Phyllida Barlow

Mousse 56
2006-2016 A Small Anthology

 

10-year anniversary special issue: a selection of essays, interviews, conversations, and projects appeared in the first ten years of Mousse.

Featuring: Chantal Akerman, Cecilia Alemani, Jennifer Allen, Kai Althoff, Bruce Altshuler, Ed Atkins, Lutz Bacher, Darren Bader, Alex Bag, John Baldessari, Phyllida Barlow, Kirsty Bell, Andrew Berardini, Jonathan Berger, Michael Bracewell, Tom Burr, Maurizio Cattelan, Marc Camille Chaimowicz, Sofía Hernández Chong Cuy, Carolyn Christov-Bakargiev, Stuart Comer, Lauren Cornell, Nicholas Cullinan, Roberto Cuoghi, Nick Currie, Massimo De Carlo, Gino De Dominicis, Gigiotto Del Vecchio, Simon Denny, Brian Dillon, Jimmie Durham, Dominic Eichler, Peter Eleey, Matias Faldbakken, Luigi Fassi, Elena Filipovic, Morgan Fisher, Isa Genzken, Yervant Gianikian & Angela Ricci Lucchi, Liam Gillick, Massimiliano Gioni, Isabelle Graw, Ed Halter, Jens Hoffmann, Judith Hopf, William E. Jones, Omar Kholeif, Alexander Kluge, Jiří Kovanda, William Leavitt, Elisabeth Lebovici, Andrea Lissoni, Helen Marten, Chus Martínez, Nick Mauss, Lucy McKenzie, Fionn Meade, Simone Menegoi, John Menick, Ute Meta Bauer, Massimo Minini, Hans Ulrich Obrist, Trevor Paglen, Stefania Palumbo, Francesco Pedraglio, Otto Piene, Laura Poitras, Elizabeth Price, Seth Price, Laure Prouvost, Alessandro Rabottini, Carol Rama, Filipa Ramos, Jason Rhoades, Dieter Roelstraete, Esperanza Rosales, Nicolaus Schafhausen, Fender Schrade, Stuart Sherman, Frances Stark, Jamie Stevens, Hito Steyerl, Sturtevant, Sabrina Tarasoff, Ana Teixeira Pinto, Oscar Tuazon, Giorgio Verzotti, Jan Verwoert, Francesco Vezzoli, Adrián Villar Rojas, Peter Wächtler, Ian Wallace, Klaus Weber, Cathy Wilkes, Christopher Williams, Jordan Wolfson.

Mousse is a bimonthly magazine published in Italian and English. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format. Mousse keeps tabs on international trends in contemporary culture thanks to its city editors in major art capitals such as Berlin, New York, London, Paris, and Los Angeles.
Mousse (Mousse Publishing) is also publisher of catalogues, essays and curatorial projects, artist books and editions.

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Invisible Adversaries
edited by Lauren Cornell

‘Invisible Adversaries’ was a major exhibition curated by Lauren Cornell and Tom Eccles inspired by the 1976 feature film by the radical Austrian artist Valie Export. The film presents a woman’s struggle to retain her sense of self against hostile alien forces that appear increasingly ubiquitous, colonizing the minds of all those around her. Motifs from the film – among them, architecture’s influence on identity; feminist critique; and the power of political fantasy – operate as filters through which to consider significant pieces from the Marieluise Hessel Collection.

With works by over 50 artists including Eija-Liisa Ahtila, Chantal Akerman, Kai Althoff, Janine Antoni, Ida Applebroog, Phyllida Barlow, Lynda Benglis, Barbara Bloom, Paul Chan, Patty Chang, Anne Collier, Rineke Dijkstra, Trisha Donnelly, VALIE EXPORT, Hans-Peter Feldmann, Isa Genzken, Liam Gillick, K8 Hardy, Rachel Harrison, Mona Hatoum, Roni Horn, Emily Jacir, Annette Kelm, Leigh Ledare, Nikki S. Lee, Sarah Lucas, Tala Madani, Christian Marclay, Helen Marten, Ulrike Müller, Bruce Nauman, Tony Oursler, Philippe Parreno, William Pope.L, Seth Price, Magali Reus, Rachel Rose, Thomas Ruff, Ilene Segalove, Cindy Sherman, Stephen Shore, Diane Simpson, Lorna Simpson, Jo Spence, Hito Steyerl, Tunga, Gillian Wearing, Martha Wilson, and Krzysztof Wodiczko, amongst others.

