The Present in Drag is published as a companion volume to the 9th Berlin Biennale for Contemporary Art, which was curated by New York collective DIS. Providing information on the works shown in the exhibition, it also includes contributions by Roe Ethridge, Simon und Daniel Fujiwara, Boris Groys, Katja Novitskova, Chus Martinez, Bjarne Melgaard, Sean Patrick Monahan, Sabine Reitmaier, McKenzie Wark, and others.
The 9th Berlin Biennale for Contemporary Art features the work and contributions of: 69, Antoni Abad, Halil Altindere, Ei Arakawa (in collaboration with Dan Poston, Stefan Tcherepnin), Korakrit Arunanondchai/Alex Gvojic, atelier le balto, Armen Avanessian/Alexander Martos (in collaboration with Christopher Roth), åyr, Will Benedict, Julien Ceccaldi, Centre for Style
(in collaboration with Anna-Sophie Berger; Burkhard Beschow & Anne Fellner; Max Brand; Rare Candy with Alden Epp, Spencer Lai, Natasha Madden, Misty Pollen, Ander Rennick & Amber Wright; Susan Cianciolo; Marlie Mul; Liam Osborne; H.B. Peace & Kate Meakin; Joshua Petherick; Lin May Saeed; Eirik Sæther), Brody Condon, CUSS Group (in collaboration with ANGEL-HO, FAKA, Megan Mace, NTU), Kathleen Daniel, Debora Delmar Corp., Simon Denny with Linda Kantchev, Cécile B. Evans, Nicolás Fernández, Lizzie Fitch/Ryan Trecartin, Simon Fujiwara, GCC, GUAN Xiao, Calla Henkel/Max Pitegoff, Camille Henrot, Yngve Holen, Alexa Karolinski/Ingo Niermann, Kartenrecht, Josh Kline, Korpys/Löffler, Nik Kosmas, M/L Artspace, Shawn Maximo, Ashland Mines, Katja Novitskova, Trevor Paglen/Jacob Appelbaum, Juan Sebastián Peláez, Adrian Piper, Alexandra Pirici, Josephine Pryde, Puppies Puppies, Babak Radboy, Jon Rafman, Timur Si-Qin, Lucie Stahl, Hito Steyerl, TELFAR, Christopher Kulendran Thomas, Wu Tsang, Anna Uddenberg, Amalia Ulman, Anne de Vries, Abu Hajar, Halil Altindere, Math Bass, Lizzi Bougatsos & Brian DeGraw, Elysia Crampton, Lizzie Fitch/Ryan Trecartin, Isa Genzken, Juliana Huxtable, Kelela, Nguzunguzu, PATRICIA (Patricia Satterwhite, Jacolby Satterwhite, Nick Weiss), Adrian Piper, Fatima Al Qadiri, Carles Santos, Hito Steyerl, Total Freedom, Amalia Ulman, Antoni Abad, åyr/Rem Koolhaas/Hans Ulrich Obrist, Kathleen Daniel, Cécile B. Evans and Andrew Snyder-Beattie, Oleg Fonaryov and Oleksiy Radynski, Simon & Daniel Fujiwara, GCC, Boris Groys, Rob Horning, Izabella Kaminska and Simon Denny, Chus Martínez, Meredith Meredith, Sean Monahan, New Scenario, Ingo Niermann, Alexandra Pirici, Puppies Puppies, Sean Raspet, Natasha Stagg, Amalia Ulman, Sencer Vardarman, Eduardo Viveiros de Castro and Déborah Danowski in conversation with Michelle Sommer and Daniel Steegmann Mangrané, McKenzie Wark, Will Benedict, Dora Budor, Cao Fei, Roe Ethridge, Hood by Air, Bjarne Melgaard, Simon Dybbroe Møller, Zanele Muholi, Johannes Paul Raether, Torbjørn Rødland, Akeem Smith, Martine Syms, Stewart Uoo, Nina Cristante, Sabine Gottfried, Nik Kosmas, Lesley Moon, Helga Wretman, Frank Benson, Asger Carlsen, DIS, Casey Jane Ellison, Roe Ethridge, Avena Gallagher, Saemundur Thor Helgason, Tilman Hornig, Benjamin Alexander Huseby, Chris Kraus, Bjarne Melgaard, Jason Nocito, Babak Radboy, Sean Raspet, Sabine Reitmaier, Aaron David Ross, Andrew Norman Wilson, Anonymous, Anonymous, Anonymous and others.
- 9th Berlin Biennale for Contemporary Art
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2000 Wasted Years
This is the first monograph on the work of Bernadette Corporation, the New York-based collective founded in the early ’90s.
The book extends from their retrospective exhibition Bernadette Corporation: 2000 Wasted Years held at Artists Space, New York (2012) and ICA, London (2013), constituting a further site to reframe BC’s activities and identity of the past 20 years.
Since the 1990s the New York-based collective has fashioned itself as publisher, filmmaker, designer, novelist, artist, political radical, among other identities. The book extends from their retrospective Bernadette Corporation: 2000 Wasted Years at Artists Space in 2012, constituting yet another site to reframe the activities of BC spanning the past 20 years.
Bernadette Corporation: 2000 Wasted Years is structured chronologically, loosely following the year-by-year timeline of the group’s history. The publication gathers a vast array of visual and textual material spanning the rich image grammar and styling of BC’s operations within the realm of so called style-culture, including a fashion line; their interventions into the publishing culture of the ‘90s, including BC’s own short-lived magazine Made in USA; the fragmented output of Pedestrian Cinema developed during the group’s time in Berlin; up to the fusion of poetics, branding and meta-commentary that characterized Bernadette Corporation’s gallery shows of the 2000s.
Edited by Bernadette Corporation, Jim Fletcher, Richard Birkett, Stefan Kalmár
With text contributions by Caroline Busta, Jim Fletcher, Tom Holert and Josef Strau
With photos by Alex Antitch, Mark Borthwick, Dietmar Busse, Anders Edstrom, Jamil GS, Benjamin Alexander Huseby, JMN, Marcelo Krasilcic, Cris Moor, Eline Mugaas, Marlene McCarty and Donald Moffett, Wolfgang Tillmans, Inez van Lamsweerde and Vinoodh Matadin, David Vasiljevic, and Wah
Designed by Bill Hayden and Eric Wrenn
- Bernadette Corporation - 2000 Wasted Years
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