Tag: Angela Melitopoulos

TEXTE ZUR KUNST #105
MARCH 2017 “THEY ARE US"

 

ISSUE NO. 105 / MARCH 2017 “THEY ARE US / WIR SIND IHR”

With Issue #105, TZK considers the nationalist, conservative, and racist ideologies that have recently become more visible across Europe and the US, giving particular focus to questions of border politics and migration — of humans, of data, of patrimony, of signs. Advised by Helmut Draxler, Isabelle Graw, and Susanne Leeb, this issue was conceived prior to the US presidential election as a cooler reflection on present political debates. And yet having been produced amid the chaos of the Trump administration’s first weeks, it also necessarily stands as a reflection of political-aesthetic thinking during markedly volatile times: Wir sind Ihr? They are us? We are them?

TABLE OF CONTENTS:

FORWARD

PREFACE

ROUNDTABLE
BUT WHO IS “THEY”? / Roundtable discussion with Manuela Bojadžijev, Nikita Dhawan, and Christoph Menke, moderated by Helmut Draxler on Refugee and Migrant Flows as a Challenge for Political Thought

OVERCOMING MUTE RELATIONS, OR, 
THINKING WITH YOUR FEET / Angela Melitopoulos in conversation with Susanne Leeb

Daniel Keller
NEW DEVELOPMENT
HALFTIME VIBES / John Kelsey on Meditations in an Emergency
WEDER WOHNUNG NOCH WÄHRUNG / Diedrich Diederichsen über den Intendantenwechsel an der Berliner Volksbühne
BEGEHREN IN BETON / Benjamin Meyer-Krahmer über die Feuerle -Collection

LIEBE ARBEIT KINO
OF DREAMS, LIES, AND WIRES / Tom McDonough on Adam Curtis’s “HyperNormalisation”
MEDIALER GESTUS / Rainer Bellenbaum über Douglas Gordons Film 
„I Had Nowhere to Go“
EU DESESPERO E ABRAÇO A TUA AUSÊNCIA: 
“AQUARIUS” OR CINEMA AFTER NEO-FASCISM  / Daniel R. Quiles on Kleber Mendonça Filho’s “Aquarius”
FAST UNANGENEHM DEUTLICH / Anke Dyes und Anna Voswinckel über Jill Soloways 
Fernsehserie „I love Dick“

ROTATION
MACH ES NICHT SELBST / Daniel Loick über „Staying with the Trouble. Making Kin in the Chthulucene“ von Donna Haraway
(POST-)EMPIRE STATE OF MIND / Emily Segal on Cat Marnell’s “How to Murder Your Life”
RELEVANTE UPDATES / Christian Egger über Raymond Pettibon im 
Museum der Moderne Salzburg

SHORT WAVES
Micaela Durand on Heji Shin at Real Fine Arts, New York / Arne Schmitt über Candida Höfer im Neuen Berliner Kunstverein / Hans-Jürgen Hafner über Peter Duka bei Zwinger Galerie / Ana Finel Honigman on Dan Attoe at Peres ­Projects, Berlin / Tina Schulz über Willem Oorebeek im Magazin 4 in Bregenz

REVIEWS
ZUCKER UND SHAME / Ulrike Bergermann über „Deutscher Kolonialismus“ 
im Deutschen Historischen Museum, Berlin
MODELS AND AGENCIES / Ben Caton on “The Ulm Model” at Raven Row, London
ART HISTORY, REMASTERED / Abbe Schriber on Kerry James Marshall at the Met Breuer, New York
AESTHETICIZED PLAY / Stefaan Vervoort on Ludger Gerdes at the Museum Haus Lange, 
Krefeld, Germany

NACHRUFE / OBITUARIES
BARBARA WEISS (1960–2016)
by Monika Baer and John Miller
by Andreas Siekmann
JOHN BERGER (1926–2017)
by Tom Holert
by Svetlana Alpers

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Politics of Memory-cover

Politics of Memory
Marco Scotini, Elisabetta Galasso (Eds.)


The anthology Politics of Memory aims to investigate the document as such, as an objective trace left by events, as material proof or the creation of reality – the strategies with which they transform a state of memory into state memory, those by means of which a historical removal is enacted, those, ultimately, in which there is an attempt to challenge permanent or temporary amnesia, opening up to the future. The artists and filmmakers contributing to this publication represent the most advanced area on an international scale of a research that inaugurates a new relationship between artistic practices and the documentary.

The artists’ contributions have been collected within the context of a cycle of conferences held between 2010 and 2013 and are re-presented here in a format aimed at highlighting their connections and common research perspectives. To this end, the volume is articulated in four sections and does not follow the chronological order of the conferences. The first section is dedicated to archival practices, the second to the memory of conflicts, the third to the documentary dispositive and the last to the representation of migration as a social practice and as the enactment of breaching boundaries.

Edited by Marco Scotini and Elisabetta Galasso

Contributions by John Akomfrah, Eric Baudelaire, Ursula Biemann, Harun Farocki, Yervant Gianikian and Angela Ricci Lucchi, Khaled Jarrar, Lamia Joreige, Gintaras Makarevičius, Angela Melitopoulos, Deimantas Narkevičius, Lisl Ponger, Florian Schneider, Eyal Sivan, Hito Steyerl, Jean-Marie Teno, Trinh T. Minh-ha, Wendelien van Oldenborgh, Clemens von Wedemeyer, Mohanad Yaqubi and Reem Shilleh

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