Sue Ford

bs1982-cover-1bs1982-spread-1

Fourth Biennale of Sydney 1982
Vision in Disbelief

Catalogue published on the occasion of the Fourth Biennale of Sydney 1982, 7 April – 23 May 1982. Under the artistic direction of William Wright the 1982 Biennale was titled “Vision in Disbelief” and featured the work of Jorg Immendorf, Dan Graham, Brian Eno, Sue Ford, Joan Jonas, Lyndal Jones, John Baldessari, Robert Ashley, Billy Apple, Gary Hill, Fiona Hall, Philip Guston, General Idea, Bill Hensen, Slave Guitars, Michael Snow, Severed Heads, Martha Rosler, Nam June Paik, Mike Parr, Tony Oursler, Davida Allen, Dale Frank, Rebecca Horn, Gareth Sansom, Lucas Samaras, Pe Kirkeby, Maria Mozik, Laughing Hands, Bertrand Lavier, Liz Magor, Anne Marsh, Markus Lupertz, William Wegman, Bill viola, Niele Toroni, Ken Unsworth, Marina Abramovic, John Ahearn, Vivienna Binns, Ian Breakwell, Georg Baselitz, Frank Auerbach, Claus Bohmler, Sydney Ball, Anti-Music, Laurie Anderson, Terry Allen, →↑→ and many more.
This catalogue includes colour and black and white examples of the work of all participating artists alongside texts and biographies
.

* Condition: Good – light general use/shelf wear and small marking to cover, good copy otherwise) – All care is taken to provide accurate condition details of used books, photos available on request.

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Fourth Biennale of Sydney 1982
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A Different Temporality
Aspects of Australian Feminist Art Practice 1975 - 1985

Catalogue for the exhibition A Different Temporality which brought together feminist approaches to temporality in the visual arts, with a focus on late 1970s and early 1980s Australia. Rather than an encyclopaedic summation of feminist practice at that time, selected works reflected prevalent debates and modes of practice; with a focus upon the dematerialisation of the art object, the role of film theory, and the adoption of diaristic and durational modes of practice, including performance, photography and film.

Includes a major new contribution to the scholarship on Australian feminist art history from Dr Kyla McFarlane as well as important reviews and supporting texts from the 1970s and 80s, including notably, a previously unpublished interview conducted by Janet Burchill and Jennifer McCamley with the American conceptual artist, feminist, educator, and writer, Mary Kelly, in 1982.

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A Different Temporality
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