The Exhibitionist #4

The Exhibitionist #4 – La Critique, Journal on Exhibition Making

In this issue: “Response I: the Artist and the curator – The Curatorial Paradigm”, “Notes on the Paracuratorial”, “The Limits of Interpretation, “Response II: toward a History of exhibitions – On the Value of a History of Exhibitions”, “Inhabiting Exhibition History”, “What History of Exhibitions?”, “On Knot Curating”, “Curating in the Academy”, “Beyond Participation”, “The Dog that Barked at the Elephant in the Room”, “Curatorial Control”, “Prolonged Exposure”, “Curator with a Capital C or Dilettante with a Small d”, and much more…

The Exhibitionist, a journal made by curators, for curators, focusing solely on the practice of exhibition making.The objective is to create a wider platform for the discussion of curatorial concerns – encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating.

Editor: Jens Hoffmann

Editorial board: Carolyn Christov-Bakargiev, Okwui Enwezor, Kate Fowle, Mary Jane Jacob, Constance Lewallen, Maria Lind, Chus Martínez, Jessica Morgan, Julian Myers, Hans Ulrich Obrist, Paul O’Neill, Adriano Pedrosa, Dieter Roelstraete, Dorothea von Hantelmann

Design: Jon Sueda and Jennifer Hennesy / Stripe, San Francisco

The Exhibitionist #4
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