Mathieu Malouf

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MAY #15


MAY #15
“FASHION”

contents include:

Preface — MAY

Crisis Fashion — DANIEL HORN

DIS and That — MIKAEL BRKIC & DIS

Vetements – Fall / Winter 2016. Panel Discussion — LOU STOPPARD & SAHIL BABBAR, AUDE FELLAY, AYA NOEL, PRIYESH PATEL, VILDE SORUM

The Modern Naked King — TAQUE HIRAKAWA

Interview with Women’s History Museum — ADA O’HIGGINS

Maison Artists Space. Interview with Stefan Kalmár — MAY

Roundtable — BLESS & ANJA ARONOWSKY CRONBERG, HEINZ PETER KNES

THE STREET — TOBIAS KASPAR & TOBI MAIER

Jesus as Readymade. Interview with Kaspar Müller — PETER FISCHLI

REVIEWS

La mode retrouvée. On the Wardrobe of the Countess Greffulhe at Palais Galliera, Paris — HANNAH ADKINS

Post-Hummannerism. On “Inhuman” at Fridericianum Museum, Kassel — JAKOB SCHILLINGER

Magma — ERIC BELL

Finely Crafted Stool. On Mathieu Malouf at Jenny’s, Los Angeles — GEORGE EGERTON-WABURTON

Wolfpack. On the film “The Wolfpack” by Crystal Moselle — JULIA MORITZ

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

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MAY #13

MAY #13 features:

Preface
– MAY

καταστροφή: the end and the beginning
– DEBORAH DANOWSKI

Man of the Anthropocene (as portrayed in the movie “Gravity”)
– STEPHANIE WAKEFIELD

What is “political” in the Anthropocene? A conversation between STEPHANIE WAKEFIELD and ANTEK WALCZAK
– MAY

DIY or DIE: a pastoral Selfie
– JENNA BLISS, ELISE DURYEE-BROWNER, DAMON SFETSIOS

Two stories
– ALEJANDRA RIERA

Insert: Dustin
– VALENTIN BOURÉ & MELANIE MATRANGA

REPORTS
Mirror, mirror on the wall … STEWART UOO at Buchholz Gallery, Berlin
– DANIEL HORN

Garden graft. On the exhibition “Your portrait”: a retrospective on TETSUMI KUDO at the National Museum of Modern Art, Tokyo
– JOHN BEESON

Kiss me, kiss me, love my body covers
– KARL HOLMQVIST

True Romance. Camille Blatrix at Balice Hertling, Paris
– EDWARD MONTASSUT

The affect impersonal. Anne Imhof at Deborah Schamoni gallery, Munich
– KERSTIN STAKEMEIER

Dorothy Iannone This timeless sweetness at the Migros Museum für Gegenwartkunst, Zürich
– KARL HOLMQVIST

“Species of notes.” On the book Dubuffet typographer Pierre Leguillon
– MICA GHERGHESCU

Exposure Charles James: beyond fashion at the MET, New York
– JASON SIMON

About MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisement typical of our time. This implies a dialogue with forms of critique produced in other fields.

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MAY #13
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MAY #8

In this issue:

“The Threat of The Provincial” by Ken Okiishi

“Detroit” by Jay Chung

“Radical Localism: Report from Mexicali” by Chris Kraus

“There is no Provicialism Solution” by Rex Butler and A.D.S. Donaldson

“Questions About 4 Taxis” by Thomas Lawson

“Insert Visuel/Visual Insert” by Henry Vessel

“Neon Venacular. On “Now Dig This! Art and Black Los Angeles 1969-1980″” by Alex Kitnick

“Unearthing the Campesino. On “MEX/LA: Mexican Modernism(s) in Los Angeles 1930-1985″” by Kappy Mintie

“Archives With and Without Forms. On “Anarchism Without Adjectives: On the Work of Christopher D’Archangelo (1975-1979)” and “The Experimenal Impulse”” byCatherine Chevalier

“The Land Farms the Farmer and The Mind. On Peter Nadin’s “First Mark”” by  Mathieu Malouf

plus more…  highly recommended!

 

about MAY Revue:

Conceived as a collective space in which to develop thoughts and confront positions on artistic production, May magazine examines, quaterly, contemporary art practice and theory in direct engagement with the issues, contexts and strategies that construct these two fields. An approach that could be summed up as critique at work – or as critique actively performed in text and art forms alike.

Featuring essays, interviews, art works and reviews by artists, writers and diverse practitioners of the arts, the magazine also intends to address the economy of the production of knowledge – the starting point of this reflection being the space of indistinction between information and advertisment typical of our time. This implies a dialogue with forms of critique produced in other fields.

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Larry’s 7

with contributions by Dena Yago, Morag Keil, Michele Di Menna, Natascha Goldenberg, Martin Thacker, Alex Turgeon, Nicolas Ceccaldi, Maxwell Simmer, Carson Chan, He-Ji Shin, Daytona Bleach, Mathieu Malouf, Juliette Bonneviot, Dan Bodan, Kayla Guthrie, and Valentina Liernur.

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