Tetsumi Kudo

Slip-cover-1Slipspread-1

The Slip of the Tongue
Danh Vo, Caroline Bourgeois, Julie Ault, Heinz Peter Knez, Stefan A. Peterson (Eds.)


Edited by Danh Vo, Caroline Bourgeois, Julie Ault, Heinz Peter Knez, Stefan A. Peterson.
Exhibition curated by Danh Vo and Caroline Bourgeois
Texts by Patricia Falguieres, Elisabeth Lebovici, and Amy Zion
Photography by Heinz Peter Knez

Danh Vo’s conceptual artworks and installations often draw upon elements of personal lived experience (his own, the lives of his parents and other family members) to explore broader historical, social or political themes, particularly those relating to the history of Vietnam at the close of the twentieth century. The works shown in this book—closely related to an exhibition at the Pinault Foundation in Venice—in addition to Vo’s site-specific installations, include some curious old works of art from Venetian museums and collections, provocatively chosen by Vo to establish an unprecedented dialogue between past and present.

Beautifully designed, comprehensive exhibition catalogue with two inserted booklets (text book with words by Patricia Falguieres, Elisabeth Lebovici, and Amy Zion; and exhibition guide/artist profile book and work list), with the main book entirely made up of elegant colour photographic imagery by Heinz Peter Knez of the exhibition itself and the wonderful collection of works assembled. Profusely illustrated with installation views, works and details, featuring the work of Leonor Antunes, Nairy Baghramian, Giovanni Bellini, Constantin Brancusi, Marcel Broodthaers, Giovanni Buonconsigliodetto Il Marescalco, Hubert Duprat, Michael Elmgreen & Ingar Dragset, Luciano Fabro, Peter Fischli and David Weiss, Felix Gonzalez-Torres, Petrit Halilaj, David Hammons, Roni Horn, Peter Hujar, Tetsumi Kudo, Bertrand Lavier, Zoe Leonard, Francesco Lo Savio, Lee Lozano, Robert Manson, Piero Manzoni, Sadamasa Motonaga, Jean-Luc Moulène, Henrik Olesen, Pablo Picasso, Sigmar Polke, Carol Rama, Charles Ray, Auguste Rodin, Cameron Rowland, Andres Serrano, Nancy Spero, Sturtevant, Alina Szapocznikow, Paul Thek, Harald Thys & Jos Degruyter, Danh Vo, David Wojnarowicz, Martin Wong.

Description
The Slip of the Tongue
Product Options
#OptionPriceStock
1-$85.001
Shipping
Shipping Rate: C
Order The Slip of the Tongue - @ $85.00
MORE...
ai4-coverai5spread-1

Art International
Vol. XI/7 September 20, 1967

Art International, Vol. XI/7 September 20, 1967
Published and Edited by James Fitzsimmons
Advisory Editors: Umbro Apollonio, Jorge Romero Brest, Lucy R. Lippard, James Mellow.

Features: Helen Frankenthaler, Expo ’67, Jean Tinguely, Alexander Calder, Max Bill, Niki de Saint-Phalle, Otto Frei, James Rosenquist, Claude Viseux, Henri Michaux, César, Antonio Saura, Piero Gilardi, Roy Lichtenstein, Claes Oldenburg, Andy Warhol, Arman, Pol Bury, Paul de Lussanet, Henry Moore, Luis Alberto Wells, Peter Schmidt, Erwin Heerich, Michelangelo Pistoletto, Kenneth Martin, Tim Scott, Allen Jones, Tess Jaray, Jean Dubuffet, Brassai, Tetsumi Kudo, Louise Nevelson, Marcel Duchamp, Raphael Jesus Soto, and many more.

Art International was a highly regarded international art journal based in Switzerland from 1957-1984. With international editors and contributing writers, A.I. was issued 10 times per year and was published and edited by James A. Fitzsimmons.

* Condition: Good-Very good  – All care is taken to provide accurate condition details of used books, photos available on request.

