Tag: Hans-Jürgen Hafner

TEXTE ZUR KUNST #105
MARCH 2017 “THEY ARE US"

 

ISSUE NO. 105 / MARCH 2017 “THEY ARE US / WIR SIND IHR”

With Issue #105, TZK considers the nationalist, conservative, and racist ideologies that have recently become more visible across Europe and the US, giving particular focus to questions of border politics and migration — of humans, of data, of patrimony, of signs. Advised by Helmut Draxler, Isabelle Graw, and Susanne Leeb, this issue was conceived prior to the US presidential election as a cooler reflection on present political debates. And yet having been produced amid the chaos of the Trump administration’s first weeks, it also necessarily stands as a reflection of political-aesthetic thinking during markedly volatile times: Wir sind Ihr? They are us? We are them?

TABLE OF CONTENTS:

FORWARD

PREFACE

ROUNDTABLE
BUT WHO IS “THEY”? / Roundtable discussion with Manuela Bojadžijev, Nikita Dhawan, and Christoph Menke, moderated by Helmut Draxler on Refugee and Migrant Flows as a Challenge for Political Thought

OVERCOMING MUTE RELATIONS, OR, 
THINKING WITH YOUR FEET / Angela Melitopoulos in conversation with Susanne Leeb

Daniel Keller
NEW DEVELOPMENT
HALFTIME VIBES / John Kelsey on Meditations in an Emergency
WEDER WOHNUNG NOCH WÄHRUNG / Diedrich Diederichsen über den Intendantenwechsel an der Berliner Volksbühne
BEGEHREN IN BETON / Benjamin Meyer-Krahmer über die Feuerle -Collection

LIEBE ARBEIT KINO
OF DREAMS, LIES, AND WIRES / Tom McDonough on Adam Curtis’s “HyperNormalisation”
MEDIALER GESTUS / Rainer Bellenbaum über Douglas Gordons Film 
„I Had Nowhere to Go“
EU DESESPERO E ABRAÇO A TUA AUSÊNCIA: 
“AQUARIUS” OR CINEMA AFTER NEO-FASCISM  / Daniel R. Quiles on Kleber Mendonça Filho’s “Aquarius”
FAST UNANGENEHM DEUTLICH / Anke Dyes und Anna Voswinckel über Jill Soloways 
Fernsehserie „I love Dick“

ROTATION
MACH ES NICHT SELBST / Daniel Loick über „Staying with the Trouble. Making Kin in the Chthulucene“ von Donna Haraway
(POST-)EMPIRE STATE OF MIND / Emily Segal on Cat Marnell’s “How to Murder Your Life”
RELEVANTE UPDATES / Christian Egger über Raymond Pettibon im 
Museum der Moderne Salzburg

SHORT WAVES
Micaela Durand on Heji Shin at Real Fine Arts, New York / Arne Schmitt über Candida Höfer im Neuen Berliner Kunstverein / Hans-Jürgen Hafner über Peter Duka bei Zwinger Galerie / Ana Finel Honigman on Dan Attoe at Peres ­Projects, Berlin / Tina Schulz über Willem Oorebeek im Magazin 4 in Bregenz

REVIEWS
ZUCKER UND SHAME / Ulrike Bergermann über „Deutscher Kolonialismus“ 
im Deutschen Historischen Museum, Berlin
MODELS AND AGENCIES / Ben Caton on “The Ulm Model” at Raven Row, London
ART HISTORY, REMASTERED / Abbe Schriber on Kerry James Marshall at the Met Breuer, New York
AESTHETICIZED PLAY / Stefaan Vervoort on Ludger Gerdes at the Museum Haus Lange, 
Krefeld, Germany

NACHRUFE / OBITUARIES
BARBARA WEISS (1960–2016)
by Monika Baer and John Miller
by Andreas Siekmann
JOHN BERGER (1926–2017)
by Tom Holert
by Svetlana Alpers

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Monika Baer

This volume includes two bodies of work by German painter Monika Baer (born 1964): her paintings of playing cards, dollar bills and stylized breasts floating against an abstract wash, and more recent works in which web-like patterns are cut out of the canvas, exposing the stretcher behind.

