Dennis Oppenheim

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Art In The Seventies


“Edward Lucie-Smith, a critic and historian of art who is deeply immersed in the works and trends of the seventies here provides the first general survey of the decade. In a volume alive with visual images that are often surprising and sometimes disturbing, he analyzes the development both of old forms and of new ones, and provides a coherent framework for the general reader.”

Contents: The Popular Arts; Post Pop and Mandarin Taste; Abstract Painting; Illusionary Art; Figurative Painting; Fetish Art and Happenings; Political Art; Art as Environment and Architecture; High-Tech and the Third World, plus a biographical list of the artists featured and a “further reading” list.

Includes the work of: Stephen Willats, Lawrence Weiner, Brice Marden, Robert Mapplethorpe, Vito Acconci, Jo Baer, Joseph Beuys, Lynda Benglis, Bob Law, Philip King, Alan Kessler, On Kawara, Douglas Heubler, John Kacere, Richard Long, Robert Mangold, Philip Guston, Hans Haacke, Nancy Grossman, Robert Grosvenor, Nancy Graves, Walter de Maria, U-Fan, Claude Viallet, Nancy Spero, Peter Saul, Robert Ryman, James Rosenquist, Joel Shapiro, Sylvia Sleigh, Robert Stackhouse, Paul Thek, Giulio Paolini, Nam June Paik, Bruce Nauman, Roman Opalka, Dennis Oppenheim, Tony Cragg, Judy Chicago, Larry Bell, Daniel Buren, Chuck Close, and many more.

* Condition: Very Good (general wear) – All care is taken to provide accurate condition details of used books, photos available on request.

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Art-Events and Happenings
Udo Kultermann (Ed.)



First English edition from 1971, Udo Kultermann’s “Art-Events and Happenings”, published by Mathews Miller Dunbar of London, translated by John William Gabriel. A deep reflection on an important part of Art’s development throughout the 1960s – the turn to action through performance and conceptual art – surveying happenings, protests, theatre, ritual, land art and much more, and featuring a vast collection of black and white photographic illustrations of the work of Allan Kaprow, Ann Halprin, Yvonne Rainer, Merce Cunningham, Otto Mühl, Oyvind Fahlstrom, Piero Gilardi, Charlotte Moorman, Franz Erhard Walther, Joseph Beuys, Tetsumi Kudo, Lygia Clark, Carolee Schneemann, Stan Brakhage, John Cage, Hermann Nitsch, Günther Brus, Dennis Oppenheim, Jean-Jacques Lebel, Andy Warhol, Jan Dibbets, Carl Andre, Barry La Va, Rafael Ferrer, Marinus Boezum, Nam June Paik, Wolf Vostell, Milan Knizak, Jackson Pollock, Saburo Murakami, Atsuko Tanaka, Claes Oldenburg, Piero Manzoni, Peter Hutchinson, Christo, Robert Morris, and many more.

* Condition: Very Good (some tanning, previous owners name to first page) – All care is taken to provide accurate condition details of used books, photos available on request.

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Art Povera
Conceptual, Actual or Impossible Art? Germano Celant (Ed.)

First printing of “Art Povera”, the now legendary critical/photographic book by Germano Celant (Italian art historian, critic and curator) documenting the so-called “Art Povera /Arte Povera” movement (meaning “poor art”, coined by Celant in 1967) and published by Studio Vista, London in 1969 and printed in Italy.

Includes profiles of major artists of the movement, including a short text followed by pages of full-page photographs for each artist.

Artists featured: Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra.

“This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer’s item. … This book produces a collection of already old material. … In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work.” — text from Celant’s introduction “Stating That.”

* Condition: Good-Very Good (tight, clean copy, very light cover/spine wear and age tanning to an otherwise solid book, minor marking to title page) – All care is taken to provide accurate condition details of used books, photos available on request.

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When Attitudes Become Form
Bern 1969 / Venice 2013

 

Published by Fondazione Prada
Edited by Germano Celant. Introduction by Miuccia Prada. Preface by Miuccia Prada, Patrizio Bertelli. Text by Gwen L. Allen, Pierre Bal Blanc, Claire Bishop, Benjamin H.D. Buchloh, Charles Esche, Boris Groys, Jens Hoffmann, Chus Martínez, Glenn Phillips, Christian Rattemeyer, Dieter Roelstraete, Anne Rorimer, Terry Smith, Mary Anne Staniszewski, Francesco Stocchi, Jan Verwoert. Interviews with Thomas Demand, Rem Koolhaas.

In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal “Live in Your Head: When Attitudes Become Form”, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a dialogue with the Bern Kunsthalle, and Celant has reprised its spirit by placing the works in dialogue with the Ca’ Corner della Regina–a very different building, in its Venetian grandeur, to the Kunsthalle.

This publication is divided into three parts: the first reproduces a complete collection of photo documentation of the original exhibit in 1969, many photographs previously unpublished, taken by photographers during the exhibition (Claudio Abate, Leonardo Bezzola, Balthasar Burkhard, Siegfried Kuhn, Dölf Preisig, Harry Shunk and Albert Winkler); the second compiles essays and interviews on Celant’s project (texts by Gwen L. Allen, Pierre Bal Blanc, Claire Bishop, Benjamin H.D. Buchloh, Charles Esche, Boris Groys, Jens Hoffmann, Chus Martínez, Glenn Phillips, Christian Rattemeyer, Dieter Roelstraete, Anne Rorimer, Terry Smith, Mary Anne Staniszewski, Francesco Stocchi, Jan Verwoert. Interviews with Thomas Demand, Rem Koolhaas) and the third includes the installation views of the show in Venice. The book is completed by a “Register” of works included in both shows.
A heavy, scientific volume of almost 800 pages that has become an invaluable reference for those interested in Conceptual Art, Minimalism, Art Povera, Land Art, Curatorial history, and much more.

It includes the work of artists:
1969: Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Alighiero Boetti, Mel Bochner, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frédéric Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William G. Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio.

2013: Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Bill Bollinger, Marinus Boezem, Daniel Buren, Michael Buthe, Pier Paolo Calzolari, Paul Cotton (Adam II), Hanne Darboven, Walter De Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Philip Glass, Hans Haacke, Eva Hesse, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Edward Kienholz and Jean Tinguely, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Richard Long, Roelof Louw, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Pino Pascali, Emilio Prini, Markus Raetz, Steve Reich, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Richard Serra, Robert Smithson, Michael Snow, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Aldo Walker, Franz Erhard Walther, Lawrence Weiner, William T. Wiley, Gilberto Zorio.

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