Tag: conceptual art

Franz Erhard Walther
Werkmonographie 1955 - 1963; Material zum 1. Werksatz 1963 - 1969

Profusely illustrated catalogue raisonné of German artist Franz Erhard Walther, published in conjunction with show held at the Kunsthalle Tübingen, Germany, May 11, 1972 – July 9, 1972. Features generous documentation of his works from the 1960s and 1970s, including many great works in paper and fabric.
This book is in AS NEW condition, published in 1972.
Text in German with an English introduction.

Edited by Götz Adriani.
Text by Manfred Schmalriede.

Having participated in Harald Szeemann’s legendary When Attitudes Become Form (1969) and dOCUMENTA V (1972) as well as the Museum of Modern Art’s landmark Spaces (1970), Walther’s remarkable coupling of elementary forms with conceptual ideas and a radical rethinking of the relationship between sculpture and action, has become so influential to the contemporary practices of young artists today.
The German conceptualist and sculptor Franz Erhard Walther counts among those artists who, in the 1960s, sought to undermine the authorial role of the artist in favour of a more democratic aesthetic dependent on the interaction of viewer and object; simple and individual acts such as folding and lying, leaning and stepping are either the source of his often minimal works or the means by which individual viewers may interact with them. His means of sculptural expression often involved the use of soft materials. His canvas sculptures are simply meant to be held, worn, lain in or stood under, usually by two or more people, creating strange moments of social intimacy and spatial awareness.

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David Hammons
Been There and Back


Very rare catalogue published on the occasion of David Hammons’ solo European institutional exhibition “Been There and Back” at Salzburger Kunstverein, 4 August – 27 September 1995. Catalogue features colour documentation of the exhibition installation, plus individual works, alongside essays by Silvia Eiblmayr and Dawoud Bey.

* Condition: Very Good-Fine – All care is taken to provide accurate condition details of used books, photos available on request.

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On Things As Ideas
Robert Stadler, Alexis Vaillant (Eds.)



Contributions by Carl Andre, Charles Baudelaire, Walter Benjamin, Barbara Bloemink, Jan Boelen, Louise Bourgeois, Sheldon Cheney and Martha Candler Cheney, Alex Coles, Anthony Dunne and Fiona Raby, Hal Foster, Sigmund Freud, Dan Graham, Isabelle Graw, Sebastian Hackenschmidt and Dietmar Rübel, Graham Harman, G. W. F. Hegel, Martin Heidegger, Dave Hickey, Matthew Higgs, Donald Judd, Immanuel Kant, Frederick J. Kiesler, Sven Lütticken, Alessandro Mendini, W. J. T. Mitchell, Jasper Morrison, Bruno Munari, Robert Nickas, Alice Rawsthorn, Jeff Rian, Richard Rinehart, Anthony Vidler

This collection of more than thirty texts, which were originally published between 1790 and the present day, explores man’s rich relationship with material things. Devised largely in response to the gradual breakdown of the divide between art and design that began over a century ago, this book sheds light on the ways that the concept of the thing as idea has been considered over time. Writers from different fields explore how things interact with materials, structures, and production processes while defining and registering the intangible qualities of the material world. Each author considers the different relationships between the context of a thing and its thingness, describing the ways in which things and ideas intersect.

Copublished with MUDAM Luxembourg
Design by Florence Richard

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Louise Lawler
(October Files)

Edited by Helen Molesworth
With Taylor Walsh

Louise Lawler has devoted her art practice to investigating the life cycle of art objects. Her photographs depict art in the collector’s home, the museum, the auction house, and the commercial gallery, on loading docks, and in storage closets. Her work offers a sustained meditation on the strategies of display that shape art’s reception and distribution. The cumulative effect of Lawler’s photographs is a silent insistence that context is the primary shaper of art’s meaning. Informed by feminism and institutional critique, Lawler’s witty, poignant, and trenchant photos frequently pay attention to a host of overlooked details—almost Freudian slips—that ineffably and tacitly shore up what we conventionally think of as art’s “power.”

This book includes the earliest published text on Lawler’s work; an examination of her ephemera (Lawler produced, among other things, matchbooks and paperweights); a rare interview with the artist, conducted by Douglas Crimp; a conversation between George Baker and Andrea Fraser on Lawler’s work; and essays by writers including Rosalind Krauss, Rosalyn Deutsche, and Helen Molesworth, the volume’s editor. The book traces the changing reception of Lawler’s work from early preoccupations with appropriation to later discussions of affect.

About the Editor
Helen Molesworth is Chief Curator at the Institute for Contemporary Art, Boston. She edited Louise Lawler’s Twice Untitled and Other Pictures (looking back), published by the Wexner Center for the Arts and distributed by the MIT Press.

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