First edition, published in 1971 by Lansdowne Australian Art Library, Melbourne, as part of the Australian Painting Studio Series under the editorship of John Henshaw.
Illustrated throughout with colour reproductions of the works of modern Australian painters selected by Australian artist James Gleeson, from post-impressionism, abstraction and op-art to the hard-edge minimal and colour-field painting, inc. Ian Fairweather, Sydney Ball, Fred Williams, John Perceval, Albert Tucker, Sydney Nolan, Arthur Boyd, John Passmore, Alun Leach-Jones, John Olsen, Brett Whitely, Rodney Milgate, Colin Lanceley, Stanislaw Ostoja-Kotowski, Col Jordan, Dick Watkins, Michael Johnson, Tony McGillick, Henry Salkauskas, Eva Kubbos, Judy Cassab, Roger Kemp, Margo Lewers, Ralph Balson, Jeffrey Smart, Donald Friend, Ray Crooke, Michael Kmit, Jon Molvig, Sali Herman, Charles Blackman, Robert Dickerson, Eric Wilson,Godrey Miller, Russell Drysdale, William Dobell, William Dobell, Grace Crossington Smith, Grace Crowley, Rah Fizelle, Roy de Maistre, Margaret Preston, Roland Wakelin, and more.
Introduction by author, lengthy biographies on each artist featured throughout the book, works in public collections, acknowledgements, and select bibliography.
* Condition: Good (very good internally, some wear to cover edges, previous owners inscription on front flyleaf, no dust jacket) – All care is taken to provide accurate condition details of used books, photos available on request.
- Modern Painters 1931-1970
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Stephen Bram, Janet Burchill and Jennifer McCamley, Juan Davila
Catalogue produced on the occasion of the exhibition, “Primary Views” at MUMA, Monash University Museum of Art in 2008, curated by artists Stephen Bram, Janet Burchill and Jennifer McCamley, and Juan Davila, with co-ordinating curator Kirrily Hammond.
Primary Views invited the insights of four artists represented in the Monash University collection. Each has been invited to curate a self-contained exhibition from the Monash University collection, according to their own areas of interest, expertise and aesthetic/discursive predilections. Alternative to classical or canonical art-historical readings, Primary Views considers the role of the artist as curator, encouraging new readings of the collection, and more partial, polemical and aberrant artistic historiographies.
Features texts by the curating artists and Max Delany.
Artists featured in the exhibition were: Howard Arkley, Paul Bai, Chris Barry, Charles Blackman, Peter Booth, Arthur Boyd, Stephen Bram, Horace Brodzky, Janet Burchill & Jennifer Mccamley, Ian Burn, Jane Burton, Domenico De Clario, Clyde Clinton, Noel Counihan, Mutlu Cerkez, Juan Davila, John Dunkley-Smith, Richard Dunn, Louise Forthun, John Heartfield, Bill Henson, Lynn Hershman, Ronnie Van Hout, Rafaat Ishak, Rosemary Laing, Robert Macpherson, Tracey Moffatt, John Nixon, Jacky Redgate, William Robins, Paul Saint, Dada Samson, Jan Senbergs, Wolfgang Sievers
- Primary Views
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