Yale University Press

Thek Diver coverThek spread 1Thek Diver bcoverThek spread 2

Paul Thek
Diver

 
The incredible Paul Thek monograph, published by Yale University Press in 2010 to accompany Thek’s first retrospective in the United States, at the Whitney Museum in New York.

An American sculptor, painter, and installation artist, Paul Thek (1933–1988) is primarily known for hyper-realistic works of human body parts executed in fleshlike beeswax and for his strongly symbolic, room-size installations constructed from transitory materials. A major figure on the 1960s New York art scene, Thek also spent time in Europe, where he paved the way for artists adopting collaborative strategies. Although he gained a large following and was featured in more than one hundred solo and group exhibitions, the anti-establishment “artist’s artist” was practically forgotten at the time of his death. Major exhibitions abroad and critical attention from younger artists have done much to revive his reputation, and Paul Thek: Diver expands on those efforts by bringing the artist’s resounding influence on the art world up to date. Published to accompany Thek’s first retrospective in the United States, this landmark publication includes nearly 300 chronologically arranged illustrations of sculptures, paintings, prints, and other works featured in the exhibition as well as four special “in-depth” image sections focusing on key installations, projects, and pages from the artist’s journals. An extensive selection of documentary photographs, many never before published, illuminate Thek’s artistic aesthetic and production process. With a bibliography, exhibition history, and checklist of works in the exhibition, this overdue acknowledgment of Thek’s brief, but broad-reaching career will be the authoritative volume on the artist for years to come.

Edited by Lynn Zelevansky and Elisabeth Sussman, Contributions by George Baker, David Breslin, Carol Mancusi-Ungaro, Eleonora Nagy, Susanne Neubauer, Michael Nickel, Scott Rothkopf, Ann Wilson

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Paul Thek - Diver
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This Will Have Been
Art, Love, and Politics in the 1980s

Helen Molesworth; With essays by Johanna Burton, William Horrigan, Elisabeth Lebovici, Kobena Mercer, Sarah Schulman, and Frazer Ward.

Art of the 1980s oscillated between radical and conservative, capricious and political, socially engaged and art historically aware. Published in association with the Museum of Contemporary Art, Chicago, this fascinating book chronicles canonical as well as nearly forgotten works of the 1980s, arguing that what has often been dismissed as cynical or ironic should be viewed as a struggle on the part of artists to articulate their needs and desires in an increasingly commodified world. The major developments of the decade—the rise of the commercial art market, the politicization of the AIDS crisis, the increased visibility of women and gay artists and artists of color, and the ascension of new media—are illuminated in works by Sophie Calle, Nan Goldin, Jeff Koons, Lorna Simpson, Leigh Bowery, Jimmy De Sana, Carroll Dunham, Jimmie Durham, Alex Garry, Robert Gober, Nan Goldin, Mike Kelley, Paul McCarthy, Annette Messager, Cady Noland, Albert Oehlen, Richard Prince, Cindy Sherman, Julian Schnabel, Rosemarie Trockel, Jeff Wall, Charlie Ahearn, Gretchen Bender, Black Audio Film Collective, Jennifer Bolande, Gregg Bordowitz, Eugenio Dittborn, Gran Fury, Group Material, Guerrilla Girls, Hans Haacke, David Hammons, Jenny Holzer, Alfredo Jaar, Barbara Kruger, Louise Lawler, Donald Moffett, Lorraine O’Grady, Paper Tiger Television, Adrian Piper, Lari Pittman, Tim Rollins and K.O.S., Christy Rupp, Doris Salcedo, Juan Sánchez, Tseng Kwong Chi and Keith Haring, Carrie Mae Weems, Christopher Williams, Krzystof Wodiczko, Judith Barry, Ashley Bickerton, Deborah Bright, Marlene Dumas, Felix Gonzales-Torres, Peter Hujar, G. B. Jones, Isaac Julian, Rotimi Fani Kayode, Mary Kelly, Silvia Kolbowski, Louise Lawler, Sherrie Levine, Jack Leirner, Robert Mapplethorpe, Richard Prince, Marlon Riggs, David Robbins, Laurie Simmons, Haim Steinbach, David Wojnarowicz, Dotty Attie, Robert Colescott, General Idea, Robert Gober, Jack Goldstein, Pater Halley, Mary Heilmann, Candy Jernigan, Mike Kelley, Martin Kippenberger, Louise Lawler, Sherrie Levine, Christian Marclay, Allan McCollum, Peter Nagy, Raymond Pettibon, Stephen Prina, Martin Puryear, Gerhard Richter, David Salle, Doug + Mike Starn, Tony Tasset, James Welling, and Christopher Wool, among others. Essays by leading scholars provide unique perspectives on the decade’s competing factions and seemingly contradictory elements, from counterculture to the mainstream, radicalism to democracy and historical awareness, conservatism to feminist politics.

Complete with critical texts on each work, This Will Have Been brings into focus the full impact of the art, artists, and political and cultural ruptures of this paradigm-shifting decade. More than 200 full-color reproductions of works in a range of media, including drawing, painting, photography, and sculpture, illustrate this ambitious guide to a period of artistic transformation.

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This Will Have Been: Art, Love, and Politics in the 1980s
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