Berlin-based Thea Djordjadze is best known for her sculpture and installations with references to the modernist language. She works with materials like plaster, wood, ceramic and papier mâché to produce almost intuitive assemblages where unformed, premature pieces collide with or rest upon precise architectural or domestic constructions. These hybrid compositions deliberately display the traces of their creation. Besides numerous and detailed installation views from her solo exhibition at Malmö Konsthall, this catalogue documents Djordjadze’s methods and perspectives through several critical texts by Gabriel Lester, Andrew Maerkle, Chris Kraus and others.
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