Bonita Ely

LIP 1978/79



The incredible book-sized 1978-79 edition of Melbourne’s great LIP journal. Published out of Carlton between 1976-1984, LIP encapsulated Australian feminist artistic practice of the period, publishing articles and interviews by women on women in film, sound, theatre, painting, photography, poetry, criticism, activism, journalism, publishing, sculpture, design, education, and much more.

In this issue: Art Sense and Sensibility: Women’s Art and Feminist Criticism – Janine Burke; Aboriginal Women: Ritual and Culture – Diane Bell interviewed by Lesley Dumbrell; Map of Transition: Performance – Jillian Orr; Jane Sutherland – Frances Lindsay; Sybil Craig – Mary Eagle; Make Your Own Teaset – Mary Newsome; Women’s Images of Women – Barbara Hall; In Search of Old Mistresses – Patricia Symons; Women Ceramacists; Olive Bishop interviewed by Julie Ewington; Margaret Dodd Talking with Julie Ewington; Lorrain Jenyns; Wendy Stavrianos interviewed by Pauline Petrus; The Development of a Political View: A Conversation Between Two Women Artists – Jennifer Barwell and Vivienne Binns; Micky Allan interviewed by Suzanne Davies; Photographs –
Jacqueline Mitelman; From the Ground Up – Photographs – Virginia Coventry; Survey of Women’s Art Theory Courses and Feminine Sensibility – Janine Burke; The Women’s Art Register Extension Project – Bonita Ely; Sisterhood ― For Whom? Jude Adams and Jenny Barber; Posters by Women in the Earthworks Poster Collective; Film – Margaret Fink and Her Brilliant Career – Frida Freiberg; Following My Star – Elsa Chauvel; Monique Schwarz interviewed by Christine Johnston; A Dialogue between Toni Robertson, a Feminist Poster Maker, and Jeni Thornley, a Feminist Film-maker; Nina Claditz interviewed by Annette Blonski; Introducing Helmer Sanders – Frida Freiberg; Reviews: Shopping in Hearbreak Arcade – Meredith Nolte; Me and Daphne – Linda Rubinstein; Feminine Focus at the Festival – Frida Freiberg; Supplement: Australian Women in Music – Australian Women in Music – Terry Radic; Margaret Sutherland – Helen Coles; May Brahe: Composer – Mimi Colligan; Dr. Ruby Davy – Silvia O’Toole; Four Women Composers: Helen Gifford, Ann Boyd, Ann Carr-Boyd and Peggy Glanville-Hicks – Marcia Ruff; Esther Rofe interviewed by Pauline Petrus; Talking with Linda Phillips by Kerry Murphy; Mary Nemet interviewed by Jeanette Fenelon; The Women’s Electric Band interviewed by Jeannette Fenelon; Robyn Archer interviewed by Jeannette Fenelon; The Shameless Hussie A.C.R.; Jane Clifton and Celeste Howden interviewed by Jeannette Fenelon; Janie Conway and Marnie Sheehan – Virginia Fraser; Theatre – The Women’s Theatre Group: A Selection of Scripts, Interviews and Comments Kerry Dwyer, Jenny Walsh and Suzanne Spunner; Roma: A One Woman Play – Jan Macdonald and the Roma cast; Tongue to Lip – Valerie Kirwan; And Women Must Wait: Savage Sepia – Suzanne Spunner; Dance and Movement – Marilyn Jones interviewed by Roseanne Hull-Brown; Betty Pounder interviewed by Roseanne Hull-Brown; Yum Wing Chun: Never Underestimate the Power of a Woman – Karen Armstrong; Media – An Open Letter – Shere Hite; Feminism and Publishing: Interviews with Women Publishers – Cathy Peake; Two Early Melbourne Journalists – Lurline Stewart; Sydney Women Writers’ Workshop – Anna Couani and Pamela Brown; The Australian Women’s Weekly ― The Case of the Bald Cockatoo – Cathy Peake, Maree Conway and Sue Parvaris.