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TEXTE ZUR KUNST #83 / September 2011 “The Collectors”

“The Collectors” issue

includes:
– Niklas Maak – The Network and Rituals of a New Transnational System of Collectors
– Ulf Wuggenig – Attached by an Umbilical Cord of Gold
– In Favour of Transparency / A Roundtable conversation on Collectors and Ceollections with Candice Breitz, Peggy Buth, Jonathan Monk and Andreas Siekmann, moderated by Sven Beckstette
– Steffen Zillig – The Image of the Collector – From Citoyen to Celebrity
– Andrea Fraser – L’1%, C’est Moi
– That’s a Given! / A Survey of the Relationship between Public Museums and Private Collections with Chris Dercon, Udo Kittelmann, Karola Kraus, Christine Macel, Bartomeu Marí, Matthias Mühling and Bennett Simpson
– Øystein Aasan – Picture Spread
– Otto Karl Werckmeister – Apocalypse Now / Über das “Handbuch der politischen Ikonographie” von Martin Warnke, Uwe Fleckner und Hendrik Zielger
– Anna Artaker – Multisensorielle Fotografie / Über “Fotografische Atmosphären. Rhetoriken des Unbestimmten in der zeitgenössischen Fotografie” von Ilka Becker
– Cinematographisches Voodoo und persönliche Geniographie / Über das filmische Werk von Rogério Sganzerla anlässlich einer Retrospektive in der Caixa Cultural, Rio de Janeiro
– Oliver Husain – Der Film, der zuviel wusste / Über “Deutschland hysterisieren. Fassbinder, Alexanderplatz” von Manfred Hermes
– Holger Schulze – Aktivierte Räume / Über Bruce Nauman in der Konrad Fischer Galerie und Paul Panhuysen in der Singuhr Hörgalerie, Berlin
– Barbara Hess über Evelyne Axell im Museum Abteiberg, Mönchengladbach
– Hans-Jürgen Hafner über „Dealing with – Some Books, Visuals, and Works Related to American Fine Arts, Co.“ in der Halle für Kunst und dem Kunstraum der Leuphana Universität, Lüneburg
– Tal Sterngast on Moshe Ninio, Haim Steinbach and Christopher Williams at Dvir Gallery, Tel Aviv
– Matei Bellu über „Anfang Gut. Alles Gut.“ im ­Basso, Berlin und in der KUB Arena, Bregenz
– Daniel Horn über „Curated by vienna: East by South West“ in 21 Wiener Galerien
– Anette Freudenberger über Lucie Stahl in der ­Galerie Meyer Kainer, Wien
– Isabelle Graw on Édouard Manet at the Musée d’Orsay, Paris
– Groundbreaking! – Luke Cohen on John Knight at Greene Naftali, New York
– Ordnung muss sein – Esther Buss über Matt Mullican im Haus der Kunst, München
– Herausragende Bilder – Antje Krause-Wahl über Lee Bontecou im ZKM/Museum für Neue Kunst, Karlsruhe
– Raiding the Library – Sven Lütticken on Richard Prince at the Bibliothèque nationale de France, Paris
– Wahlverwandtschaften – Astrid Wege über Jeff Wall im Bozar / Palais des Beaux-Arts, Brüssel
– „Irrer stört Eröffnung. Behauptet: Welt ist flach.“ – A.S. Bruckstein Çoruh über Walid Raad bei T-B A21, Wien, und im Theater Hebbel am Ufer, Berlin
– !Que Bárbara! – Nicolás Guagnini on Emily Sundblad, Algus Greenspon Gallery, New York
– Das Atelier als Spielzimmer – Ines Kleesattel über Geta Brãtescu in der Galerie Barbara Weiss, Berlin
– Es ist angerichtet – Manuela Ammer über Nairy Baghramian in der Galerie Daniel Buchholz, Berlin

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