RADSEX RISING TIDE TURBO PERVO TONIC
GUY BALDWIN, M.S.
ON THE ORIGIN OF TRISOMY 21
MAJ A HULTEN ET AL.
ANN DE WEES ALLEN
INDUCED CLIMATE OF 00-08: CLOUD SEEDING OF THE BEIJING & TIANJIN MUNICIPALITIES
UTC-7 ANALOG AFFILIATE COVERAGE
MANAGEMENT PLAN FOR DALL SHEEP IN THE NORTH RICHARDSON MOUNTAINS
WORKING GROUP FOR N.R.M.D.S.
LETTERPRESSED CLASSIC COLUMNS EPIC BLACK COVER
TWO SIGNATURES OF COLOR PLATES
ONE SIGNATURE ON LEATHER STOCK
NOTEPAD THAT IS BY STURTEVANT
WE’VE WHIPPED EACH ONE OF THESE IN OUR DUNGEON AND THUS SCARRED
PROVIDED IN ARCHIVAL SAC
From Wikipedia, the free encyclopedia:
“Veneer Magazine is a subscription-based art publication. The magazine is edited by Aaron Flint Jamison and published by MPH. Veneer is distributed domestically by Textfield. Printed annually both in print and published online, Issue 1 was released in 2007 and the final issue, Issue 18, will be available in 2025. Two versions of each printed issue are created, one for subscribers and one for retail outlets. The issues are produced in an edition of 1000 with 300 of that edition being reserved for subscribers and 700 available for retail. Subscriber’s editions also contain additional materials.
Veneer has included contributions from contemporary artists, writers, inventors, technicians, and musicians such as Adrian Piper, George Kuchar, GoodiePal, Lucky Dragons, Elaine Sturtevant, Kevin Kelly and Ray Kurzweil. Veneer is known to fetishize the materials and processes involved in each issue. Past methods have included printing on a variety of paper stocks with unique letterpress and offset techniques, bull-whipping of each individual issue, sprayfoam, embedding of titanium pieces, embedding of cubic zirconia, and application of Brut Deodorant and Chantilly Lace perfume.”
Aaron Flint Jamison (b.1979, Montana) has recently realized solo exhibitions at Artists Space, New York (2013); Cubitt, London (2013); Centre d’édition contemporaine, Geneva (2012); Artspeak, Vancouver (2012); Air de Paris, Paris (2012); castillo/corrales, Paris (2011); and Open Satellite, Bellevue, Washington (2010). His work will be included in the 2014 Liverpool Biennial, curated by Anthony Huberman and Mai Abu ElDahab. Veneer is in numerous private and public collections, including the Museum of Modern Art, New York. In 2013, Hans Ulrich Obrist named Jamison one of the twenty-seven most important living artists. He co-founded the artist-run center Department of Safety (2002–10) in Anacortes, Washington. Jamison lives and works in Portland, Oregon, where he is the co-founder of the art center Yale Union (YU), and the founder and editor of Veneer.
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