Daniel Sinsel

Kaleidoscope 14
Spring 2012

HIGHLIGHTS
Will Benedict by Alex Kitnick; Alexandra Bachzetsis by Catherine Wood; 155 Freeman by Chris Wiley; The Resurgence of R&B by Tim Small; Sanya Kantarovsky by Joanna Fiduccia.

MAIN THEME – Preliminary Materials for a Theory of a New Male
Camp + Dandyism = Neo-Camp? by Chris Sharp; Domenico Gnoli by Giorgio Verzotti; Marc Camille Chaimowicz Partial Eclipse; A Fantastic, Single, Mad Man by Alessio Ascari and Cristina Travaglini.

MONO – Cathy Wilkes
Essay by Rebecca Geldard; Essay by Amy Budd; Special Project by Cathy Wilkes; Focus by Isobel Harbison.

REGULARS
Pioneers: Monir S. Farmanfarmaian by Simone Menegoi; Futura: Adrian Villar Rojas by Hans Ulrich Obrist; Panorama: Mexico City by Magnolia de la Garza; Souvenir d’Italie: Alighiero Boetti by Luca Cerizza; Producers: Gavin Brown by Carson Chan.

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Kaleidoscope 14
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DANIEL SINSEL

 

What does it mean to be both a painter and a sculptor in their most traditional guises, as well as an artist tied to transcribing reality at a moment in which the production and distribution of images has become so immediate and so intimately bound up with the way we live through our daily lives?
From the essay by Andrew Bonacina

The book, designed in close collaboration with the artist, is published to coincide with Daniel Sinsel’s first solo exhibition at Chisenhale Gallery, London, the first in a public institution. Produced by Mousse in association with Sadie Coles HQ, London, and with support from The Breeder, Athens, Office Baroque, Antwerp, and Galerie Micky Schubert, Berlin.

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DANIEL SINSEL
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