Tag: Daniel Keller

TEXTE ZUR KUNST #105
MARCH 2017 “THEY ARE US"

 

ISSUE NO. 105 / MARCH 2017 “THEY ARE US / WIR SIND IHR”

With Issue #105, TZK considers the nationalist, conservative, and racist ideologies that have recently become more visible across Europe and the US, giving particular focus to questions of border politics and migration — of humans, of data, of patrimony, of signs. Advised by Helmut Draxler, Isabelle Graw, and Susanne Leeb, this issue was conceived prior to the US presidential election as a cooler reflection on present political debates. And yet having been produced amid the chaos of the Trump administration’s first weeks, it also necessarily stands as a reflection of political-aesthetic thinking during markedly volatile times: Wir sind Ihr? They are us? We are them?

TABLE OF CONTENTS:

FORWARD

PREFACE

ROUNDTABLE
BUT WHO IS “THEY”? / Roundtable discussion with Manuela Bojadžijev, Nikita Dhawan, and Christoph Menke, moderated by Helmut Draxler on Refugee and Migrant Flows as a Challenge for Political Thought

OVERCOMING MUTE RELATIONS, OR, 
THINKING WITH YOUR FEET / Angela Melitopoulos in conversation with Susanne Leeb

Daniel Keller
NEW DEVELOPMENT
HALFTIME VIBES / John Kelsey on Meditations in an Emergency
WEDER WOHNUNG NOCH WÄHRUNG / Diedrich Diederichsen über den Intendantenwechsel an der Berliner Volksbühne
BEGEHREN IN BETON / Benjamin Meyer-Krahmer über die Feuerle -Collection

LIEBE ARBEIT KINO
OF DREAMS, LIES, AND WIRES / Tom McDonough on Adam Curtis’s “HyperNormalisation”
MEDIALER GESTUS / Rainer Bellenbaum über Douglas Gordons Film 
„I Had Nowhere to Go“
EU DESESPERO E ABRAÇO A TUA AUSÊNCIA: 
“AQUARIUS” OR CINEMA AFTER NEO-FASCISM  / Daniel R. Quiles on Kleber Mendonça Filho’s “Aquarius”
FAST UNANGENEHM DEUTLICH / Anke Dyes und Anna Voswinckel über Jill Soloways 
Fernsehserie „I love Dick“

ROTATION
MACH ES NICHT SELBST / Daniel Loick über „Staying with the Trouble. Making Kin in the Chthulucene“ von Donna Haraway
(POST-)EMPIRE STATE OF MIND / Emily Segal on Cat Marnell’s “How to Murder Your Life”
RELEVANTE UPDATES / Christian Egger über Raymond Pettibon im 
Museum der Moderne Salzburg

SHORT WAVES
Micaela Durand on Heji Shin at Real Fine Arts, New York / Arne Schmitt über Candida Höfer im Neuen Berliner Kunstverein / Hans-Jürgen Hafner über Peter Duka bei Zwinger Galerie / Ana Finel Honigman on Dan Attoe at Peres ­Projects, Berlin / Tina Schulz über Willem Oorebeek im Magazin 4 in Bregenz

REVIEWS
ZUCKER UND SHAME / Ulrike Bergermann über „Deutscher Kolonialismus“ 
im Deutschen Historischen Museum, Berlin
MODELS AND AGENCIES / Ben Caton on “The Ulm Model” at Raven Row, London
ART HISTORY, REMASTERED / Abbe Schriber on Kerry James Marshall at the Met Breuer, New York
AESTHETICIZED PLAY / Stefaan Vervoort on Ludger Gerdes at the Museum Haus Lange, 
Krefeld, Germany

NACHRUFE / OBITUARIES
BARBARA WEISS (1960–2016)
by Monika Baer and John Miller
by Andreas Siekmann
JOHN BERGER (1926–2017)
by Tom Holert
by Svetlana Alpers

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Texte Zur Kunst #97
March 2015 “Bohemia”


Exile and marginality, network availability, mass- versus subcultural identities, privilege, opting (versus dropping) out – these are elements this issue takes on. The fading of bohemia’s appeal is no doubt linked in part to a growing preference for the web’s promise of total-connectivity. Though could another factor be at work here too: an underlying sense that perhaps the real displacement and disenfranchisement after which romantic notions of “bohemia” were later formed may again be a very real threat?

ISSUE NO. 97 / MARCH 2015 “BOHEMIA”

ENGLISH CONTENTS include:

DIEDRICH DIEDERICHSEN
THE PHYSIOGNOMY OF DISENFRANCHISEMENT
“Faces of bohemia at one hundred and fifty”

THE POSSIBILITY OF LIFE AT THE SYSTEMIC EDGE
Three questions for Saskia Sassen

AT THE END OF ALTERNATIVES
An interview with Cornelia Koppetsch

PHILIPP EKARDT
FIORUCCI MADE ME NORMCORE / Five observations on art, style, and scenes today

DOUGLAS COUPLAND
BOHEMIA = UTOPIA?

DANIEL KELLER
HOTTEST NEW ALT MARRIAGE STACK SOLUTIONS / Paratext and Glossary by Ella Plevin

CAROLINE BUSTA
BASIC INSTINCT / Cyber-channels and the female pose

STEPHAN DILLEMUTH
WHAT’S YOUR NAME, BOHEMIA?

THE DEATH OF ILLUSION / An interview with Noura Wedell

MORAG KEIL
BOHEMIA COMMISSION

O CRONENBERG! (A SPOILER) / Mark von Schlegell on David Cronenberg’s recent movie “Maps to the Stars” and novel “Consumed”

Nick Zedd on Greer Lankton at Participant Inc, New York
Tess Edmonson on Amalia Ulman at James Fuentes, New York
Ana Teixeira Pinto on Oliver Laric at Tanya Leighton, Berlin

NOT ONLY THE HEART IS NOT A METAPHOR / Rachel Haidu on Robert Gober at the Museum of Modern Art, New York

TOTAL CONFUSION / Christian Naujoks on Cosima von Bonin at Mumok, Vienna

GLOOM / Amy Lien and Enzo Camacho on the Taipei Biennial 2014

A GLIMPSE AT THE SOCIAL LIFE OF PAINTINGS / Catherine Chevalier on Marcel Duchamp at Centre Pompidou, Paris

LEWIS BALTZ (1945–2014)
by Jeff Rian

EDITION

TOMMA ABTS
AVERY SINGER

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Simon DennySimon Denny

Simon Denny
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Through a variety of media, including photographs, sculpture, video and printed ephemera, New Zealand artist Simon Denny (born 1982) invites us to reflect on the evolution of television and video as both technology and cultural construct. Denny’s recent works have included investigations into the “architecture” of the TV set itself, the genre conventions of documentary and the myriad processes by which content is translated from one medium to another, be it in television program stills woven into beach towels or video montages derived from outdated trade magazines. This catalogue emphasises projects realized since 2009–including Denny’s 2012 exhibition at the Aspen Art Museum–and features essays by curator Jacob Proctor, critic Pablo Larios and conservator Hanna Hölling; a conversation between Denny and three artistic peers; and illustrations throughout.

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