Y3K was a two-year (2009-2011) proposition initiated by James Deutsher and Christopher L G Hill, a gallery practice as-an-extension-of an art practice and-in-support-of a wider art and design community in Melbourne and Internationally.
Over two-years Y3K exhibited World Food Books, BLESS, Christopher L.G. Hill, Emmeleine deMooij, Jota Castro, Kinga Kielczynska, Melanie Bonaj, fabrics interseason, ffiXXed, Heinz Peter Knes, James Deutsher, Matt Hinkley, Olivia Barrett, Pat Foster, Jen Berean, Rob McKenzie, SIBLING, Slow and Steady Wins the Race, Jon Campbell, LOST Projects, Alex Vivian, Daniel du Bern, Nick Selenitsch, Kain Picken, Next Wave, A Constructed World, Joshua Petherick, Helen Johnson, Bianca Hester, Misha Hollenbach, David Griggs, Sam Kiyoumarsi, Robert Langenegger, Nick Mangan, Matt Griffin, Masato Takasaka, Fiona Connor, Tahi Moore, Ida Ekblad, Art Centre Ongoing, Kit Lee, Kate Newby, Sriwhana Spong, Dylan Statham, Simon Taylor, Sophia Mitchell, Rowan Mcnaught, MM Yu. Ilia Farah Rosli, Marco Fusinato, TATE Modern, Marie Gaultier, Anna Hess, Veronica Kent, Jarrod Rawlins, Keith Al-Hasani, Ruby Lowe, Justin Clemens, Daniel Munn, Simon Denny, Dan Arps, Andrew Barber, Structural Integrity, Marco Fusinato, Rose Nolan, Dan Bell, Kate Smith, Ardi Gunawan, Nikos Pantazopoulos, Ben Tankard, Steve Kado, Virginia Overell, Mateo Tannatt, Sean Peoples, Inri Cristo, Tara Rawlins, Chateau 2F, Oscar Yanez, Hany Armanious, Ash Kilmartin, Elizabeth Gower, Lizzy Newman, Nina Sers, Maria Kozic, Ellen Pittman, Juan Davila, Janet Burchill, Jennifer McCarthy, Constanze Zikos, Hao Guo, Pow Martinez, Carissa Rodriguez, Tobias Kaspar, Piotr Łakomy, Natalie Rognsøy, Katherine Huang, Taree McKenzie, Ester Partegas, Mikala Dwyer and John Spiteri and more.
Each exhibition was accompanied by an A3 double sided unique limited edition poster designed by the artists and gallerists. These posters now form the basis for the Y3K publication.
Included in this publication, and on the occasion of it’s launch to the public two years after the cessation of the Y3K gallery space, is an accompanying text from
The Y3K publication is a limited edition of 100, and is available from World Food Books.
- Y3K Publication
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Nijinsky relates to a series of Sriwhana Spong films that are a re-imagining of a George Balanchine ballet, The Song of the Nightingale, originally choreographed in 1925 for the itinerant Ballet Russes. Based on the only fragments remaining of the original (the Stravinsky score and documentation of the Matisse designs for set and costumes, and some of the costumes themselves) Spong’s films and the book’s contents exhort the Balanchine maxim, “Before is over. Performance is now”.
Nijinsky channels the presence of the famous chimeric dancer for whom the book is named, and involves stills from the films along with collage works that overlay geometric forms onto ballet photographs cut from picture books. It also features writing by Sarah Hopkinson, Gwynneth Porter, ballet photographer and author Keith Money, and the artist herself.
This book project has been supported by Creative New Zealand, and was co-published with the Auckland gallery Michael Lett on the occasion of the screening of Spong’s Lethe-wards at Art Basel in June 2010.
Texts by Sarah Hopkinson, Gwynneth Porter, Keith Money, Sriwhana Spong.
Published by Clouds and Michael Lett
- Sriwhana Spong - Nijinsky
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Hue & Cry is a 170mm by 240mm literary slash art journal based in New Zealand.
Issue 5 includes new fiction by Eleanor Catton, Tina Makereti and David Fleming, essays by Pip Adam and Ashleigh Young, new poetry by Bill Nelson, Sarah Jane Barnett, Louise Wallace, David Eggleton, and Lynn Jenner. New art by Tahi Moore, All The Cunning Stunts, Campbell Patterson & Daniel Munn, and art writing from Sriwhana Spong and Lydia Chai.
Edited by: Chloe Lane, Lawrence Patchett, Andrea Bell
Designed by: The International Office
- Hue & Cry Issue 5
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