James Doolin

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The Field

Rare and very collectable first edition of this iconic catalogue produced in 1968 to accompany “The Field”, regarded as a landmark exhibition in Australian art history – a radical showcase of 74 abstract and conceptual, colour field, geometric and hard edge artworks. Influenced by the American origins of abstract art, the exhibition opened to much controversy at the NGV in 1968 with its silver foil-covered walls and geometric light fittings, boldly launching the careers of a generation of young Australian artists including Sydney Ball, Peter Booth, Janet Dawson and Robert Jacks. It was the first the NGV staged in its new Swanston Street galleries.
Handsomely designed with its wrapped, french-flap, die-cut cover, the book includes profiles on each exhibiting artist in the exhibition, including colour and black and white reproductions of all 72 of the works exhibited.

On the occasion of its 50th anniversary the NGV will restage the exhibition as The Field Revisited, opening in May 2018 at The Ian Potter Centre: NGV Australia.

Texts by Elwyn Lynn, Patrick McCaughey, Royston Harpur, and an introduction by Brian Finemore (Curator) and John Stringer (Exhibitions Manager).

Artists included: Sydney Ball, Peter Booth, Janet Dawson, Robert Jacks, James Doolin, David Aspden, Tony Bishop, Ian Burn, Gunter Christmann, Tony Coleing, Noel Dunn, Garry Foulkes, Dale Hickey, Michael Johnson, Col Jordan, Michael Kitching, Alun Leach-Jones, Nigel Lendon, Tony McGillick, Clement Meadmore, Michael Nicholson, Harald Noritis, Alan Oldfield, Wendy Paramor, Paul Partos, John Peart, Emanuel Raft, Melvyn Ramsden, R.C. Robertson-Swann, Robert Rooney, Rollin Schlicht, Udo Sellbach, Eric Shirley, Joseph Szabo, Vernon Treweeke, Trevor Vickers, Dick Watkins, John White, Normana Wight.

* Condition: Good (very good and clean/tight throughout with only light wear to wraps inc. black ink mark to top spine, previous owner inscription to internal fold) small scraping to the top-left spine corner on cover wrap, light handling wear and light edge tanning, but a very good copy throughout otherwise) – All care is taken to provide accurate condition details of used books, photos available on request.

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The Field (1968)
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