Piero Gilardi

Piero Gilardi

Piero Gilardi is a pioneer of Arte Povera and a proud advocate of an ecological-concerned undertaking in visual arts. He is a peripatetic artist who gathered information about experimental art and creators in the 1960s, promoting the work of Richard Long or Jan Dibbets, and introducing Bruce Nauman or Eva Hesse into Europe. He is also a political activist who marched with FIAT workers in the 1970s, and who founded, in the 2000s the Living Art Park, commissioning earthworks to contemporary artists such as Dominique Gonzalez-Foerster or Lara Almarcegui. For all this and for much more—his design and fashion creations, his social endeavors, etc.—Piero Gilardi is emblematic of the evolutions of art and society of the last five decades. He is an artist whose works and theoretical researches are still relevant to map what art could achieve and how art could be useful in the “real world.”

Published with Castello di Rivoli, Turin, Van Abbemuseum, Eindhoven and Nottingham Contemporary.

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Piero Gilardi
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The Anti-Museum : An Anthology
Mathieu Copeland, Balthazar Lovay (Eds.)

The museum is constantly a target for criticism, whether it comes from artists, thinkers, curators, or even the public. From the avant-gardes of the twentieth century up until our contemporary era, the museum’s suspect position has generated countless gestures, iconoclastic actions, scathing attacks, utopias, and alternative exhibition spaces. For the first time, this anthology is devoted to the anti-museum, through anti-art, the anti-artist, anti-exhibition, as well as anti-architecture, anti-philosophy, anti-religion, anti-cinema and anti-music. This notion – unpatented but regularly reappropriated – traces the erratic, fractured, and sometimes paradoxical counter-history of the contestation of artistic institutions. From the first anti-exhibition to the first catalog retracing the history of “Closed Exhibitions,” from Dada to Noise music, from “Everything is Art” to NO!art, the Japanese avant-gardes to Lettrist cinema, and not forgetting such major protest figures as Gustav Metzger, Henry Flynt, Graciela Carnevale, and Lydia Lunch, The Anti-Museum sketches a polyphonic panorama where negation is accompanied by a powerful breath of life.

Edited by Mathieu Copeland and Balthazar Lovay.
Introduction by: Mathieu Copeland.
Texts by: Zach Blas, Johannes Cladders, Beatriz Colomina, Henry Flynt, Kenneth Goldsmith, Krist Gruijthuijsen, Robert Morris, Bob Nickas, Sören Schmeling, Reiko Tomii, Jon Hendricks, Jean Toche, Andrea Branzi, Ettore Sottsass, Allan Wallach, Guerilla Art Action Group, Robert Morris, Gareth James and many more
Features interviews/conversations with John Armleder, Robert Barry, Ben, Genesis P-Orridge, Andrea Branzi, Piero Gilardi, Mierle Laderman Ukeles and many more

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The Anti-Museum : An Anthology
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79. Auktion
Italian Design Pieces from the Period 1951-1973


Fantastic and very informative, fully-illustrated auction catalogue from Galerie Wolkfgang Ketterer, 1984, for a major auction of “Italian Design Pieces from the Period 1951-1973”. Design editions, one-off prototypes, lamps, furniture by Archizoom, Gae Aulenti, Sergio Asti, Osvaldo Borsani, Giorgio Ceretti, Studio 65, Joe Colombo, Guido Drocco, Piero Gilardi, Paolo Lomazzi, Raymond Hains, Ugo La Pietra, Enzo Mari, Mario Mare, Luigi Massoni, Sergio Mazza, Ettore Sottsass, Franco Mello, Gaetano Pesce, Gio Ponti, Giuseppe Raimondi, G. Reggiani, Rudy Righi, Superstudio, Vinicio Vianello, Marco Zanuso, and many more for Arflex, Gufram, Artemide, Fontana Arte, Artluce, B.B.B., C&B, Flos, Habitat, Galleria Il Sestante, Kartell, Poltronova, Tecno, Totem, and many more. Well-known and long lost, very obscure works in this valuable catalogue, all items photographed (in black and white and colour), with production details and a blurb on each piece in both English and German.

* Condition: Very Good-Fine (Tight, clean copy) – All care is taken to provide accurate condition details of used books, photos available on request.

 

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79. Auktion (1984)
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Art International
Vol. XI/7 September 20, 1967

Art International, Vol. XI/7 September 20, 1967
Published and Edited by James Fitzsimmons
Advisory Editors: Umbro Apollonio, Jorge Romero Brest, Lucy R. Lippard, James Mellow.

Features: Helen Frankenthaler, Expo ’67, Jean Tinguely, Alexander Calder, Max Bill, Niki de Saint-Phalle, Otto Frei, James Rosenquist, Claude Viseux, Henri Michaux, César, Antonio Saura, Piero Gilardi, Roy Lichtenstein, Claes Oldenburg, Andy Warhol, Arman, Pol Bury, Paul de Lussanet, Henry Moore, Luis Alberto Wells, Peter Schmidt, Erwin Heerich, Michelangelo Pistoletto, Kenneth Martin, Tim Scott, Allen Jones, Tess Jaray, Jean Dubuffet, Brassai, Tetsumi Kudo, Louise Nevelson, Marcel Duchamp, Raphael Jesus Soto, and many more.

Art International was a highly regarded international art journal based in Switzerland from 1957-1984. With international editors and contributing writers, A.I. was issued 10 times per year and was published and edited by James A. Fitzsimmons.

* Condition: Good-Very good  – All care is taken to provide accurate condition details of used books, photos available on request.

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Art International, Vol. XI/7 September 20, 1967
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