Phyllida Barlow

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Invisible Adversaries
edited by Lauren Cornell

‘Invisible Adversaries’ was a major exhibition curated by Lauren Cornell and Tom Eccles inspired by the 1976 feature film by the radical Austrian artist Valie Export. The film presents a woman’s struggle to retain her sense of self against hostile alien forces that appear increasingly ubiquitous, colonizing the minds of all those around her. Motifs from the film – among them, architecture’s influence on identity; feminist critique; and the power of political fantasy – operate as filters through which to consider significant pieces from the Marieluise Hessel Collection.

With works by over 50 artists including Eija-Liisa Ahtila, Chantal Akerman, Kai Althoff, Janine Antoni, Ida Applebroog, Phyllida Barlow, Lynda Benglis, Barbara Bloom, Paul Chan, Patty Chang, Anne Collier, Rineke Dijkstra, Trisha Donnelly, VALIE EXPORT, Hans-Peter Feldmann, Isa Genzken, Liam Gillick, K8 Hardy, Rachel Harrison, Mona Hatoum, Roni Horn, Emily Jacir, Annette Kelm, Leigh Ledare, Nikki S. Lee, Sarah Lucas, Tala Madani, Christian Marclay, Helen Marten, Ulrike Müller, Bruce Nauman, Tony Oursler, Philippe Parreno, William Pope.L, Seth Price, Magali Reus, Rachel Rose, Thomas Ruff, Ilene Segalove, Cindy Sherman, Stephen Shore, Diane Simpson, Lorna Simpson, Jo Spence, Hito Steyerl, Tunga, Gillian Wearing, Martha Wilson, and Krzysztof Wodiczko, amongst others.

This 300-page publication designed by Zak Group with original essays by nine influential writers, scholars and artists: Zach Blas, Johanna Fateman, Nav Haq, Vít Havránek, J. Hoberman, Alex Kitnick, Tavia Nyong’O, Lauren O’Neill-Butler, and Julian Rose. The catalogue also includes original interviews with VALIE EXPORT, Trevor Paglen, and Hito Steyerl.

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Sculptural Acts

In the sixties, artists made renewed efforts to take a good look at the conditions required to create art: production, presentation, and reception. With Minimal Art, institutional critique, and Contextual Art, an ambivalent attitude developed toward the object. This raises the question of the sense and purpose of sculpture in the context of today’s world. This publication presents works by contemporary artists who distinguish themselves through their process-oriented approach and deal with formal composition in an explorative way, employing a wide variety of materials and methods. In doing so, this volume contributes to a general understanding of the concept of the sculptural act. An important reference here is Richard Serra’s Verb List Compilation (1967/68), in which he compiled a list of over one hundred verbs dealing specifically with the treatment of different materials, such as “fold,” “bend,” “tear,” and “press.”

Featuring the work of A

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Mousse #30

In this issue:

Starring
by Federico Florian, Antonio Scoccimarro

GEOFFREY FARMER
Characters and Characteristics of the Work
by Monika Szewczyk

TALKING ABOUT
Is That All There Is to a Circus?
by Dieter Roelstraete

PHYLLIDA BARLOW
The Work Is Never Finished
by Nicholas Cullinan

PART OF THE PROCESS – DAVID LEVINE
Rothko’s Ruins
by Ana Teixeira Pinto

TALKING ABOUT
Criticism Hurts
by Jan Verwoert

PORTFOLIO – GEORGE KUCHAR
Carnivalesque George Kuchar
by Juan A. Suárez

LOST AND FOUND – LLYN FOULKES
The Lost Frontier: Llyn Foulkes
by Andrew Berardini

TALKING ABOUT
Melete (“The Society Islands”)
by Mark von Schlegell

NICE TO MEET YOU – DAN FINSEL
Art Therapy
by Cecilia Alemani

NICE TO MEET YOU – BEN SCHUMACHER
Things That Look Like Other Things
by Bob Nickas

NICE TO MEET YOU – JOHN HENDERSON
Absorption & Theatricality
by Barbara Casavecchia

NICE TO MEET YOU – WU TSANG
Wu Tsang: Body Quotations, Back-Breaking Sparkle and the Dissemination of Wildness
by Kevin McGarry

TEN FUNDAMENTAL QUESTIONS OF CURATING
Chapter 6: What Is an Exhibition?
by Elena Filipovic, visual concept by Nairy Baghramian

TALKING ABOUT
A New Fruit
by Nick Currie

LONDON – CALLY SPOONER
The Wor(l)d Is a Stage
by Michele Robecchi

PARIS – JONATHAN BINET
The Way Things Go: a Conversation with Jonathan Binet
by Vincent Honoré