Description
Art International, Vol. XI/7 September 20, 1967
Product Options
#OptionPriceStock
1-$65.001
Shipping
Shipping Rate: C
Order Art International, Vol. XI/7 September 20, 1967 - @ $65.00
MORE...
1960-cover1960-spread

Trends of Japanese Art in the 1960s
Departure for Diversity

Great book published on the occasion of the exhibition at the Tokyo Metropolitan Art Museum in 1983.
Illustrated throughout in colour and black and white with examples of leading firgure in 1960s Japanese art scene, across themes and movements such as Gutai, Mono-ha, Pop, Fluxus, Dada, conceptual art and much more, including profiles on Tetsumi Kudo, Yukihisa Isobe, Ushio Shinohara, Shusaku Arakawa, Takami Sakurai, Yoshio Murakami, Hisashi Indo, Tomio Miki, Nobuaki Kojima, Jiro Takamatsu, Genpei Akasegawa, Natsuyuki Nakanishi, Koichi Tateishi, Hiroshi Nakamura, Koichi Tanikawa, Kei Hiraga, Ay-o, Tadanori Yokoo, Tasuo Ikeda, Tetsuro Komai, Hideo Hagiwara, Fumiaki Fukita, Yukio Fukazawa, Arinori Ichihara, Masuo Ikeda, Mitsuo Kano, Hideo Yoshihara, Tetsuya Noda, Bushiro Mouri, Saburo Muraoka, Shu Eguchi, Hisayuki Mogami, Ryokichi Mukai, Yoshikuni Iida, Bukichi Inoue, Isamu Wakabayashi, Masakazu Horiuchi, Kakuzo Tatehata, Haruhiko Yasuda, Moio Shinoda, Katsuhiro Yamaguchi, Masunobu Yoshimura, Tatsuo Kawaguchi, Minami Tada, Aiko Miyawaki, Nobuo Sekine, Takeo Yamaguchi, Masanari Murai, Toshinobu Onosato, Yoshishige Saito, Minoru Kawabata, Kumi Sugai, Yayoi Kusama, On Kawara, Keiji Usami, Takahiko Iimura.

Texts in Japanese.

* Condition: Very Good (only very light cover wear otherwise tight, clean copy) – All care is taken to provide accurate condition details of used books, photos available on request.

Description
Trends of Japanese Art in the 1960s
Product Options
#OptionPriceStock
1-$90.001
Shipping
Shipping Rate: B
Order Trends of Japanese Art in the 1960s - @ $90.00
MORE...
kudoparis-cover-1kudoparis-spread-1

Tetsumi Kudo


Very rare Tetsumi Kudo catalogue produced on the occasion of his exhibition at Wunderland Gallery, Berlin, in 1978. Contains colour and black and white reproductions of Kudo’s cages and other works, alongside texts in German.

Born in Osaka, Japan, in 1935 Kudo first gained notoriety in the Tokyo art scene of the late 50s. He began exhibiting his work at the Salon of Independents, Yomiuri and had his first solo exhibition at the Galerie Blanche, Tokyo. He was awarded the Grand Prize and a travel grant to Paris through his painting participation in the 1962 Second International Young Artists Exhibition in Tokyo. Immigrating to Paris, he immediately started working in a range of media–objects, sculpture, installation, drawing and painting–and presenting numerous Happenings and performances. Kudo’s work and activities intersect with many important postwar artistic trends–including French Nouveau Realisme, Fluxus, Pop art, 60s anti-art tendencies and 80s Postmodernism. Throughout his life and career, Kudo remained particularly Japanese while his art and vision were consistently and uniquely transcultural, internationalist and cosmopolitan. His work made international appearances at the Stedelijk Museum, Amsterdam (1972), Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany, (1970), Venice Biennial (1976), and the Biennial São Paulo (1977, awarded a special mention) while also appearing frequently in museums and galleries throughout Japan and France, with a growing recognition in the Netherlands.

Description
Tetsumi Kudo (1978)
Product Options
#OptionPriceStock
1-$160.001
Shipping
Shipping Rate: A
Order Tetsumi Kudo (1978) - @ $160.00
MORE...