Annette Kelm

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Invisible Adversaries
edited by Lauren Cornell

‘Invisible Adversaries’ was a major exhibition curated by Lauren Cornell and Tom Eccles inspired by the 1976 feature film by the radical Austrian artist Valie Export. The film presents a woman’s struggle to retain her sense of self against hostile alien forces that appear increasingly ubiquitous, colonizing the minds of all those around her. Motifs from the film – among them, architecture’s influence on identity; feminist critique; and the power of political fantasy – operate as filters through which to consider significant pieces from the Marieluise Hessel Collection.

With works by over 50 artists including Eija-Liisa Ahtila, Chantal Akerman, Kai Althoff, Janine Antoni, Ida Applebroog, Phyllida Barlow, Lynda Benglis, Barbara Bloom, Paul Chan, Patty Chang, Anne Collier, Rineke Dijkstra, Trisha Donnelly, VALIE EXPORT, Hans-Peter Feldmann, Isa Genzken, Liam Gillick, K8 Hardy, Rachel Harrison, Mona Hatoum, Roni Horn, Emily Jacir, Annette Kelm, Leigh Ledare, Nikki S. Lee, Sarah Lucas, Tala Madani, Christian Marclay, Helen Marten, Ulrike Müller, Bruce Nauman, Tony Oursler, Philippe Parreno, William Pope.L, Seth Price, Magali Reus, Rachel Rose, Thomas Ruff, Ilene Segalove, Cindy Sherman, Stephen Shore, Diane Simpson, Lorna Simpson, Jo Spence, Hito Steyerl, Tunga, Gillian Wearing, Martha Wilson, and Krzysztof Wodiczko, amongst others.

This 300-page publication designed by Zak Group with original essays by nine influential writers, scholars and artists: Zach Blas, Johanna Fateman, Nav Haq, Vít Havránek, J. Hoberman, Alex Kitnick, Tavia Nyong’O, Lauren O’Neill-Butler, and Julian Rose. The catalogue also includes original interviews with VALIE EXPORT, Trevor Paglen, and Hito Steyerl.

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299 792 458 m/s
The American Issue #1

299 792 458 m/s is a magazine created in 2016 by Robert Kulisek and David Lieske in New York City. It’s inaugural Issue, The American Issue brings together a large variety of contemporary photographers, stylists, artists and designers with a focus on a transatlantic network that heavily influences the current fashion discourse.

299 792 458 m/s was inspired by Sibylle, the only fashion publication in existence during the former German Democratic Republic (1956 – 1989).

As a meta-fashion magazine, Sibylle operated with minimal access to western designer clothes, and opened up historical possibilities into uncharted territories of fashion-photography.

Featuring:
Marie Angelletti, Claire Christerson, Than Hussein Clark, Marcus Cuffie, Buck Ellison, Dese Escobar, Heike-Karin Föll, Matt Holmes, Annette Kelm, Eckhaus Latta, Andrea Longacre-White, Torbjørn Rødland, Ryan Wei, Dena Yago, H.B. Peace, Centre for Style, and many more.

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299 792 458 m/s - The American Issue #1
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Annette Kelm
Subjects and Objects

This book marks the occasion of two solo exhibitions of the artist, the first at Presentation House Gallery, North Vancouver (8 September – 14  October 2012), and the second at Kölnischer Kunstverein, Cologne (7 November – 21 December 2014).

The photographs Annette Kelm has produced over the past fifteen years constitute, in all the diversity of their forms, one of the most fascinating, resonant contributions to recent contemporary art. Emerging during an era of photography’s rapid and ongoing reinvention as both artistic object and digital image, Kelm has situated herself as a picture maker of unapologetic clarity.

Her practice employs a comprehensive understanding of and devotion to established traditions of photographic studio practice, marked by an affiliation for analogue film and darkroom techniques, as well as a continuing interest in the pictorial genres of landscape, portraiture and still life.

With recourse to these tried and tested idioms, she has constructed a body of photographic imagery that is remarkable for its visual acuity and resistance to descriptive language.

Features a conversation between Isabelle Graw and Annette Kelm / Tom McDonough.

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Annette Kelm - Subjects and Objects
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PS-coverPS-spread

PS: Jahresring 61: Jahrbuch für moderne Kunst
Dominic Eichler, Brigitte Oetker (Eds.)


Contributions by Manuela Ammer, Julie Ault, Monika Baer, Nairy Baghramian, Gerry Bibby, Jennifer Bornstein, Pauline Boudry & Renate Lorenz, Dragana Bulut, Katarina Burin, Françoise Cactus, Leidy Churchman, Ann Cotten, Juan Davila, Dominic Eichler, Elmgreen & Dragset, Yusuf Etiman, Isa Genzken, Susanne Ghez, Margaret Harrison, Daniel Herleth, Annette Kelm, Janette Laverrière, Adam Linder, Lee Lozano, Charlie Le Mindu, Shahryar Nashat, Gina D’Orio, Stephen Prina, Dean Spade, Ming Wong

The Jahresring series is one of the longest continually published annual journals for contemporary art in Germany. The 61st edition is a reader and visual sampler with contributions from visual artists, writers, poets, musicians, choreographers, and designers. Bringing together a discursive array of forms and timbres, it takes an intertextual and interdisciplinary approach to exploring some contemporary cultural resonances with respect to gender and sexuality. In this sense, a “PS” or postscript might be understood as a place where relations or realities not explicitly stated in the main body of any given text, but nevertheless underpinning them, are revealed. A “PS” is a place of interpersonal agency; a compelling textual gesture that might add a “by the way” and an “also” and a “you know what we’re really talking about.” By its nature, a “PS” is contextualized and contextualizing. Though it may parade as the last word, it never is.

The Jahresring is published annually on behalf of Kulturkreis der deutschen Wirtschaft im BDI e.V.

Design by Lambl/Homburger

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PS
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