Antoni Tàpies

Z
Lagerkatalog 1970



“Z” is a great, unsuspecting pocketbook from Galerie Rudolph Zwirner in 1970, collecting together a wonderful group of works by 78 artists (Yves Klein, Richard Tuttle, Donald Judd, Cy Twombly, René Magritte, Laszlo Moholy-Nagy, Kenneth Noland, Daniel Spoerri, Frank Stella, Jean Tinguely, Roy Lichtenstein, Richard Linder, Jasper Johns, Martial Raysse, Dieter Rot, Franz Erhart Walther, Bruno Goller,  Morris Louis, Jim Dine, Otto Dix, Jean Dubuffet, Max Ernst, Salvador Dali, Konrad Klapheck, Lucio Fontana, Blinky Palermo, Hundertwasser, Gerhard Richter, Antoni Tapies, Andy Warhol, George Grosz, Robert Graham, Allen Jones, Henri Michaux, Claes Oldenberg, Robert Rauschenberg, Oskar Schlemmer, Yves Tanguy, Louis Soutter, Tom Wesselmann, Toyen, Wols, Larry Bell, Dan Flavin, Panamarenko, Sol Lewitt, etc.) across painting, sculpture, drawings, collage and multiples, all reproduced in black and white across this almost entirely visual volume.
* Condition: Very good (light wear only) – All care is taken to provide accurate condition details of used books, photos available on request.

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CasaVogue-spread

Styles of Living
The Best of Casa Vogue


First edition, published by Rizzoli in 1985, of this classic interior design book, “Styles of Living: The Best of Casa Vogue”

Making appearances in these rooms: Gae Aulenti, Man Ray, Enzo Mari, Carlo Scarpa, Pablo Picasso, Josef Hoffman, Cinzia Ruggeri, Max Ernst, Wols, Matteo Thun, Ettore Sottsass, Le Corbusier, Salvador Dali, René Magritte, Lucio Fontana, Eileen Grey, Daniel Buren, Gaetano Pesce, Charles Eames, Verner Panton, Massimo Vignelli, Andy Warhol, Frank Lloyd Wright, Antoni Tàpies, Michelangelo Pistoletto, Alver Aalto…..

“Ever since the end of the Second World War, Italian style, design and decoration have maintained an unprecedented predominance in the Western World. It was in the early 1950s that a great surge of decorative talent welled up in Italy, and this resulted in the ‘Italian look’ in clothes and in homes – a new standard of chic inventiveness.

The Italian view of interior design has been most enterprisingly expressed in the magazine Casa Vogue, which was founded in 1968 and has consistently been one of the most admired publications of Condé Nast International.

This book, garnered from the many issues of Casa Vogue, has been written and produced under the guidance of  Isa Vercellonim who has been its editor ever since its inception. The choice of picture-stories is intended to reflect the unusual and distinctive diversity of the magazine – ranging from traditional decoration to the more advance examples of minimal design, most the most significant  of contemporary buildings to the spectacular reconstructions and reconversions of old palazzi and coachhouses, from the ‘post modern’ to the ‘anti-modern’ and any other ‘moderns’ that may have been advocated recently. Italian trends naturally provide the main focus, but Casa Vogue also includes developments in the United States, France, Switzerland – indeed, wherever unusual and meaningful designs are being created.”

* Condition: Good-Very Good (light wear/tanning to original dust-jacket and binding, otherwise clean and tight throughout, protected in mylar wrap) – All care is taken to provide accurate condition details of used books, photos available on request.

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Styles of Living
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Tapies-coverTapies-spread-2

Antoni Tàpies
Das graphische Werk, L'oeuvre gravé 1947-1972

 

The rare, first edition of the first volume of the Antoni Tàpies catalogue raisonne of graphic works, published by Erker Verlag, St. Gallen in 1975. In incredible condition.

“Tàpies – Das graphische Werk L’oeuvre gravé 1947-1972” covers the years 1947 to 1972 and Galfetti numbers 1 to 338. 209 handsomely designed and descriptively generous pages wrapped in printed grey cloth and original dust jacket (protected in plastic). All graphics are illustrated, mostly in black and white, but also with colour plates. Created by Mariuccia Galfetti with text by Carl Vogel.

This volume is a must for Tàpies lovers, in fantastic condition!

Antoni Tàpies i Puig, 1st Marquess of Tàpies (13 December 1923 – 6 February 2012) was a Spanish painter, sculptor and art theorist, who became one of the most famous European artists of his generation.
Throughout the span of his life Antoni Tàpies has been associated with a number movements such as Art Informel and Haute Pâte or Matter Painting. He became a part of the avant-garde group Dau al Set in 1948 which was a group that had strong ties to Surrealism. Early works of his were surrealistic, but in 1953 he began working in abstract art. It is here that he becomes a part of the Art Informel movement and starts working with mixed media. Art Informel in Europe was the equivalent to Abstract Expressionism in America. This was among the most prevalent styles of art in post-war Europe. Within this movement is the category of Matter Painting. Its focus on the use of odd objects completely undermines the acts of traditional fine art. Some of Tàpies’s most famous and original works fall within this genre. They are characterized by his use of marble dust and clay that he mixed with his paints as well as the incorporation of found objects such as string, paper, and cloth. In the late 1960’s into the early 1970’s Tàpies began to be influenced by the movement of Pop Art. Because of this he began using larger items, such as pieces of furniture, in his works.

Alongside his production of pictures and objects, from 1947 onward Tàpies was active in the field of graphic work. He produced a large number of collector’s books and dossiers in close association with poets and writers such as Alberti, Bonnefoy, Du Bouchet, Brodsky, Brossa, Daive, Dupin, Foix, Frémon, Gimferrer, Guillén, Jabès, Mestres Quadreny, Mitscherlich, Paz, Saramago, Takiguchi, Ullán, Valente and Zambrano. In Tàpies’s graphic work, he is interested with the materiality of a piece. He gravitates toward avoiding traditional processes and uses everyday imagery such as handprints and footprints as his subject matter. Tàpies enjoyed working with the concepts such as “high” art and “low” art. He uses embossing, flocking, and indentations with carborundum to help in defining the flatness of printmaking. He involves much painting, drawing, and collage in his prints as well as a number of earthy materials such as straw, sand, and dirt. To achieve the innovative techniques, Tàpies worked with specific publishers and printmakers who were inspired by his unique, groundbreaking ideas. His primary publishers are La Polígrafa in Barcelona, Erker-Presse in St. Gallen, and Galerie Maeght in Paris, Zurich and Barcelona. It was very important to Tàpies for his work to reach a wider range of people. His graphic work, was therefore quite important to him in this aspect.

* Condition: Very Good/Fine (dust-jacket and book in clean, tight, fine condition wrapped in protective plastic sleeve)– All care is taken to provide accurate condition details of used books, photos available on request.

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Antoni Tàpies - Das graphische Werk, L'oeuvre gravé, 1947-1972
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