This 300-page publication designed by Zak Group with original essays by nine influential writers, scholars and artists: Zach Blas, Johanna Fateman, Nav Haq, Vít Havránek, J. Hoberman, Alex Kitnick, Tavia Nyong’O, Lauren O’Neill-Butler, and Julian Rose. The catalogue also includes original interviews with VALIE EXPORT, Trevor Paglen, and Hito Steyerl.

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Sculptural Acts

In the sixties, artists made renewed efforts to take a good look at the conditions required to create art: production, presentation, and reception. With Minimal Art, institutional critique, and Contextual Art, an ambivalent attitude developed toward the object. This raises the question of the sense and purpose of sculpture in the context of today’s world. This publication presents works by contemporary artists who distinguish themselves through their process-oriented approach and deal with formal composition in an explorative way, employing a wide variety of materials and methods. In doing so, this volume contributes to a general understanding of the concept of the sculptural act. An important reference here is Richard Serra’s Verb List Compilation (1967/68), in which he compiled a list of over one hundred verbs dealing specifically with the treatment of different materials, such as “fold,” “bend,” “tear,” and “press.”

Featuring the work of A

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Mousse #30

In this issue:

Starring
by Federico Florian, Antonio Scoccimarro

GEOFFREY FARMER
Characters and Characteristics of the Work
by Monika Szewczyk

TALKING ABOUT
Is That All There Is to a Circus?
by Dieter Roelstraete

PHYLLIDA BARLOW
The Work Is Never Finished
by Nicholas Cullinan

PART OF THE PROCESS – DAVID LEVINE
Rothko’s Ruins
by Ana Teixeira Pinto

TALKING ABOUT
Criticism Hurts
by Jan Verwoert

PORTFOLIO – GEORGE KUCHAR
Carnivalesque George Kuchar
by Juan A. Suárez

LOST AND FOUND – LLYN FOULKES
The Lost Frontier: Llyn Foulkes
by Andrew Berardini

TALKING ABOUT
Melete (“The Society Islands”)
by Mark von Schlegell

NICE TO MEET YOU – DAN FINSEL
Art Therapy
by Cecilia Alemani

NICE TO MEET YOU – BEN SCHUMACHER
Things That Look Like Other Things
by Bob Nickas

NICE TO MEET YOU – JOHN HENDERSON
Absorption & Theatricality
by Barbara Casavecchia

NICE TO MEET YOU – WU TSANG
Wu Tsang: Body Quotations, Back-Breaking Sparkle and the Dissemination of Wildness
by Kevin McGarry

TEN FUNDAMENTAL QUESTIONS OF CURATING
Chapter 6: What Is an Exhibition?
by Elena Filipovic, visual concept by Nairy Baghramian

TALKING ABOUT
A New Fruit
by Nick Currie

LONDON – CALLY SPOONER
The Wor(l)d Is a Stage
by Michele Robecchi

PARIS – JONATHAN BINET
The Way Things Go: a Conversation with Jonathan Binet
by Vincent Honoré

NEW YORK – TIM ROLLINS & JULIE AULT
Shakers

BERLIN
Starship
by Gigiotto Del Vecchio

ARTIST PROJECT – LUTZ BACHER
The Gift
by Fionn Meade

ENRICO DAVID & THOMAS HOUSEAGO
I’m Fucked Out of Your Mind

ALISON KNOWLES
The Future Will Be Fragrant Bean Fields
by Hans Ulrich Obrist

REPRINT
Time Warp
by Rob Giampietro

TALKING ABOUT
As Little Time on The Ground as Possible. First Attempt on the Possibility of Artistic Significance Beyond Philosophy of History
by Chus Martínez

Books
by Stefano Cernuschi

Diary
WHAT’S ALTERNATIVE? ALTERNATIVE TO WHAT? – ANDREA FRASER
“Alternative to what, exactly?”
by Vincenzo de Bellis

TAMAR GUIMARÃES
A Strange Ritual
by Andrea Lissoni

TALKING ABOUT
Moving Gods Aside
by Philippe Pirotte

JESSICA WARBOYS
Waves Wave
by Emilie Renard

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