Roger Kemp

ModernPainters-coverModernPainters-spread

Modern Painters 1931-1970
by James Gleeson


First edition, published in 1971 by Lansdowne Australian Art Library, Melbourne, as part of the Australian Painting Studio Series under the editorship of John Henshaw.
Illustrated throughout with colour reproductions of the works of modern Australian painters selected by Australian artist James Gleeson, from post-impressionism, abstraction and op-art to the hard-edge minimal and colour-field painting, inc. Ian Fairweather, Sydney Ball, Fred Williams, John Perceval, Albert Tucker, Sydney Nolan, Arthur Boyd, John Passmore, Alun Leach-Jones, John Olsen, Brett Whitely,  Rodney Milgate, Colin Lanceley, Stanislaw Ostoja-Kotowski, Col Jordan, Dick Watkins, Michael Johnson, Tony McGillick, Henry Salkauskas, Eva Kubbos, Judy Cassab, Roger Kemp, Margo Lewers, Ralph Balson, Jeffrey Smart, Donald Friend, Ray Crooke, Michael Kmit, Jon Molvig, Sali Herman, Charles Blackman, Robert Dickerson, Eric Wilson,Godrey Miller, Russell Drysdale, William Dobell, William Dobell, Grace Crossington Smith, Grace Crowley, Rah Fizelle, Roy de Maistre, Margaret Preston, Roland Wakelin, and more.
Introduction by author, lengthy biographies on each artist featured throughout the book, works in public collections, acknowledgements, and select bibliography.

* Condition: Good (very good internally, some wear to cover edges, previous owners inscription on front flyleaf, no dust jacket) – All care is taken to provide accurate condition details of used books, photos available on request.

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Anything Goes
Art in Australia 1970-1980

First printing of “Anything Goes : Art in Australia 1970-1980”, published by Art & Text in 1984. Edited by Paul Taylor, founder of Art & Text, this large, valuable volume of essays by leading writers of those years – covering all aspects of painting, sculpture, photography and experimental art forms since 1970 – features contributions by Janine Burks, Mary Eagle, Christine Godden, Robert Lindsay, Ian Burn, Julie Ewington, Memory Holloway, Terry Smith, Ann Stephen, Margaret Plant, Patrick McCaughey, Daniel Thomas.

“The 1970s were years of unprecedented change in Australian art and culture, and Anything Goes is the first book about that decade’s remarkable variety of art.”

Includes the work of: →↑→, Mike Parr, Howard Arkley, Jenny Watson, Donald Judd, Ian Burn, John Lethbridge, John Davis, Mel Bochner, Joseph Beuys, Mel Ramsden, Women’s Domestic Needlework Group, Andy Warhol, Tim Johnson, Nigel Lendon, Artsworkers Union, Robert Rooney, Clive Murray-White, Tony McGillick, Fred Williams, John Firth-Smith, George Haynes, Donald Laycock, Michael Taylor, Fred Cress, Ron Robertson-Swann, David Aspden, Sydney Ball, Roger Kemp, Paul Partos, Trevor Vickors, Robert Hunter, Robert Jacks, Vivienne Binns, Bonita Ely, Marie McMahon, Virginia Cuppaidge, Imants Tillers, Les Kossatz, Ti Parks, Peter Cripps, Ken Searle, Jan Senbergs, George Baldessin, John Armstrong, Janet Dawson, Dale Hickey, Tony Coleing, Marr Grounds, Chips Mackinolty, Ann Newmarch, Colin Little, Jan Mackay, Toni Robertson, Jenny Hill, Christo, Ross Grounds, Ken Unsworth, Kevin Mortensen, Stelarc, Jillian Orr, Hossein Valamanesh, W. Thomas Arthur, Ewa Pachucka, Vicki Varvaressos, Carol Jerrems, Elizabeth Gower, Geoff Hogg, Ann Newmarch, Peter Kennedy, Jon Rhodes, Bill Henson, Stephen Lojewski, Robert Owen, Mark Johnson, Peter Booth, John Duckley-Smith, Ron Robertson-Swann, Alun Leach-Jones, Michael Johnson, Lesley Dumbrell, Fred Cross, John Walker, David Aspden, and many more.

Paul Taylor (Melbourne, 1957–7 September 1992) was an Australian art critic, curator, editor and publisher. In 1981, he founded Art & Text, the contemporary art journal considered to be responsible for generating and promoting postmodernist discourse in Australian art.

* Condition: Very Good (tight, clean copy, tanning to cover edges/spine) – All care is taken to provide accurate condition details of used books, photos available on request.

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Anything Goes (1984)
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