form brought her a one-person exhibition as early as 1966 at the Fischbach Gallery in New York. In 1975, the Whitney Museum of American Art in New York held a mid-career retrospective of her work. In 1999, the Stedelijk Museum in Amsterdam exhibited a large retrospective of her work. Recently the DIA Center for the Arts in New York also held a major exhibition of over 25 minimalist paintings and prints that she completed from 1960 to 1975.

In search of a more substantive art, Baer exiled herself from the New York art world with a move to Ireland in 1975. By 1983, she took a stance against abstract art as an avant-garde form with a polemical article in Art in America. Since 1984, she has lived and worked in Amsterdam. Baer continues to develop the formal content of her paintings in a quasi-figurative manner that she considers radical figuration — without pre-eminence of image or space.

* Condition: Good-Very Good (general light tanning and wear to covers) – All care is taken to provide accurate condition details of used books, photos available on request.

 

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Jo Baer (1975)
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H.C. Westermann

Published on the occasion of the major H.C. Westermann traveling exhibition from The Whitney Museum of American Art, New York NY (May 17-July 16, 1978); New Orleans Museum of Art, New Orleans LA (August 25-October 15, 1978); Des Moines Art Center, Des Moines IA (November 13-December 25, 1978); Seattle Art Museum, Seattle WA (January 17-February 25, 1979) and the San Francisco Museum of Modern Art, San Francisco CA (March 30-May 20, 1979).

H. C. Westermann (Horace Clifford “Cliff” Westermann) (11 December 1922 – 3 November 1981) was an American printmaker and sculptor whose art constituted a scathing commentary on militarism and materialism. His sculptures frequently incorporated traditional carpentry and marquetry techniques. Westermann resisted providing interpretation of his works of art. In one interview, when asked what an object meant, Westermann replied “It puzzles me too.”
In 1967, he was one of the celebrities featured on the cover of the Beatles’ album, Sgt. Pepper’s Lonely Hearts Club Band.
In 1978 he was given a retrospective at the Whitney Museum of American Art in New York.

* Condition: Good (ex-library book – general wear, and possible markings or stickers) – All care is taken to provide accurate condition details of used books, photos available on request.

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H.C. Westermann
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