LIP Collective members: Annette Blonski, Janine Burke, Isabel Davies, Suzanne Davies, Lesley Dumbrell, Jeannette Fenelon, Freda Freiberg, Christine Johnston, Elizabeth Owen, Cathy Peake, Meredith Rogers, Suzanne Spunner, Lynne Wilkinson.

* Condition: Good-Very Good (light wear) – All care is taken to provide accurate condition details of used books, photos available on request.

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Anything Goes
Art in Australia 1970-1980

First printing of “Anything Goes : Art in Australia 1970-1980”, published by Art & Text in 1984. Edited by Paul Taylor, founder of Art & Text, this large, valuable volume of essays by leading writers of those years – covering all aspects of painting, sculpture, photography and experimental art forms since 1970 – features contributions by Janine Burks, Mary Eagle, Christine Godden, Robert Lindsay, Ian Burn, Julie Ewington, Memory Holloway, Terry Smith, Ann Stephen, Margaret Plant, Patrick McCaughey, Daniel Thomas.

“The 1970s were years of unprecedented change in Australian art and culture, and Anything Goes is the first book about that decade’s remarkable variety of art.”

Includes the work of: →↑→, Mike Parr, Howard Arkley, Jenny Watson, Donald Judd, Ian Burn, John Lethbridge, John Davis, Mel Bochner, Joseph Beuys, Mel Ramsden, Women’s Domestic Needlework Group, Andy Warhol, Tim Johnson, Nigel Lendon, Artsworkers Union, Robert Rooney, Clive Murray-White, Tony McGillick, Fred Williams, John Firth-Smith, George Haynes, Donald Laycock, Michael Taylor, Fred Cress, Ron Robertson-Swann, David Aspden, Sydney Ball, Roger Kemp, Paul Partos, Trevor Vickors, Robert Hunter, Robert Jacks, Vivienne Binns, Bonita Ely, Marie McMahon, Virginia Cuppaidge, Imants Tillers, Les Kossatz, Ti Parks, Peter Cripps, Ken Searle, Jan Senbergs, George Baldessin, John Armstrong, Janet Dawson, Dale Hickey, Tony Coleing, Marr Grounds, Chips Mackinolty, Ann Newmarch, Colin Little, Jan Mackay, Toni Robertson, Jenny Hill, Christo, Ross Grounds, Ken Unsworth, Kevin Mortensen, Stelarc, Jillian Orr, Hossein Valamanesh, W. Thomas Arthur, Ewa Pachucka, Vicki Varvaressos, Carol Jerrems, Elizabeth Gower, Geoff Hogg, Ann Newmarch, Peter Kennedy, Jon Rhodes, Bill Henson, Stephen Lojewski, Robert Owen, Mark Johnson, Peter Booth, John Dunkley-Smith
, Ron Robertson-Swann, Alun Leach-Jones, Michael Johnson, Lesley Dumbrell, Fred Cross, John Walker, David Aspden, and many more.

Paul Taylor (Melbourne, 1957–7 September 1992) was an Australian art critic, curator, editor and publisher. In 1981, he founded Art & Text, the contemporary art journal considered to be responsible for generating and promoting postmodernist discourse in Australian art.

* Condition: Very Good (tight, clean copy, tanning to cover edges/spine) – All care is taken to provide accurate condition details of used books, photos available on request.

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Anything Goes (1984)
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A Different Temporality
Aspects of Australian Feminist Art Practice 1975 - 1985

Catalogue for the exhibition A Different Temporality which brought together feminist approaches to temporality in the visual arts, with a focus on late 1970s and early 1980s Australia. Rather than an encyclopaedic summation of feminist practice at that time, selected works reflected prevalent debates and modes of practice; with a focus upon the dematerialisation of the art object, the role of film theory, and the adoption of diaristic and durational modes of practice, including performance, photography and film.

Includes a major new contribution to the scholarship on Australian feminist art history from Dr Kyla McFarlane as well as important reviews and supporting texts from the 1970s and 80s, including notably, a previously unpublished interview conducted by Janet Burchill and Jennifer McCamley with the American conceptual artist, feminist, educator, and writer, Mary Kelly, in 1982.

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A Different Temporality
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