NEW YORK – TIM ROLLINS & JULIE AULT
Shakers

BERLIN
Starship
by Gigiotto Del Vecchio

ARTIST PROJECT – LUTZ BACHER
The Gift
by Fionn Meade

ENRICO DAVID & THOMAS HOUSEAGO
I’m Fucked Out of Your Mind

ALISON KNOWLES
The Future Will Be Fragrant Bean Fields
by Hans Ulrich Obrist

REPRINT
Time Warp
by Rob Giampietro

TALKING ABOUT
As Little Time on The Ground as Possible. First Attempt on the Possibility of Artistic Significance Beyond Philosophy of History
by Chus Martínez

Books
by Stefano Cernuschi

Diary
WHAT’S ALTERNATIVE? ALTERNATIVE TO WHAT? – ANDREA FRASER
“Alternative to what, exactly?”
by Vincenzo de Bellis

TAMAR GUIMARÃES
A Strange Ritual
by Andrea Lissoni

TALKING ABOUT
Moving Gods Aside
by Philippe Pirotte

JESSICA WARBOYS
Waves Wave
by Emilie Renard

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Mousse #30
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Texte Zur Kunst #82, June 2011 “Artistic Research”

The “Artistic Research” issue.

Table of contents:

Preface;  Tom Holert, Artistic Research: Anatomy of an Ascent; Lines of Wandering / Statement by Angela Melitopoulos;  Kathrin Busch, Generating Knowledge in the arts – a philosophical daydream; Project for a Masquerade (Hiroshima) – from hard graft to happy accident / Statement by Simon Starling;  Seven Questions on Arts as Research / An e-mail interview with James Elkins;  The Hard Way to Enlightenment / Statement by Stephan Dillemuth;  Elke Bippus An Aestheticization of Artistic Research;  An Office Chair down on the street, a female passerby yells at her dog, or: researching the construction between images / Statement by Maya Schweizer;  Isabelle Graw, The Knowledge of Painting. / Notes on thinking images, and the person in the product;  Artistic Research / Statement by Thomas Locher;  O.T., 2011 / Statement by Amelie von Wulffen; Grundlagenforschung: Umfrage zur künstlerischen Forschung/ Basic Research. Survey on artistic research; “Practice-Based PhD in Art and Writing”, Goldsmiths University of London; “Troubling Research. Performing Knowledge in the Arts”, Akademie der bildenden Künste Wien; “European Artistic Network” (EARN); “Model House – Mapping Transcultural Modernisms”, Akademie der bildenden Künste Wien; “PhD Program”, Centre for Cultural Studies, Goldsmiths University of London; “PhD in Practice”, Akademie der bildenden Künste Wien; “Projektbüro Friedrich von Borries”; “PhD Program”, Malmö Art Academy Bildstrecke; Ulrike Müller, Rotation; Martin Conrads Klingelt’s? / Über “Welt in der Hand: Zur globalen Alltagskultur des Mobiltelefons” Liebe Arbeit Kino; Sven Lütticken Boxes, Lines, Rhythms / On “The Forgotten Space” by Allan Sekula and Noël Burch KLANG KÖRPER; Holger Schulze Utopie in Klang / Über die Pophörspiele und Audioeditionen “Der Process”, „Im erwachten Garten” und “BeatTheater” Short Waves: Daniela Stöppel über Phyllida Barlow im Kunstverein Nürnberg / Marie Murraciole on Guy de Cointet at Le Quartier, Centre d´art contemporain de Quimper / Ilka Becker über “Afropolis. Stadt, Medien, Kunst” im Rautenstrauch-Joest-Museum, Köln / Miriam Kathrein über „Projects and Assignments” bei Saprophyt, Wien / Astrid Mania über „Trembling Bodies/ Körper in Aufruhr” in der daadgalerie, Berlin / Adam Kleinman on Christian Philipp Müller at Murray Guy, New York / Simon Baier über Sam Lewitt in der Galerie Buchholz, Berlin Besprechungen;  Gestern wie heute wie morgen Astrid Wege über Ferdinand Kriwet in der Kunsthalle Düsseldorf; The Joke of Painting Alexander Alberro on David Hammons at L&M Arts, New York; Art For Life Rike Frank on Dorit Margreiter at the Museo Nacional Centro de Arte Reina Sofía, Madrid; Where Sensibility trumps sense Lisa Lee on Kai Althoff at Gladstone Gallery, New York; Attentäter und Klassiker Manuela Ammer über Franz Erhard Walther bei KOW Berlin; Wiedererkennung, ungesichert Stefanie Diekmann über Keren Cytter im Kunstverein München; Portrait of the Artist as Superhero Jonathan Griffin on Mike Kelley at Gagosian Gallery, Los Angeles; Mitteilungen an die Presse und für die Öffentlichkeit Manfred Hermes über Merlin Carpenter bei MD72, Berlin…..

Recommended!

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TEXT ZUR KUNST Issue Nr. 82 / June 2011 "Artistic Research"
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