Žiga Testen

Open Spatial Workshop
Converging in Time

Open Spatial Workshop: Converging in Time was published on the occasion of the first major museum exhibition by Open Spatial Workshop (comprising artists Terri Bird, Bianca Hester and Scott Mitchell). The exhibition is part of MUMA’s much anticipated annual survey exhibition series that presents the practices of Australia’s most exciting and innovative mid-career artists. Converging in Time continues OSW’s sculptural investigation into the forces of material formation. Drawing on earth sciences research and studies of the Anthropocene, this major book explores the relationship between the mineral make-up of a site and the societies they produce and sustain.

Designed by Paul Mylecharane and Ziga Testen
Artists: Open Spatial Workshop (comprising of Terri Bird, Bianca Hester and Scott Mitchell)
Text: Open Spatial Workshop, Saskia Beudel, Kathryn Yusoff, Matt Poll

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Nicholas Mangan
Limits to Growth

Edited by Aileen Burns, Charlotte Day, Krist Gruijthuijsen, Johan Lundh
Texts by Max Andrews and Mariana Cánepa Luna (Latitudes), Helen Hughes, Ana Teixeira Pinto

This publication accompanies Australian multidisciplinary artist Nicholas Mangan’s survey exhibition “Limits to Growth.” The exhibition and book bring together four of Mangan’s most significant works of the past seven years, alongside a new commission. The works in the show tackle narratives from his own geographical region—Asia Pacific, in which his home country of Australia plays a colonial role—and weaves them into a bigger picture to take into account the global economy, resource extraction, and the ultimate power of the sun. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan’s artworks and historical source material.

Copublished with the Institute of Modern Art, Brisbane; KW Institute for Contemporary Art, Berlin; and Monash University Museum of Art, Melbourne
Design by Žiga Testen

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Gordon Bennett
Be Polite

Edited by Aileen Burns, Johan Lundh
Texts by Helen Hughes, Ian McLean, Julie Nagam

Gordon Bennett: Be Polite follows the exhibition of largely unseen works on paper by one of Australia’s most visionary and critical artists, Gordon Bennett (1955–2014). The exhibition and publication are the first to present the work of Bennett since his death. Though rarely seen in exhibition contexts, Bennett’s drawing and writing formed the foundation of his practice.

This publication brings together three newly commissioned essays by art historian Ian McLean and curators and arts writers Helen Hughes and Julie Nagam. The selection of works from the Estate of Gordon Bennett comprises drawings, acrylic/gouache and watercolor paintings, poetry, and essays from the early 1990s to the early 2000s—a period that produced work of remarkable force and revealed the artist’s working methods, research focuses, and ultimately his ambitions for his work.

Copublished with Institute of Modern Art, Brisbane
Design by Žiga Testen

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