Jay Chung

Starship No.15

Contributors to Starship 15: Nadja Abt, Tenzing Barshee, Gerry Bibby, Mercedes Bunz, Lou Cantor, Nicolas Ceccaldi, Jay Chung, Hans-Christian Dany, Helmut Draxler, Francesca Drechsler, Martin Ebner, Jana Euler, Julian Göthe, Toni Hildebrandt, Karl Holmqvist, Judith Hopf, Stephan Janitzky, Jakob Kolding, Robert McKenzie, Maria Loboda, Nick Mauss, Robert Meijer, Ariane Müller, Christopher Müller, Eileen Myles, Gunter Reski, Mandla Reuter, Cameron Rowland, Julia Scher, Mark von Schlegell, Eva Seufert, Diamond Stingily, Wolfgang Tillmans, Vera Tollmann, Haytham El-Wardany, Nicole Wermers, Amelie von Wulffen, Stephanie Wurster, Florian Zeyfang.

Editors: Nikola Dietrich, Martin Ebner, Ariane Müller, Henrik Olesen.
Layout concept: Starship and Dan Solbach.
Graphic Design: Philip Reinartz.
Cover: Gerry Bibby, Gina Folly.
Centerfold: Amelie von Wulffen.
Backcover: Martin Ebner

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MAY #11


Newest issue of Paris’ MAY Revue, and already out of print.

May #11 features:

An Introduction to a Juridical Legal Analysis of Contemporary Art — Judith Ickowicz

The Reappearances of Cady Noland and the Theatre of Law  — Judith Ickowicz, Elvan Zabunyan, David Perreau

A Revolution “First-Hand”: Seth Siegelaub’s Journey to Portugal in May 1975 — Sara Martinetti

Zero Dark Thirty: The Aesthetics of Narcissism  — Maija Timonen

Friend of the Devil. On Michael Krebber, “The ridiculized snails” at CAPC, Bordeaux  — Mark von Schlegell

Reviews

On Martin Kippenberger, “Sehr Gut | Very Good” at Hamburger Bahnhof, Berlin  — Jay Chung

Life, like networking, is a group show. On Tanja Widmann, “eine von euch” at Grazer Kunstverein, Graz, Badischer Kunstverein, Karlsruhe, Saprophyt, Vienne, tranzitdisplay, Prague  — Tonio Kröner

Another image, a different song. On Mathias Poledna at Secession, Vienna — Benjamin Hirte

Get Rid of Capitalism. On Bernadette Corporation, “2000 Wasted Years” at ICA, London — Josefine Wikström

Participation, Penetration, and Phoniness. On Tobias Kaspar, “Life and Lies” at Galerie Marcelle Alix, Paris — Andrea Legiehn

On “The Issues of Our Time” at Castillo/Corrales, Paris — Seyoung Yoon

“Living in Your Head”. On “When Attitudes Become Form: Bern 1969/Venice 2013” at Prada Foundation, Venice — Elvan Zabunyan

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

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MAY #8

In this issue:

“The Threat of The Provincial” by Ken Okiishi

“Detroit” by Jay Chung

“Radical Localism: Report from Mexicali” by Chris Kraus

“There is no Provicialism Solution” by Rex Butler and A.D.S. Donaldson

“Questions About 4 Taxis” by Thomas Lawson

“Insert Visuel/Visual Insert” by Henry Vessel

“Neon Venacular. On “Now Dig This! Art and Black Los Angeles 1969-1980″” by Alex Kitnick

“Unearthing the Campesino. On “MEX/LA: Mexican Modernism(s) in Los Angeles 1930-1985″” by Kappy Mintie

“Archives With and Without Forms. On “Anarchism Without Adjectives: On the Work of Christopher D’Archangelo (1975-1979)” and “The Experimenal Impulse”” byCatherine Chevalier

“The Land Farms the Farmer and The Mind. On Peter Nadin’s “First Mark”” by  Mathieu Malouf

plus more…  highly recommended!

 

about MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.

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Provence issue O

“An Eight Issue Magazine Dedicated to Hobbies”

Issue O :Published in conjunction with an exhibition at Halle für Kunst Lüneburg eV, Lüneburg, Germany in April/June, 2010, and edited by Daiga Grantina, Tobias Kaspar and Hannes Loichinger.

Features: Special “The Screens / The Islands” dust-jacket by Gerry Bibby, Nick Mauss & Ken Okiishi (via Victor Hugo and Halston), Velours et guipure, Mallarmé et La Dernière Mode, Fumi Yosano, Artful Lodgers, Fia Backström, The Artists and the Dealer. The Roles of Gustave Caillebotte, Mary Cassat and Paul Durand-Ruel in 19th Century Revolutionary Art by Ulf Wuggenig, Jay Chung and Q Takeki Maeda examine Flaubert’s Bouvard and Pécuchet , Edgars Gluhovs, Ei Arakawa asks Malik Gaines and learns about W.E.B. Du Bois, the American civil rights activist, and the first African American Ph.D. recipient from Harvard University in 1895, Les Journalistes by Chantal Georgel, more, etc.

Highly recommended!

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