Maurizio Cattelan

Mousse 56
2006-2016 A Small Anthology

 

10-year anniversary special issue: a selection of essays, interviews, conversations, and projects appeared in the first ten years of Mousse.

Featuring: Chantal Akerman, Cecilia Alemani, Jennifer Allen, Kai Althoff, Bruce Altshuler, Ed Atkins, Lutz Bacher, Darren Bader, Alex Bag, John Baldessari, Phyllida Barlow, Kirsty Bell, Andrew Berardini, Jonathan Berger, Michael Bracewell, Tom Burr, Maurizio Cattelan, Marc Camille Chaimowicz, Sofía Hernández Chong Cuy, Carolyn Christov-Bakargiev, Stuart Comer, Lauren Cornell, Nicholas Cullinan, Roberto Cuoghi, Nick Currie, Massimo De Carlo, Gino De Dominicis, Gigiotto Del Vecchio, Simon Denny, Brian Dillon, Jimmie Durham, Dominic Eichler, Peter Eleey, Matias Faldbakken, Luigi Fassi, Elena Filipovic, Morgan Fisher, Isa Genzken, Yervant Gianikian & Angela Ricci Lucchi, Liam Gillick, Massimiliano Gioni, Isabelle Graw, Ed Halter, Jens Hoffmann, Judith Hopf, William E. Jones, Omar Kholeif, Alexander Kluge, Jiří Kovanda, William Leavitt, Elisabeth Lebovici, Andrea Lissoni, Helen Marten, Chus Martínez, Nick Mauss, Lucy McKenzie, Fionn Meade, Simone Menegoi, John Menick, Ute Meta Bauer, Massimo Minini, Hans Ulrich Obrist, Trevor Paglen, Stefania Palumbo, Francesco Pedraglio, Otto Piene, Laura Poitras, Elizabeth Price, Seth Price, Laure Prouvost, Alessandro Rabottini, Carol Rama, Filipa Ramos, Jason Rhoades, Dieter Roelstraete, Esperanza Rosales, Nicolaus Schafhausen, Fender Schrade, Stuart Sherman, Frances Stark, Jamie Stevens, Hito Steyerl, Sturtevant, Sabrina Tarasoff, Ana Teixeira Pinto, Oscar Tuazon, Giorgio Verzotti, Jan Verwoert, Francesco Vezzoli, Adrián Villar Rojas, Peter Wächtler, Ian Wallace, Klaus Weber, Cathy Wilkes, Christopher Williams, Jordan Wolfson.

Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format. Mousse keeps tabs on international trends in contemporary culture thanks to its city editors in major art capitals such as Berlin, New York, London, Paris, and Los Angeles.
Mousse (Mousse Publishing) is also publisher of catalogues, essays and curatorial projects, artist books and editions.

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The Anti-Museum : An Anthology
Mathieu Copeland, Balthazar Lovay (Eds.)

The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum’s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this anthology is devoted to the anti-museum, through anti-art, the anti-artist, anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. This notion – unpatented but regularly reappropriated – traces the erratic, fractured, and sometimes paradoxical counter-history of the contestation of artistic institutions. From the first anti-exhibition to the first catalog retracing the history of “Closed Exhibitions,” from Dada to Noise music, from “Everything is Art” to NO!art, the Japanese avant-gardes to Lettrist cinema, and not forgetting such major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale, and Lydia Lunch, The Anti-Museum sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.

Edited by Mathieu Copeland and Balthazar Lovay.
Introduction by: Mathieu Copeland.
Texts by: Zach Blas, Johannes Cladders, Beatriz Colomina, Henry Flynt, Kenneth Goldsmith, Krist Gruijthuijsen, Robert Morris, Bob Nickas, Sören Schmeling, Reiko Tomii, Jon Hendricks, Jean Toche, Andrea Branzi, Ettore Sottsass, Allan Wallach, Guerilla Art Action Group, Robert Morris, Gareth James and many more
Features interviews/conversations with John Armleder, Robert Barry, Ben, Genesis P-Orridge, Andrea Branzi, Piero Gilardi, Mierle Laderman Ukeles and many more

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Robert Nickas
Live Free or Die


Robert Nickas is a critic, freelance curator, and editor of the Index magazine (New York). He is also one of the free spirits who were nurtured by the libertarian punk slogan “do it yourself”. In this collection, covering twenty years of activity, Nickas combines humour with intellectual rigor, as well as a reliable historical memory to broach works of personalities as diverse as Maurizio Cattelan, Felix Gonzalez-Torres, Cady Noland, John Miller, Haim Steinbach or Andy Warhol, by way of David Cronenberg, Melvins, Père Ubu and numerous others, also slipping in untimely observations on the alleged death of painting, the “Golden 80s” of New York art world, and the role of the exhibition curator.

Working independently, Robert Nickas has realized more than forty exhibitions for galleries and museums since 1984. He recently co-curated the Biennale of Lyon in France (with the Consortium team), is an editor of Artforum, and a Guest Curator at P.S.1 in New York.
His writings and interviews have appeared in Afterall and Sound Collector, as well as in numerous catalogues and monographs – Felix Gonzalez-Torres, On Kawara, Olivier Mosset, Cady Noland, Andy Wharol.

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Purple 11
Spring 2002

PURPLE Number 11, Spring 2002.

A rare early issue of the iconic Purple magazine, edited by Elein Fleiss and Olivier Zahm, this wonderful early edition features work by: Jeff Rain, Bruce Benderson, Nick Tosches, Jens Hoffman, Claude Closky, Elein Fleiss, Maurizio Cattelan, Wolfgang Tillmans, Pierre Leguillon, Dominique Gonzalez-Foerster, Lutz Huelle, Miltos Manetas, Ola Rindal, Terry Richardson,  Mark Borthwick, Giasco Bertoli, Laetitia Benat, Masafumi Sanai, Richard Prince, Helmut Lang, Marc Jacobs, Ann-Sofie Back, Louis Vuitton, A.F. Vandevorst, Jil Sander, and many many more.

In 1992 Olivier Zahm and his partner Elein Fleiss printed the first issue of Purple Prose, a Parisian literary art zine that over the years has evolved into Purple Fashion Magazine and Purple. Soon after the birth of Purple Prose, Zahm and Fleiss created spin-off publications like les cahiers purple, Purple Sexe, Purple Fiction, and of course, Purple Fashion. Zahm aimed at fusing together his two worlds, fashion and art, in creating Purple.

* Condition: Very Good (A clean and tightly bound copy, with only light wear) – All care is taken to provide accurate condition details of used books, photos available on request.

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