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Lonnie Holley
Something to Take My Place - The Art of Lonnie Holley

 

Lonnie Holley (born 1950), acclaimed by The New York Times as “the Insider’s Outsider,” is best known for his assemblage sculptures incorporating natural and man-made materials, often cast off or discarded; he has recently also begun to make music, through the Dust-to-Digital label. Legendary for his environmental assemblage that spread over two acres of his property in Birmingham, Alabama–now destroyed–Holley scavenges and repurposes found objects in the service of a personal philosophy of renewal and rejuvenation. This is the first monograph on Holley’s work in more than a decade. Illustrated with reproductions of more than 70 of Holley’s sculptures, it provides a comprehensive overview of Holley’s art, life and philosophy, with essays by Mark Sloan, Leslie Umberger, Bernard L. Herman and an “as-told-to” autobiography recorded by noted oral historian Theodore Rosengarten.

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Philadelphia Wireman



The only monograph ever produced on the work of Philadelphia Wireman, published by Fleisher/Ollman in Philadelphia in 2011.

In the late 1970s a stockpile of over a thousand distinctive wire sculptures were found in cardboard boxes on the street in a slowly-gentrifying neighborhood in South Philadelphia. The works consist of different gauges of wire wrapped around everyday found objects and materials such as food packaging, umbrella parts, tape, batteries, pens, nuts and bolts, nails, foil, coins, toys, watches, eyeglasses, tools, and jewelry. The maker, who remains unidentified, possessed an astonishing ability to isolate and communicate the concepts of power and energy through his selection and transformation of these ordinary materials. The pieces are often compared to African fetish objects and other ritualized, vernacular traditions, but resonate equally with historical and contemporary art practices. The collection has come to be regarded as an important discovery in the field of self-taught art.

This fully illustrated catalogue includes a foreword by John Ollman, an essay by Brendan Greaves, and was designed by Purtill Family Business with cover typography by artist and designer Paul Elliman.

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1971 : A Year in the Life of Color
by Darby English

Art historian Darby English is celebrated for working against the grain and plumbing gaps in historical narratives. In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.

1971 takes an insightful look at many black artists’ desire to gain freedom from overt racial representation, as well as their and their advocates’ efforts to further that aim through public exhibitions. Amid calls to define a “black aesthetic” or otherwise settle the race question, these experiments with modernist art favored cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight.

The power and social importance of these experiments, English argues, came partly from color’s special status as a racial metaphor and partly from investigations of color that were underway in formalist American art and criticism. From Frank Bowling to Virginia Jaramillo, Sam Gilliam to Peter Bradley, black modernists and their supporters rose above the demand to represent or be represented, compromising nothing in their appeals for racial reconciliation. At a time when many debates about identity sought closure, these exhibitions offered openings; when icons and slogans touted simple solutions, they chose difficulty. But above all, as English demonstrates in this provocative book, these exhibitions and artists responded with optimism rather than cynicism to the surrounding culture’s preoccupation with color.

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Melvin Edwards
Five Decades

First edition of this now out-of-print major monograph on the work of Melvin Edwards.
Over the past five decades, New York-based sculptor Melvin Edwards (born 1937) has produced a remarkable body of work redefining the modernist tradition of welded sculpture. Working primarily in welded steel, Edwards is perhaps best known for his Lynch Fragments, small-scale reliefs born of the turmoil of the Civil Rights Movement. Beyond the Lynch Fragments, Edwards’ oeuvre encompasses larger sculptures, installations, public projects, drawings, studies and prints.

Published on the occasion of a major retrospective originated by Nasher Sculpture Center, Melvin Edwards: Five Decades presents a richly illustrated examination of Edwards’ career, featuring more than 90 works and numerous unpublished photographs from the artist’s archive.

Texts by Alex Potts, Tobias Wofford, Catherine Craft.

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