The current economic situation and society’s low confidence in its institutions has suddenly demanded that artists become more imaginative in the way that they organise themselves. If labels such as ‘alternative’, ‘non-profit’ and ‘artist-run’ dominated the art scene that emerged in the late 1990s, the separatist position implied by the use of these terms has been moderated recently. This new anthology of accounts from the front line includes contributions by artists, as well as their institutional counterparts, that provide a fascinating observation of the art world as matrix of interconnected positions where the balance of power and productivity constantly shifts.
Features: Julie Ault, Maibritt Borgen, Céline Condorelli & Johan Frederik Hartle, Anthony Davies, Stephan Dillemuth & Jakob Jakobsen, Ekaterina Degot, Charles Esche & David Riff, Barnaby Drabble, Jonas Ekeberg, Linus Elmes, Juan A Gaitán, Abdellah Karroum, Livia Pancu, Jan Verwoert, What, How & For Whom/WHW
Stine Hebert & Anne Szefer Karlsen (Eds.)
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