Tag: Amelie von Wulffen

Amelie von Wulffen
Bilder / Works 1998-2016

A monograph on Amelie von Wulffen is long overdue. For more than twenty years, the artist has developed a formal and stylistically wide-ranging work (collages, installation works, animation films, drawings, sculptures and painting), which is reflected in its content persistence. Amelie von Wulffen takes a clear account of the German (cultural) history in the precipitation of the private and personal, and argues as an invaluable chronicler of repression. The biting humor that permeates her work does not stop at a human low ground, though not always as directly as in her drawings and comics. The texts of this richly illustrated monograph examine Wulffen’s contribution to the painting discourse, Psychoanalytic aspects and show the painter as a role model for a young generation of artists. Amelie von Wulffen, born in Breitenbrunn in 1966, lives and works in Berlin.

Texts by Manfred Hermes, Bernhart Schwenk, Amy Sillman
Edited by Isabel Podeschwa, Bernhart Schwenk, Joe Scotland, Amelie von Wulffen

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Amelie von Wulffen - Bilder 1998-2016 (2017)
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Amelie von wulffen
Amelie von wulffen

Her most recent comic seemingly depicts Amelie von Wulffen’s own life. It stands in for a parody of the contemporary, female, mid-career artist. The different chapters of the comic show humorous as well as macabre glimpses of frustration, fear, insecurity, and jealousy, offering a psychological tour de force through the life of an artist working today.

Seemingly banal worries such as no one turning up to her exhibition opening, the young generation not appreciating her work, having a poor internet presence, or being seated at the wrong table during dinner, are realities that seem to have an entirely different weight in the art world than anywhere else.

Published on the occasion of the exhibition, Amelie von Wulffen – Am kühlen Tisch at Porticus (30 November 2013 – 2 February 2014) and La voix humaine at Kunstverein München e.V. (25 January – 16 March 2014).

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Starship No.15

Contributors to Starship 15: Nadja Abt, Tenzing Barshee, Gerry Bibby, Mercedes Bunz, Lou Cantor, Nicolas Ceccaldi, Jay Chung, Hans-Christian Dany, Helmut Draxler, Francesca Drechsler, Martin Ebner, Jana Euler, Julian Göthe, Toni Hildebrandt, Karl Holmqvist, Judith Hopf, Stephan Janitzky, Jakob Kolding, Robert McKenzie, Maria Loboda, Nick Mauss, Robert Meijer, Ariane Müller, Christopher Müller, Eileen Myles, Gunter Reski, Mandla Reuter, Cameron Rowland, Julia Scher, Mark von Schlegell, Eva Seufert, Diamond Stingily, Wolfgang Tillmans, Vera Tollmann, Haytham El-Wardany, Nicole Wermers, Amelie von Wulffen, Stephanie Wurster, Florian Zeyfang.

Editors: Nikola Dietrich, Martin Ebner, Ariane Müller, Henrik Olesen.
Layout concept: Starship and Dan Solbach.
Graphic Design: Philip Reinartz.
Cover: Gerry Bibby, Gina Folly.
Centerfold: Amelie von Wulffen.
Backcover: Martin Ebner

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Texte Zur Kunst #104
DECEMBER 2016 "THE INDIVIDUAL"

Issue #104 of TzK examines a key protagonist of the modern age: the individual. As our cover suggests, there is an inherent tragedy to this being who, however autonomous, is beholden to a program that it must internalize at the price of suffering enormously. This issue takes up the individual not as a fixed subject, but as a mode of the self that shifts according to the current form of governance, asking how 15-some years of the “new spirit of capitalism” has shaped her – as an artist, as an entrepreneur, as a “productive” contemporary self.

ISSUE NO. 104 / DECEMBER 2016 “THE INDIVIDUAL”

TABLE OF CONTENTS

PREFACE

INVEST YOURSELF! / Wendy Brown in conversation with Isabelle Graw

NINA POWER
FROM THE ONE TO THE MANY

CAN THE ENTREPRENEURIAL SELF TWEET? / An interview with Ulrich Bröckling

BUFFERING OF THE SELF: GUISING IN THE MID-’00S / Storm van Helsing, André Rottmann, Sarah Nicole Prickett, Reena Spaulings, @lilinternet, i.i.i., Luther Blissett — on — Luther Blissett, JT LeRoy, Reena Spaulings, @lonelygirl15, Claire Fontaine, An Hero, Lee Williams, and Strom van Helsing

SVEN LÜTTICKEN
SPEECH GESTURES / Notes on the individual and the socialization of language after Gutenberg

WOLFGANG RUPPERT
PRODUCING INDIVIDUALITY / The Artist among his Contemporaries

I’M NOT PUNK / Alex Israel in conversation with Texte zur Kunst
BILDSTRECKE

ANNA HAIFISCH
PORTFOLIO
ROTATION

FEEDBACK FÜR BLINDE FLECKE / Karin Gludovatz über „Jenseits des Spiegels. Das Sehen in Kunstgeschichte und Visual Culture Studies“ von Susanne von Falkenhausen

WORLD WIDE WEB / Anthony Vidler on Felicity D. Scott’s “Outlaw Territories”
LIEBE ARBEIT KINO

LANGSAMER ABSCHIED / Esther Buss über Albert Serras „La mort de Louis XIV“

DAS SICH SELBST TRÄUMENDE INTERNET / Sulgi Lie über Werner Herzogs „Lo and Behold. Reveries of the Connected World“
KLANG KÖRPER

SHARING ANGST / Gaby Tront on Anne Imhof’s “Angst II” at Hamburger Bahnhof, Berlin

SHORT WAVES
Mikael Brkic on Alex Israel at the Astrup Fearnley Museum, Oslo / Steven Warwick on Morag Keil at Eden Eden, Berlin / Hanna Magauer über Dana Schutz bei Contemporary Fine Arts, Berlin / Tonio Kröner über Amelie von Wulffen in der Galerie Barbara Weiss, Berlin / Kari Rittenbach on Margaret Lee at Jack Hanley Gallery, New York / Susanne von Falkenhausen über „Die zu sein scheint, die bin ich.“ Birgit Jürgenssen, Cindy Sherman, Katharina Sieverding und Francesca Woodman in der Galerie Thomas Schulte, Berlin

REVIEWS
INDIVIDUELLER ORIENT / Diedrich Diederichsen über Michael Buthe im Haus der Kunst, München

ÜBERBLENDUNGSVERHÄLTNISSE / Sabeth Buchmann über Ellen Cantor im Künstlerhaus Stuttgart

… MY MERE SELF / Rachel Haidu on Kai Althoff at the Museum of Modern Art, New York

DIE KUNST DER STUNDE / Susanne Leeb über Kader Attia im Museum für Moderne Kunst, Frankfurt / M.

RUBY STERLING ZEIGT STERLING RUBY / Tanja Widmann und Inka Meißner über Sterling Ruby im Winterpalais Wien

DAS VIRTUELLE IM PHYSISCHEN / Hanne Loreck über Katrin Mayer und Eske Schlüters in der Kunsthalle Lingen

WHY BOTHER WITH SHOW BUSINESS? / Bosko Blagojevic on Antek Walczak at Real Fine Arts, New York

WERKE / Nikola Dietrich über Karl Holmqvist und Klara Lidén im Kunstverein Braunschweig
OBITUARY

BIRD OF PARADISE / Frank Wagner (1958–2016) in the words of Julie Ault

EDITION
ROBERT LONGO
OSCAR MURILLO
COSIMA VON BONIN

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