Laure Prouvost

Mousse 56
2006-2016 A Small Anthology

 

10-year anniversary special issue: a selection of essays, interviews, conversations, and projects appeared in the first ten years of Mousse.

Featuring: Chantal Akerman, Cecilia Alemani, Jennifer Allen, Kai Althoff, Bruce Altshuler, Ed Atkins, Lutz Bacher, Darren Bader, Alex Bag, John Baldessari, Phyllida Barlow, Kirsty Bell, Andrew Berardini, Jonathan Berger, Michael Bracewell, Tom Burr, Maurizio Cattelan, Marc Camille Chaimowicz, Sofía Hernández Chong Cuy, Carolyn Christov-Bakargiev, Stuart Comer, Lauren Cornell, Nicholas Cullinan, Roberto Cuoghi, Nick Currie, Massimo De Carlo, Gino De Dominicis, Gigiotto Del Vecchio, Simon Denny, Brian Dillon, Jimmie Durham, Dominic Eichler, Peter Eleey, Matias Faldbakken, Luigi Fassi, Elena Filipovic, Morgan Fisher, Isa Genzken, Yervant Gianikian & Angela Ricci Lucchi, Liam Gillick, Massimiliano Gioni, Isabelle Graw, Ed Halter, Jens Hoffmann, Judith Hopf, William E. Jones, Omar Kholeif, Alexander Kluge, Jiří Kovanda, William Leavitt, Elisabeth Lebovici, Andrea Lissoni, Helen Marten, Chus Martínez, Nick Mauss, Lucy McKenzie, Fionn Meade, Simone Menegoi, John Menick, Ute Meta Bauer, Massimo Minini, Hans Ulrich Obrist, Trevor Paglen, Stefania Palumbo, Francesco Pedraglio, Otto Piene, Laura Poitras, Elizabeth Price, Seth Price, Laure Prouvost, Alessandro Rabottini, Carol Rama, Filipa Ramos, Jason Rhoades, Dieter Roelstraete, Esperanza Rosales, Nicolaus Schafhausen, Fender Schrade, Stuart Sherman, Frances Stark, Jamie Stevens, Hito Steyerl, Sturtevant, Sabrina Tarasoff, Ana Teixeira Pinto, Oscar Tuazon, Giorgio Verzotti, Jan Verwoert, Francesco Vezzoli, Adrián Villar Rojas, Peter Wächtler, Ian Wallace, Klaus Weber, Cathy Wilkes, Christopher Williams, Jordan Wolfson.

Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format. Mousse keeps tabs on international trends in contemporary culture thanks to its city editors in major art capitals such as Berlin, New York, London, Paris, and Los Angeles.
Mousse (Mousse Publishing) is also publisher of catalogues, essays and curatorial projects, artist books and editions.

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Laure Prouvost
We Would Be Floating Away from the Dirty Past


For the spacious central hall in the Haus der Kunst, Laure Prouvost creates an installation that includes sculptural and cinematic elements. In this work, Prouvost refers to both architecture and the House of Art as an institution, rich in imagery and inimitable humor.
This catalog is the fourth volume in the series “The Public – from the Friends House of Art”, which annually documents artistic commission work for the middle hall of the House of Art.

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HYBRIDIZE OR DISAPPEAR
João Laia (Ed.)

João Laia, ed.
Texts by Stephanie Bailey, Paulo Cunha E Silva, Attilia Fattori Franchini, João Laia, João Ribas, Alex Ross, David Santos, Andrey Shental, Eleanor Ivory Weber, Rósza Zita Farkas

This publication has been produced in the framework of “Hybridize or Disappear”, a group exhibition with works by Cécile B. Evans, Neïl Beloufa, Antoine Catala, Diogo Evangelista, Oliver Laric, Shana Moulton, Katja Novitskova, Laure Prouvost and Magali Reus at the Museu Nacional de Arte Contemporânea – Museu do Chiado, Lisbon, and at the Paços do Concelho, Câmara Municipal do Porto. Edited by João Laia, this book aims to expand on the universe of the show, posing a wide set of questions that shape contemporary visual culture, rather than serving as a document or an archive. Through the lens of the “hybrid”, the commissioned texts look at different dimensions of our current condition, addressing ideas related to the circulation of identity and meaning in our mediated environments.

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HYBRIDIZE OR DISAPPEAR
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The Assistants
Fionn Meade (Ed.)

Edited by Fionn Meade, The Assistants originates as the visual and conceptual companion of the exhibition organized at David Kordansky Gallery, Los Angeles. Featuring original contributions together with rarely seen works, the publication is animated by Uri Aran, Nairy Baghramian, Matthew Brannon, Andrea Büttner, Rosalind Nashashibi, Adrian Piper, Laure Prouvost, Slavs and Tatars, Mierle Laderman Ukeles, and Cathy Wilkes.

“The Assistants explores the transitive potential of art, including how artworks can take on attendant guises and play assisting roles, serving as custodians of memory while also producing resistant gestures and deviant substitutions. […] Resigned to respond and generate rather than fix meaning, The Assistants are inalienable and moving within and among us, writes Walter Benjamin, ‘None has a firm place in the world, or firm, inalienable outlines… There is not one that is not either rising or falling, none that is not trading qualities with its enemy or neighbor, none that has not completed its time and yet is unripe, none that is not deeply exhausted and yet is only at the beginning of a long existence.’” – Fionn Meade

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