The incredible, rarely seen Electa Studio 65 monograph!
In 1965 Studio 65 was founded by Franco Audrito and Piero Gatti, architecture and art students in Turin, at a time in Italy covering the 1960s and 1970s, where radical design groups were establishing an opposition to the pure functionalism of the International Style of design. Their ironic adaptation of classical elements predates the historicist designs of such 1980s postmodernists as Robert Venturi and Michael Graves in America and Hans Hollein, Ricardo Bofill, and Aldo Rossi in Europe, and it also takes note of pop art developments of the period in ways which in turn influenced visual artists of the time.
This valuable book encompasses their entire history of work, all densely illustrated in colour and black and white throughout with texts in both Italian and English discussing each project. Includes all their work across furniture design (including their iconic polyurethane foam pieces for Gufram, such as “Bocca” and “Capitello”), interior design, architecture, exhibition design, and much more. From designing discotheques to children’s playgrounds, much of the content in this book is undocumented elsewhere in print.
Alongside a complete biographical history, interviews and essays, this great book visually captures Studio 65’s place at the forefront of Italy’s radical anti-design movement, transforming furniture, jewellery, accessories, and even architecture itself into objects of fantasy.
First and only edition.
* Condition: Very Good (general wear and creasing to edges/covers) – All care is taken to provide accurate condition details of used books, photos available on request.
- Studio 65 (1986)
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Drawings over 4 decades / Zeichnungen aus 4 Jahrzehnten
Ettore Sottsass signed copy of this incredibly scarce, unique publication from 1990. “Ettore Sottsass : Drawings over 4 decades / Zeichnungen aus 4 Jahrzehnten” was published by Ikon Galerie fur Design-Zeichnungen (Frankfurt am Main), reproducing sketches for furniture, glass, ceramic, jewellery, lighting, interior and architectural projects by influential Italian architect and designer Ettore Sottsass (14 September 1917 – 31 December 2007), which are interspersed throughout the text design of this catalogue, which includes a lively interview by Rainer Krause with the artist (a founder of the highly influential Memphis group and Sottsass Associati, as well as designer with Alchimia, Alessi, Olivetti, Arredoluce, Poltronova, Fiorucci, Esprit, Knoll, and many others), text by fellow collaborator and architect/designer/artist Andrea Branzi, and Sottsass’s lengthy informal essay presenting his personal view of the sociological significance of the chair.
All texts are in both English and German, with interview also in Italian.
This special copy has been signed by the designer with “Sottsass” across the title page in black pen. A super collectable copy of this already very rare and special book on one of the world’s most influential designers and visionaries.
* Condition: Very Good (tight and clean throughout) – All care is taken to provide accurate condition details of used books, photos available on request.
- Ettore Sottsass - Drawings over 4 decades / Zeichnungen aus 4 Jahrzehnten (signed)
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Small French monograph on the life and work of Italian designer and architect, Ettore Sottsass. First Edition. Illustrated throughout in black and white and colour with his work across furniture, glass, ceramic, jewellery, lighting, interior and architectural projects. Ettore Sottsass (14 September 1917 – 31 December 2007) was a founder of the highly influential Memphis group and Sottsass Associati, as well as designer with Alchimia, Alessi, Olivetti, Arredoluce, Poltronova, Fiorucci, Esprit, Knoll, and many others. All texts in French.
* Condition: Good-Very Good (light wear, creasing to covers) – All care is taken to provide accurate condition details of used books, photos available on request.
- Ettore Sottsass (1987)
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In recent years, the group Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Forensic Architecture has not only shed new light on human rights violations and state crimes across the globe, but has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing.
In Forensic Architecture, Eyal Weizman, the group’s founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Traversing multiple scales and durations, the case studies in this volume include the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere.
Weizman’s Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. The practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.
About the Author
Eyal Weizman is Professor of Spatial and Visual Cultures at Goldsmiths College, University of London and a Global Scholar at Princeton University. A founder of Forensic Architecture, he is also a founding member of the architectural collective DAAR in Beit Sahour/Palestine. His books include Mengele’s Skull, The Least of All Possible Evils, and Hollow Land.
“The investigative work of Eyal Weizman and his colleagues at Forensic Architecture is truly remarkable, breaking novel theoretical ground while actively supporting struggles for justice. Again and again, landscapes of power, violence, resistance and ecological stress are transformed in stunning new ways. Among the many revelations in these pages is a new mapping of the connections between climate-change, drought, drones and armed conflict. These are powerful analytic tools that will be indispensable to the construction of a new human rights framework.”
—Naomi Klein, author of This Changes Everything and The Shock Doctrine
“In many respects Forensic Architecture is the current reincarnation of Soviet Russia’s Factography, a collective enterprise that, in the 1920’s and 30’s, was geared towards the construction of facts, as opposed to merely documenting them. The difference between both endeavors, each similarly brazen in taking advantage of unprecedented advances of media technology, is that the facts that Forensic Architecture wishes to (re)construct are for the most part acts of state violence that the perpetrating state deliberately conceals. Those facts are registered in buildings (or traces thereof), which Weizman and his team equate both to photographs (sensors) and to tools for decoding other sensors (such as the clouds of smoke hovering over a bombed city). Analyzing the vast bank of images provided by social media in conflict zones through a computation of differential parallaxes, Forensic Architecture is fast becoming the most efficient visual machine against the suppression of evidence by the authors of crimes against humanity. Recent history tells us that its work will be evermore needed.”
“In a world where environmental crimes are increasingly linked to human rights violations, Forensic Architecture has become an essential practice. Weizman and his team have understood how the tools of science and architecture can influence and transform the juridical system.”
—Baltasar Garzón, former Spanish investigating judge and president of the human rights foundation FIBGAR
- Forensic Architecture - Violence at the Threshold of Detectability
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