Tag: Ettore Sottsass

CasaVogue-spread

Styles of Living
The Best of Casa Vogue


First edition, published by Rizzoli in 1985, of this classic interior design book, “Styles of Living: The Best of Casa Vogue”

Making appearances in these rooms: Gae Aulenti, Man Ray, Enzo Mari, Carlo Scarpa, Pablo Picasso, Josef Hoffman, Cinzia Ruggeri, Max Ernst, Wols, Matteo Thun, Ettore Sottsass, Le Corbusier, Salvador Dali, René Magritte, Lucio Fontana, Eileen Grey, Daniel Buren, Gaetano Pesce, Charles Eames, Verner Panton, Massimo Vignelli, Andy Warhol, Frank Lloyd Wright, Antonio Tapiés, Michelangelo Pistoletto, Alver Aalto…..

“Ever since the end of the Second World War, Italian style, design and decoration have maintained an unprecedented predominance in the Western World. It was in the early 1950s that a great surge of decorative talent welled up in Italy, and this resulted in the ‘Italian look’ in clothes and in homes – a new standard of chic inventiveness.

The Italian view of interior design has been most enterprisingly expressed in the magazine Casa Vogue, which was founded in 1968 and has consistently been one of the most admired publications of Condé Nast International.

This book, garnered from the many issues of Casa Vogue, has been written and produced under the guidance of  Isa Vercellonim who has been its editor ever since its inception. The choice of picture-stories is intended to reflect the unusual and distinctive diversity of the magazine – ranging from traditional decoration to the more advance examples of minimal design, most the most significant  of contemporary buildings to the spectacular reconstructions and reconversions of old palazzi and coachhouses, from the ‘post modern’ to the ‘anti-modern’ and any other ‘moderns’ that may have been advocated recently. Italian trends naturally provide the main focus, but Casa Vogue also includes developments in the United States, France, Switzerland – indeed, wherever unusual and meaningful designs are being created.”

* Condition: Good-Very Good (light wear/tanning to original dust-jacket and binding, otherwise clean and tight throughout, protected in mylar wrap) – All care is taken to provide accurate condition details of used books, photos available on request.

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Styles of Living
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The Hot House
Italian New Wave Design

Edited by Andrea Branzi, The Hot House was one of the finest books published to trace the history of Italy’s radical design studios from 1960 to the dawn of Memphis.  Through academic texts and profuse visual documentation of the work of Alessandro Mendini, Gaetano Pesce, Superstudio, Ettore Sottsass, Natalie Du Pasquier, UFO Group, Enzo Mari, Alchymia, Michele De Lucchi, 9999, Archizoom Associati, Mattheo Thun, Memphis, and many others.

* Condition: Good (general light shelf/reading wear, light warping to edges of some early pages, otherwise clean good copy throughout tightly bound) – All care is taken to provide accurate condition details of used books, photos available on request.

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The Anti-Museum : An Anthology
Mathieu Copeland, Balthazar Lovay (Eds.)

The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum’s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this anthology is devoted to the anti-museum, through anti-art, the anti-artist, anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. This notion – unpatented but regularly reappropriated – traces the erratic, fractured, and sometimes paradoxical counter-history of the contestation of artistic institutions. From the first anti-exhibition to the first catalog retracing the history of “Closed Exhibitions,” from Dada to Noise music, from “Everything is Art” to NO!art, the Japanese avant-gardes to Lettrist cinema, and not forgetting such major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale, and Lydia Lunch, The Anti-Museum sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.

Edited by Mathieu Copeland and Balthazar Lovay.
Introduction by: Mathieu Copeland.
Texts by: Zach Blas, Johannes Cladders, Beatriz Colomina, Henry Flynt, Kenneth Goldsmith, Krist Gruijthuijsen, Robert Morris, Bob Nickas, Sören Schmeling, Reiko Tomii, Jon Hendricks, Jean Toche, Andrea Branzi, Ettore Sottsass, Allan Wallach, Guerilla Art Action Group, Robert Morris, Gareth James and many more
Features interviews/conversations with John Armleder, Robert Barry, Ben, Genesis P-Orridge, Andrea Branzi, Piero Gilardi, Mierle Laderman Ukeles and many more

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The Anti-Museum : An Anthology
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Sottsass Associati


Scarce, deluxe first Japanese edition of the Sottsass Associati book from 1988, in original box sleeve with printed obi-strip. This large, lavishly illustrated book examines the diverse array of projects by Italian design group, Sottsass Associati – a partnership formed in Milan in 1980 between Ettore Sottsass, Marco Zanini, Matteo Thun, Aldo Cibic, and Marco Marabelli. Each of their major projects, traversing architecture, interior design, textiles, graphic design, product design, exhibition design, furniture design, etc. are documented here in full-colour photography and illustrations, including projects for Brionvega, Olivetti, Esprit, Fiorucci, Memphis Group, Knoll, Alessi, Driade, and many others.

Essays by Ettore Sottsass, Barbara Radice, Jean Pigozzi, Herbert Muschamp, Philippe Thome, Doug Tompkins, Luciano Torri, and Marco Zanini.

*Condition: Very Good-Fine (Fine copy preserved within original box sleeve with light wear/tanning to box, protected in plastic with original obi-strip) – All care is taken to provide accurate condition details of used books, photos available on request.

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Sottsass Associati (Japan box, 1988)
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